Connect with us

Entertainment

NOFX aren’t breaking up, they’re retiring — and it’s probably for the best for everyone involved

Published

on

NOFX aren’t breaking up, they’re retiring — and it’s probably for the best for everyone involved

After 40 years as a band, the bold and brash punk quartet NOFX is calling it quits, but not in a dramatic, explosive way. Instead, they’re signing off this weekend after three final sets at Berth 46 in San Pedro that will wrap up a massive globetrotting tour in which they play 40 songs each night and never the same set twice. It’s the culmination of four decades together as one of the biggest punk bands on the planet, and roughly 10 years of the kind of slow-building resentment that’s usually reserved for close family members and old married couples.

“When you were in a punk band in ’83 all the way through ’88 or so, there was no hope of ever making a living, because no punk band had ever done it,” lead vocalist and bassist “Fat Mike” Burkett says in his backstage trailer at Chicago’s Riot Fest, surrounded by a documentary crew following the final tour and holding a quarter-consumed bottle of Tito’s vodka. “We just did it because we loved it. There was no future. I went to college and real estate school, but I always just wanted to play music with my best friends. It was about saying things you just want to say and not caring what other people think.”

But after spending the bulk of the 1980s fruitlessly bouncing around the SoCal punk rock scene, in the ’90s NOFX — Burkett, guitarists Eric Melvin and Aaron “El Hefe” Abeyta and drummer Erik “Smelly” Sandin — soared to unimagined career heights.

NOFX’s achievements and impact on punk rock at both a local and a global level can’t be overstated. Throughout the ‘90s and 2000s (including 1994’s seminal album “Punk in Drublic”), they became one of the most revered and influential bands in the genre due largely to their unique combination of inappropriate humor, unremorseful attitude, catchy tunes and surprisingly intelligent lyrics. Not only did they define the sound of West Coast punk rock alongside their SoCal contemporaries like Social Distortion, Bad Religion and Descendents but they also opened up opportunities for the next generation of (more radio-friendly) punk rock to reach massive mainstream appeal through bands like Green Day and the Offspring.

Following a decade of success after success as the face, primary songwriter and de facto leader of one of the most prominent bands and record labels in punk rock, Burkett turned his attention to a new cause: ruining the reelection campaign of President George W. Bush. Leading up to the election, Burkett used his platform with the band as well as his Bay Area-based record label, Fat Wreck Chords, to launch Rock Against Bush, a political movement aimed at getting punk fans to vote against the incumbent president. It featured a tour, compilation CDs, merchandise (including the iconic “Not My President” shirts) and tangentially NOFX’s 2003 album, “The War on Errorism.”

Advertisement

Fat Mike Burkett of NOFX performs at Riot Fest 2024 in Chicago.

(Craig Cummins)

“I gave it a year and a half of my life, and I feel I did my civil service,” Burkett says. “I traveled around the country, did radio shows at 6 a.m., did a whole Warped Tour and probably signed up a couple hundred thousand kids. Me and half the staff at Fat Wreck Chords f—ing gave it our all and worked really hard. It was f—ing heartbreaking. That’s why I’m not gonna let it ruin my life if Trump wins. It would be horrible and democracy may be killed, but you can’t let it ruin your life. You still have to be happy and joyful. Help in your community, and do what you can to still make the world a better place even if we’re f—ed.”

People who know Burkett both inside and outside of the band believe the 2004 election was the first time he’d earnestly set out to do something and failed, and he took it extremely hard. To cope with that loss, Burkett — who says he’d never touched cocaine until 1998 — turned harder into drugs and alcohol at a time when some of his bandmates (all of whom were in their late 30s in 2004) were looking to move away from the partying lifestyle.

Advertisement

Nevertheless, NOFX continued on relatively unimpeded for a decade or so, until the band says Burkett’s drug use began to slowly affect his decision-making, recording and live performances. Since then, the rift between the frontman and the others (particularly Melvin) has deepened to the point where the trio has held multiple interventions for Burkett — most recently in 2020, when he went to rehab for a month after vomiting and defecating blood at the vacation home of friend Matt Sanders, singer of Avenged Sevenfold.

“I went to rehab for a month, got out and was sober for pretty much 10 months — but not completely sober,” Burkett says.. “We had a couple rehearsals where I did some lines of coke and had some drinks beforehand, and toward the seventh or eighth month, I was partying again. They all were saying, ‘You’re so much better now. You’re such a nicer person. You’re so much happier.’ And I was thinking, ‘This is hysterical. I’m doing the exact thing I’ve always done.’ When they’d ask me, ‘How’s your sobriety going?’ I would say, ‘Great!’ because if you look up the word ‘sobriety’ in the dictionary, it’s not ‘not drinking,’ it’s that you’re under control of your life.”

Fat Mike and Eric Melvin of NOFX performing at Riot Fest 2024 in Chicago.

Fat Mike and Eric Melvin of NOFX performing at Riot Fest 2024 in Chicago.

(Craig Cummins)

Burkett doesn’t see his drug use as a problem and believes that he’s as healthy as he’s ever been thanks to moderation and exercise (he’s particularly fond of riding his bicycle, which he says he does 20 to 30 miles per day). In fact, the NOFX ringleader says he “only uses drugs when [he’s] working” and believes that retiring from the band — and the preshow ritual of cocaine and vodka that he says he uses to balance his nerves and energize himself — will be good for his health.

Advertisement

To Burkett, the primary issue causing the familial drama within NOFX after all these years is a perceived lack of gratitude and respect he receives from his bandmates even when he feels as though he’s the one steering the ship.

It’s a situation where who’s “wrong” and who’s “right” likely doesn’t matter, as a resolution is unlikely to be found while they’re all stuck in a band together. Burkett and Melvin will always have their own versions of what’s transpired in recent years, with the other two members and the complicated truth all likely somewhere in the middle. But even amid their ongoing differences, Burkett admits it’s not as simple as just wanting to be thanked for being the primary songwriter or booking new opportunities. Instead, it’s a sense of boredom with playing the same shows and same material since he was a teenager. It’s not that the 57-year-old thinks he’s done writing songs or performing; he just wants new avenues in which to do them.

“I liken it to being a playwright who wrote a great play 40 years ago,“ says Burkett, who actually did write a musical called “Home Sweet Home” back in 2014. “I’m the playwright and the actor, and although the play is good and I’m a good actor, I’ve been acting in this f—ing play for 40 years. It’s been an absolute joy playing in a band with my best friends for 40 years, because all the dudes in my band are friends. They’re swell. They’re good dudes, but we’re not close like we used to be. Everyone’s got families and the things they’re doing now, so when we get together, it’s very professional.”

Four punkers standing in front of a metal door

“We were just treading water, and we were doing fine, but it was nothing like this,” Burkett said. “We called it off at the right time, and when people tell me, ‘You’ll be back in five years…’ they can go f— themselves.”

(Jesse Fisher)

Advertisement

While some may look at the thousands of screaming fans showing up to each night of the farewell tour as proof that NOFX should continue — an idea that Melvin, Sandin and Abeyta are all open to — it also seems like the right time to call it quits before the members (again, particularly Melvin and Burkett, who haven’t spoken to each other in quite some time outside of band necessities) damage their relationship any further. Maybe they could’ve pushed on for another decade, but perhaps it’s better to go out with a bang and allow everyone to move on to the next stage of their lives before they melt down and fight each other onstage. After all, the reunion offers will most certainly be there if and when they’re ready.

As for the band returning in the near future, nothing is certain, but Burkett seems dedicated to keeping his word. Despite cracking jokes — at the expense of metal band Slayer — about a potential reunion at their penultimate tour stop at Riot Fest, he maintains that this is it for NOFX because “it’s so wonderful to have a beginning and an end.”

“I’ve never had my heart filled like it’s been on this tour — and our fan base is just incredible — but we had to stop,” Burkett says. “We were just treading water, and we were doing fine, but it was nothing like this. We called it off at the right time, and when people tell me, ‘You’ll be back in five years…’ they can go f— themselves. They don’t know me. People trust that I’m being honest in my life and in my lyrics, so how could I lie to our entire fan base and to everyone by telling them this is the last tour if it’s not? How could anyone do that? I can’t do it.”

Advertisement

Movie Reviews

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

Published

on

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

Advertisement

With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

Advertisement

On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

Continue Reading

Entertainment

Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Published

on

Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

Advertisement

Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

Advertisement
Continue Reading

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Published

on

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

Advertisement

Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

Continue Reading
Advertisement

Trending