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When movie ratings make absolutely no sense

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When movie ratings make absolutely no sense

We need to talk about the critic reviews for The Acolyte. Critics and audiences have been at war for years.


Audiences usually accuse critics of being either out of touch or biased because they tend to downplay the quality of popular movies and shows. On the other hand, critics have a reputation for assigning ridiculously high scores to content audiences could not care less about.

I usually defend the critics even though I rarely agree with their opinions because audiences have a ridiculously warped perception where this topic is concerned. First of all, audience and critic scores are not quite as divergent as online conversations suggest.

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Check Rotten Tomatoes. You might be surprised to learn that most shows and films have similar audience and critic ratings. Generally speaking, audiences and critics like the same things. Those significant differences people obsess over only emerge in rare instances.

Unfortunately, those are the cases audiences highlight because they concern highly publicized films and shows. But even if those differences were more common than the evidence suggests, you can’t accuse critics of being ‘out of touch with the public’ because they are not paid to be ‘in touch’ with anyone.

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Are some critics biased? Definitely, but they are the minority. That said, the divide between critic and audience scores for The Acolyte is astounding. Right now, the show has a critic rating of 85 percent and an audience score of 14 percent on Rotten Tomatoes. Naturally, some people blame the abysmal audience score on review bombing.

That term refers to a situation where large groups of people assign a negative score to a movie or show without watching it because they want to make a point. You can’t dismiss the review bombing allegations because a rabid section of the Star Wars fanbase continues to express its desire to destroy The Acolyte’s reputation online because of the social and political messages it peddles.

But even if you eliminated the trolls, the show’s audience score would most likely peak at 30 percent. In that regard, I would expect the critic rating to settle in the 60s, showing that critics are not blind to The Acolyte’s weaknesses, but they also appreciate subtle strengths such as the acting and production values.

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An 85 percent rating is pure madness. It says that critics absolutely love a productthat audiences completely despise, and that does not make sense. You expect to see that sort of discrepancy with artsy indie projects that critics typically swoon over, not big-budget shows that are explicitly designed to appeal to mainstream audiences.

Before you argue that Rotten Tomatoes does not accurately reflect the critical response to this show, no one cared about The Acolyte. In fact, viewers initially rejected the show because of the lackluster trailers.

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Remember Episode 3 from a week ago? Diehard Star Wars fans nearly rioted because it supposedly broke Star Wars canon by hinting at Mae and Osha’s immaculate conception. Casual fans like me don’t care about Star Wars canon. We thought the episode was boring.

And critics? They had early access to the episode and praised it as one of the most mind- blowing 35 minutes of Star Wars they had ever seen. Clearly, something is amiss. It is almost like audiences and critics are watching two different shows. I can’t help but wonder whether the online conspiracies are correct and Hollywood critics are only impressed by The Acolyte because of the diverse cast.

If you argued that the presence of minority characters (black female leads, Asian Jedi, lesbian witches, etc) was actively swaying their opinions, I would have a difficult time disputing your claim.

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I agree that art is subjective and some viewers have genuinely enjoyed The Acolyte thus far; however, the drastic difference in audience and critic scores shows that Disney (and Lucasfilm) took a wrong turn somewhere.

katmic200@gmail.com

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Movie Reviews

Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

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Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

Nikhil Nagesh Bhat’s high energy action film Kill is not for the faint hearted.
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Language: Hindi

Director: Nikhil Nagesh Bhat

Cast: Lakshya, Raghav Juyal, Tanya Maniktala, Abhishek Chauhan, Ashish Vidyarthi, Adrija Sinha, Harsh Chhaya

 It’s true that we don’t really need stars to make a successful film. Nikhil Nagesh Bhat’s Kill has totally killed it with all its energy.  It is fresh, bold and a unique story that not many have thought about and that’s what makes it different. Violent no doubt, but don’t most movies have an element of violence?

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I believe Kill is a path breaking Indian action film, but definitely not for the faint heart. It is true that I am not too fond of extreme bloodshed, murder and also not to forget the smashing of head scenes. But keeping my choices aside, I would say Kill is a well-made film and the action sequences are simply mind-blowing. Having watched the movie at the
Red Sea International Film Festival
last year for the first time, I wonder, why did it take so long for the film to be released in India?

It’s insanely violent. What works for Kill is the simple storyline and no beating around the bush. Not much twist and turns and most importantly hitting the hammer right on the nail and sometimes on the people too. The action takes place inside the train with no unnecessary drama, dancing and singing. The concept is daring and fresh for the Indian audience and that makes 
Kill
 stand out. No flying cars, choppers and superman stunts and most importantly actors like Lakshya, Raghav Juyal and the battalion of dacoits are relatable to the Indian audience. They look like ordinary guys and that’s what makes them special. Lakshya plays the role of an army man, Amrit who is a great boyfriend to Tulika played by Tanya Maniktala.

Lakshya has done a brilliant job, but the actor to look out for is Raghav Juyal. He has a promising career ahead of him. He is one evil character you can’t stop hating. Raghav’s performance is intense and the dialogue delivery, expressions, and every action is absolutely compelling. I must say that this man truly knows his craft. The best thing that the movie brings out is that murderers too have emotions.

If you are looking for a high energy action film 
Kill
 is one such must watch. Nikhil Nagesh Bhat’ has no doubt done a brilliant job as a director, but without cinematographer Rafey Mehmood probably this film wouldn’t have been such a hit. The best part about the film Kill is that not even once will you get bored. No matter how much at times I hated the gory action scenes and tried closing my eyes, the more I got interested in what’s happening next. The discomfort of the blood splatter, the punching, kicking, stabbing and smashing of head all in a train will surely make you think twice before booking a train ticket next time!

Rating: 4 out of 5

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WATCH the trailer of Kill here: 

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Movie Review: ‘A Quiet Place: Day One’ | Recent News

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Movie Review: ‘A Quiet Place: Day One’ | Recent News

“A Quiet Place: Day One” made a grave miscalculation with its advertising. Scenes were filmed with the intention of putting them in the trailers, but not the movie. This way, when people saw the movie, they wouldn’t be able to properly anticipate the surprises and story progression. To that end, the advertising succeeded, I was indeed thrown off while watching the movie. But here’s where they didn’t succeed: the scenes shot just for the trailers were terrible, with clumsy dialogue and careless pacing. I was so mad at Hollywood for continuing this series without the creative vision of director John Krasinski, especially when the movie looked like garbage without his input. I only saw this movie out of obligation for the column, and I wouldn’t be surprised if fans of the series stayed away entirely because of those awful trailers. But it turns out that not only is this movie better than the trailers, it’s better than the two installments that Krasinski directed.

“Day One” casts aside the familiar Abbott family in favor of new protagonist Sam (Lupita Nyong’o). Sam is a cancer patient taking a trip from her hospice to Manhattan along with her nurse Reuben (Alex Wolff) and service cat Frodo. Sam only agrees to the trip on the condition that the group stop for pizza at her favorite place in Harlem. The sudden invasion of echolocating aliens means a delay in pizza. Honestly, Sam is only interested in self-preservation to the end that it means eventual pizza.

Sam shelters in place for a bit with Reuben, who has a great scene where he stares down an alien like he’s staring down death itself. Also in the shelter is familiar character Henri (Djimon Hounsou) from “Part II” of the series, here forced to make an unthinkable decision. She moves on to helping some children in Central Park before finding a companion in anxious wreck Eric (Joseph Quinn). Can the two survive in alien-infested New York long enough to get a slice of pizza? If so, what happens after that?

“Day One” has the most suspense yet for a “Quiet Place” movie. It was scary enough that characters had to keep quiet to save their lives on a family farm or in small town. But in New York, the noises are as big as the pizzas. Speaking of food, I wonder if the characters’ best bet for survival would be to let the aliens fill up on noisy people and then hope they’re too stuffed to give chase. Maybe that’s why the film’s biggest flaw is that the main characters get away with making as much noise as they do.

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The film does an excellent job of wringing scares out of not only the slightest sounds, but loud-looking images. Even with everybody promising to be quiet, a crowd of people is going to make noise eventually, that’s just how crowds are. So if the characters find themselves as part of a crowd, the clock is already ticking. And that’s with a reasonable amount of effort being made. Some people just aren’t cut out for quiet, and associating with those people in this environment could prove fatal.

“A Quiet Place: Day One” had me afraid to breathe loudly in the theater, a testament to the film’s immersiveness. And yet, the suspenseful atmosphere is only the second-best thing about the movie. The real star here is, well, the star: Lupita Nyong’o. This movie doesn’t have returning players John Krasinski, Emily Blunt, or even recent Oscar-winner Cillian Murphy, and Nyong’o makes up for all of them. One way or another, Sam doesn’t have much time left on this Earth, but you’ll want to be there for every moment. It took until nearly the exact halfway point of the year, but I think we have our first serious contender for an acting Oscar. Not bad for a movie whose advertising had me thinking it would be one of the worst films of the year.

Grade: B

“A Quiet Place: Day One” is rated PG-13 for terror and violent content/bloody images. Its running time is 100 minutes.


Robert R. Garver is a graduate of the Cinema Studies program at New York University. His weekly movie reviews have been published since 2006.

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Movie review: 'Despicable Me 4' fun for kids, nightmare for adults

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Movie review: 'Despicable Me 4' fun for kids, nightmare for adults
The experience of watching “Despicable Me 4” is a Kafkaesque nightmare, and not only because one of the main characters turns himself into a roach. The film is an interminable 95 minutes of circular, intertwining, seemingly never-ending storylines rendered with such audio-visual cacophony that it dissolves into an indiscernible din. This fourth (or is it sixth?) installment of the inexplicably …
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