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Without Gore or Violence, This Serial-Killer Thriller Creeps Into Your Soul

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Without Gore or Violence, This Serial-Killer Thriller Creeps Into Your Soul

Laurie Babin and Juliette Gariépy in Red Rooms.
Photo: Nemesis Films

There are no real red rooms in Canadian director Pascal Plante’s unnerving thriller Red Rooms. Mostly a lot of white, gray, blank ones — from the bare and futuristically antiseptic courtroom where a grisly trial is taking place, to the minimalist high-rise Montreal apartment where the film’s protagonist lives, to the squash courts where she takes out her anger. The title refers to the horrific, blood-soaked dungeons where, it is alleged, the serial killer on trial — Ludovic Chevalier, also known as “the Demon of Rosemont” and played wordlessly by Maxwell McCabe-Lokos with saucer-eyed, predatory calm — mutilated his teenage victims while livestreaming the slaughter for money. We do witness distant flashes of such a room at one point, but the idea mostly looms over the film like an unseen dimension, a psychotic alternate reality beneath and beyond the eerie, empty drabness of modern life.

Plante’s interest lies not so much in the criminal or his victims but on the people obsessed with him. The film (which is now available on demand and playing in select theaters) follows Kelly-Anne (Juliette Gariépy), a statuesque and mostly expressionless professional model who gets in line early every night to get into the small courtroom in the morning. Deep into the world of the dark web, Kelly-Anne spends much of her time playing online poker with Bitcoin and hacking into other people’s private lives — even accessing the email accounts and security codes for the grieving parents of the Demon’s victims. Kelly-Anne doesn’t show much emotion, but Plante often accompanies her scenes with wailing, operatic music that is as expressive as she is not. She also meets another serial killer groupie who could be her polar opposite in personality, Clémentine (Laurie Babin), a manic chatterbox who genuinely believes Chevalier must be innocent because his big eyes are too kind. (His eyes, by the way, are not kind — and Plante makes fine use of them in one of the film’s more striking scenes.)

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There is no real bloodshed in Red Rooms, but there is a kind of spiritual savagery. Plante achieves this partly through subtraction: Confronted with a verbal accounting of the Demon’s unspeakable crimes, Kelly-Anne’s poker-faced fascination with the trial is increasingly hard to read. Is she drawn to Chevalier and his alleged acts, or repulsed by them? This is among the many questions that hang in the air for most of Red Rooms’ running time, and the unnerving mystery of Kelly-Anne’s psyche, combined with the ease with which she moves through the shady corners of the internet, present a portrait of a very modern soul — unreadable, unstable, and unsettling.

At the same time, the initially controlled direction of the film — with its long, deliberate tracking shots, and orderly spaces — suggests a character who is herself fully in control of herself and her surroundings. Kelly-Anne might be unwell, but she’s also quite cool. This contrasts sharply with the messy behavior of Clémentine, who during one of the movie’s more bravura sequences calls into a late-night talk show to try and defend Chevalier, only to reveal how unhinged she really sounds. But as Red Rooms proceeds, Kelly-Anne’s reality also begins to slip, and the film’s style becomes looser, more frantic and fragmented. So much so that we might even start to question the veracity of what we’re seeing.

Despite the (thankful) lack of gore and violence, Red Rooms feels curiously giallo-adjacent at times. The bursts of formalism, the melodramatic score, the ways in which the model-protagonist’s own profession becomes a stylistic barometer for her mental state — these are all evocative of that classic, colorful subgenre of horror. What’s missing is the tongue-in-cheek exploitative quality of giallo. Or is it? By denying us cheap thrills, and by pointedly going in the other direction, Red Rooms highlights their absence. This picture about people obsessed with criminals and their grisly crimes confronts us with the mystery of who the obsessives truly are; the questions we ask of Kelly-Anne could also be asked of all us genre fiends. The expressionless, fascinated gaze at the heart of this film is ultimately not the protagonist’s, but our own.

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Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat

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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.

🔥 Quick Facts

  • Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
  • Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
  • March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
  • Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases

Project Hail Mary Dominates with 95% Critical Acclaim

Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.

According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.

Streaming Certified Fresh Titles Light Up March

March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.

Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.

Beyond the Blockbusters: Other Standout Certified Fresh March Releases

Title Tomatometer Score Release Date Status
Hoppers 94% March 6, 2026 Theaters
Ready or Not 2 73% March 20, 2026 Theaters
Late Shift 96% March 20, 2026 Theaters
Two Prosecutors 97% March 20, 2026 Theaters

“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”

IMDb Critics, Film Review Community

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What Makes a Film Certified Fresh on Rotten Tomatoes

Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.

This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.

Plan Your March Movie Marathon Now – Which Film Will You Watch First?

Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.

New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?

Sources

  • Rotten Tomatoes – Official certification database and critical scoring system
  • Variety – Best movies streaming in March 2026 coverage
  • The Wrap – Most anticipated films arriving in March analysis

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MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

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MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

By BREANNA WHIPPLE

Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters

Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters. 

More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.

Nestled in the Hudson Valley, Kinderhook is an old town with even older legends. Despite being over 100km from the village of Sleepy Hollow, Kinderhook was the inspiration for Washington Irving’s The Legend of Sleepy Hollow. (Ichabod Crane was modelled after a Kinderhook schoolmaster; plaques honour this fact in the small community.) At a glance, one can sense an otherworldly ether in this place where the veil is seemingly especially thin.

THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.” 

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“Haunted” feels like an inappropriate description.  What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook. 

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.

Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.

Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious. 

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We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.

THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms. 

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Lisa Dent

Weekdays 2-6pm

A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)

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