Between limited-edition Starbucks drinks and flamboyant red carpet appearances, “Wicked” has taken the world by storm leading up to its highly-anticipated release Friday. 

The film — part one of the two-part musical — returns audiences to the magical realm of flying monkeys and the Emerald City. The story is inspired by L. Frank Baum’s “The Wizard of Oz” and Victor Fleming’s 1939 film adaptation, this time introducing viewers to younger versions of Glinda the Good and the Wicked Witch of the West. 

“Wicked,” however, is more directly based on the Broadway musical of the same name — which first landed on stage in June 2003 — inspired by the 1995 novel ”Wicked: The Life And Times Of The Wicked Witch Of The West,” from author Gregory Maguire. 

All of this to say, this film has been literal decades in the making. 

The iconic story’s latest installment follows the bubbly, charismatic Galinda Upland (Ariana Grande) and green-skinned outcast Elphaba Thropp (Cynthia Erivo), whose initial rivalry leads to an unlikely friendship. 

Despite their distinctly different backgrounds, the popular girl and the pariah are forcibly introduced as roommates at the esteemed Shiz University, where they discover a shared aspiration to become sorceresses.

Animosity gives way to affection as the pair bond over newfound similarities, beautifully represented in the fan-favorite musical number “Popular,” during which Grande’s vocals greatly impress. The playful, whimsical scenery and vibrant takes on the Broadway production’s original costumes — both in this scene and throughout the whole film — add to the fun, enhancing the pair’s chemistry and lighthearted energy of the scene.

For a film centered on kindred spirits, soulmates and finding oneself, its messages are patently present in the relationship between Erivo and Grande, both on and off the screen. 

During their press tour, the decorated actress and renowned pop star have repeatedly referenced their deeply loving friendship, which began blossoming on set. Viral clips of the two crying mid-interview(s) began circulating, drawing both curiosity and criticism from fans.

Erivo responded to these criticisms in a Buzzfeed interview, discussing the importance this project holds to the cast. 

“We keep trying to say it’s not that we’re just crying out of nowhere. This experience was, like, a huge, life-changing, crazy, emotional thing,” Erivo said during the interview. 

When bringing a Broadway musical to the big screen, there can be many challenges — in particular, finding a film cast that can live up to that of the theater production. And yet, director Jon M. Chu transforms the two-hour-and-30-minute Broadway musical into a two-part cinematic journey, with the first segment alone clocking in at two hours and 40 minutes. 

In its extended runtime, the film expands on Elphaba’s backstory and further explores the world of Oz, offering more action-packed sequences that could never be realized on stage. 

Songs once limited to a theater setting now unfold in open landscapes, including the iconic sweeping tulip fields of Oz. Elphaba is also no longer confined to staged illusions of flight, with the film showing Erivo soaring through the air above the Emerald City’s towering green spires, giving audiences a never-before-seen glimpse into Oz.

The film medium also allowed for more opportunities to get creative with costume design, something Paul Tazewell took full advantage of. 

According to an article from People Magazine, the film’s costume team created over 1,000 costumes in total. Grande has 25 total looks spread over the two films — compared to the nine costume changes in the Broadway production — each of which provides a playful, sparkling addition to the witch’s iconic wardrobe. 

Fans of the original Broadway production will not be disappointed by Erivo’s exhilarating performance of “Defying Gravity” in the finale of the first act. Erivo’s wide range of vocals combined with the vibrant cinematography and action-packed conclusion create the perfect segue to the second part — set to release Nov. 21, 2025. 

All in all, “Wicked” does justice to the original musical’s beloved soundtrack and storyline, while also highlighting bold, colorful cinematography and voices new to the world of Oz.

Though the nearly three-hour runtime might discourage some viewers, the film maintains its allure with witty humor and impressive performances from both Erivo and Grande. The supporting cast, including Jonathan Bailey, Michelle Yeoh and Jeff Goldblum, also shines, contributing to the experience of the film. 

Sure enough, “Wicked” has everything that really counts to be popular this weekend at the box office. 

Rating: 5/5

Organizers of the Besame Mucho Festival announced on Monday via an Instagram post that the 2024 edition of the event was canceled due to “circumstances beyond [their] control.” The one-day event was scheduled to take place Dec. 21 at Dodger Stadium.

“We take great pride in our annual celebration of exceptional music and culture, connecting generations in a way no other event can,” the post read. “After working tirelessly all year to bring you another unforgettable show in December, we are deeply disappointed to share this news.”

The second L.A. edition of Besame Mucho was originally set to feature headliners Shakira, Enrique Iglesias, Los Tigres del Norte and Banda MS. Other notable performers included Pitbull, Ana Barbara, Gloria Trevi, Juanes, Carlos Vives and Elvis Crespo. Had the event taken place, it would’ve marked Shakira’s first headlining set at a music festival.

The 2023 Besame Mucho Festival showcased performances from Maná, Los Bukis and Gloria Trevi. Standout moments included Natalia Lafourcade’s memorable rendition of Juan Gabriel’s version of “Ya No Vivo por Vivir,” a homecoming performance by Los Lobos and a retrospective setlist from Los Bukis. Tickets for the inaugural event sold out in 70 minutes.

As of Monday afternoon, general admission tickets for the canceled event were still being sold for $435 and VIP packages starting at $745. According to the festival’s statement, ticketholders will be automatically refunded “in as little as 30 days.”

Last week, organizers shared the lineup for the Austin, Texas, edition of the festival, set to take place in April. Scheduled to perform are some of the biggest acts in musica Mexicana like Peso Pluma, Ramon Ayala and Carin León.

Christmas-themed movies have become so ubiquitous it’s hard to avoid the feeling that filmmakers have come to think of them as annuities for their retirement accounts. So it’s no wonder that the Farrelly brothers have waded into the territory for the first time, with their new comedy directed by Bobby Farrelly making its debut on Paramount+. And while Dear Santa doesn’t exactly qualify for entry in the filmmakers’ pantheon beside the likes of There’s Something About Mary and Dumb and Dumber, it should fulfill its goal of being trotted out annually for holiday consumption alongside the turkey and the eggnog.

Considering that the words “Santa” and “Satan” contain exactly the same letters, it’s amazing that it’s taken this long for someone to come up with the idea for a movie about an 11-year-old with dyslexia who writes a letter to Santa, only to find it answered by Satan thanks to inadvertent letter placement.

Jack Black, in his first collaboration with the Farrellys since 2001’s Shallow Hall, plays Satan, who shows up one night in the bedroom of Liam (Robert Timothy Smith, a real find) after the bespectacled tween has written what he thought was a letter to Santa. Satan, sporting horns and a burgundy leather-and-fur outfit and announcing that he’s there “in the naughty flesh,” doesn’t bother at first to inform Liam of the truth but instead offers him three wishes, in the devilish hope of stealing the little boy’s soul.

Liam’s first wish is for the romantic attentions of Emma (Kai Cech), his classmate with whom he’s besotted. Satan instantly grants it and it isn’t long before Liam is escorting Emma to a Post Malone concert, complete with VIP seats and backstage pass. This plot element provides the opportunity for an extended sequence featuring the superstar rapper-singer playing himself, which should help the film appeal to its desired teen demographic.

As with any deal involving Satan, things quickly grow complicated, here in the form of subplots involving Liam’s friend Gibby (Jaden Carson Baker) having to pretend to be a cancer patient and Liam’s concerned parents (Brianne Howey, Hayes MacArthur) having him see a child psychologist. (The shrink is played by the always funny but unfortunately underutilized Keegan-Michael Key.)

It should hardly come as a revelation that Black’s hardworking comedic efforts are the film’s saving grace. Adopting a deep growl that makes him sound like late-period Jack Nicholson, the actor is clearly having a ball with his colorful role, and the fun proves infectious. He makes the many bad jokes bearable and the decent ones even funnier with his typically manic, perfectly timed delivery.

And to be fair, there are a few decent ones in the screenplay co-written by Peter Farrelly and Ricky Blitt (Family Guy, Loudermilk), even if it inevitably includes bathroom humor in the form of Satan casting a gastrointestinal distress spell on Liam’s obnoxious English teacher (P.J. Byrne). “Every time a grown man sharts himself, a demon earns its horns,” a smug Satan informs Liam. There are several funny pop culture references that should please adults while befuddling the target audience, including a reference to One Flew Over the Cuckoo’s Nest and Satan announcing that he’s staying at the “Redrum Motor Lodge.”

“You can probably guess my room number,” he adds.

Culminating in a maudlin ending that seems a bit much even for a film of this type, Dear Santa is the sort of forgettable holiday fare — much like the current theatrical misfire Red One — that will probably nonetheless live on forever on streaming services. And if no less a figure than Charles Dickens could resort to creating a Christmas story for some quick cash (look it up), why shouldn’t the movie studios?