Movie Reviews
The King of Kings (2025) – Movie Review
The King of Kings, 2025.
Directed by Seong-ho Jang.
Featuring the voice talents of Oscar Isaac, Kenneth Branagh, Uma Thurman, Pierce Brosnan, Roman Griffin Davis, Forest Whitaker, Ben Kingsley, Mark Hamill, Ava Sanger, Jim Cummings, Fred Tatasciore, Dee Bradley Baker, James Arnold Taylor, Vanessa Marshall, Mick Wingert, Imari Williams, Frank Todaro, and Millicent Miereanu.
SYNOPSIS:
The story of our Lord Jesus Christ as told by Charles Dickens and seen through the innocent eyes of a child.

Writer/director Seong-ho Jang’s animated feature The King of Kings (sadly not a biopic about WWE legend Triple H) tells the life story of Jesus for children, mainly from a child’s perspective. It’s a 100-minute Sunday school lesson that doesn’t approach the material in a fun, complex, or dazzling (the animation is largely expressionless and merely competent) way for younger viewers, mostly content running through Jesus Christ’s (voiced by Oscar Isaac with a soft voice and gentle warmth, capturing his essence) famous miracles without placing them in a greater context. It’s “and then Jesus did this” for roughly 80 minutes, before the inevitable crucifixion, which, while sanitized here, is still heavy for kids.
At times, there is uncomfortable messaging that if you don’t put your faith in Jesus, you get what you deserve (a ship captain navigating a nasty thunderstorm is asked to walk on water toward Jesus, but starts to sink for this very reason), even if the grand message is about kindness and forgiveness. It’s trying to be kid-friendly; the issue is that the life story of a guy who ended up betrayed and nailed to a cross is an awkward fit for PG animation. It’s not Mel Gibson’s Passion of the Christ, but it’s also not far off.

The filmmakers (with Rob Edwards and Jamie Thomason credited for some additional writing, and Hoseok Sung as the co-head of story) seem to think that implementing a narrative device stolen from Charles Dickens’ life, that every Christmas he would read to his children his life story of Jesus (a book that remained unpublished at his request for a long time, until the death of his last remaining children) every year on Christmas is enough to recontextualize this as a kids movie.
Here, Charles is voiced by Kenneth Branagh, married to Catherine (voiced by Uma Thurman) and finds himself trying to settle down his King Arthur-obsessed hyperactive son Walter (voiced by Roman Griffin Davis) by telling the life story of Jesus Christ, which in this film is meant to be the inspiration for that book. This means that during every single biblical miracle, the film either cuts back to the real world every 10 seconds or sticks Walter in the story so he can shout about whether or not Jesus will fight a dragon. That’s the one joke this movie has, which even children will get tired of by the second or third time. Beyond that, the goal is to illustrate how so many legendary stories have been lifted from the story of Jesus, and how a child might react to the miracle-working highs and the fatal lows, losing out to resurrection.

There isn’t much in terms of story and characters. This is hollow and possibly the most Angel Studios movie to have existed. Not even glorified voiceover cameos from greats such as Mark Hamill, Ben Kingsley, and Pierce Brosnan amount to much. The point isn’t to tell a narrative but to rush through all this as quickly as possible. The King of Kings is drained of anything that resembles Charles Dickens’ storytelling and humor, and one imagines that when he told stories about Jesus to his children, they were filled with more personality.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Flickering Myth Reviews Editor. Check here for new reviews and follow my BlueSky or Letterboxd
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Movie Reviews
UNTIL DAWN Review
UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot of UNTIL DAWN puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.
Dominant Worldview and Other Worldview Content/Elements:
Strong humanist worldview that twists the concept of modern psychology into a supernatural hellscape with unexplained time loops and reoccurring nightmarish horror filled with excessive violence and gore, but with unexplained pagan supernatural elements (such as a storm circling a house, the appearance of more buildings, the time loop itself, and many more), the time loop perverts the laws of mortality and implies that the consequences of violence, murder, suicide, etc., don’t apply, the psychologist controlling the time loop discusses the situation with modern psychology in vague circles meant to confuse and disorient the nature of the reality in which the victims are trapped, religion or God is not explicitly discussed, but there’s an unexplained cross in front of a house that isn’t explained and a character references the belief that a possessed person cannot become possessed through contact but rather weakness of faith, and some occult content where one woman is a self-described psychic and is into “woo-woo” stuff as another character describes it, she tries to amplify her psychic abilities with help from the others by holding hands and meditation, and she often has strong feelings and seems to have a sense the others do not have, but no worship or symbols are shown, plus a girl dating a guy is said to have previously dated a girl as well as other men;
Foul Language:
At least 101 obscenities (including 62 “f” words), two strong profanities mentioning the name of Jesus, and four light profanities;
Violence:
Very severe violence and gratuitous blood and gore throughout including but not limited to dead bodies, monsters, scarred masked psychopath, stabbing, beating, and people spontaneously exploding;
Sex:
No sex shown, but a person puts on a VHS tape and a pornographic movie is heard playing briefly but not shown, and a woman is said to date a lot of people and one time dated another woman;
Nudity:
No nudity;
Alcohol Use:
No alcohol use;
Smoking and/or Drug Use and Abuse:
No smoking or drugs; and,
Miscellaneous Immorality:
A psychologist is a callous antagonist whose motives are relatively unknown beyond having a morbid curiosity that led to awful experiments and playing games with other people, he purposely keeps people trapped for no known reason other than his sick and twisted observations that end in gruesome murder and unnecessary torture.
One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town. This place of unimaginable horrors traps them all in a horrifying time loop where they will be murdered again and again.
UNTIL DAWN is nicely shot and paced well, with believable performances, but it has a strong humanist worldview overall with some occult elements is filled with gruesome violence, gore, lots of strong foul language, and a time loop that leads to an increasing amount of horrific murder and unacceptable immoral actions for survival.
The movie begins with a woman named Melanie clawing her way through the dirt with an unknown monster chasing after her. Digging her way out, she looks up to a masked psychopath standing over her with a scythe. She begs him, “No! Please not again. I can’t!” He fatally stabs her without a thought. It cuts to the main title, and an hourglass is shown with a ticking clock sound and unsettling music.
Cut to a group pf people in a red car driving up a winding mountain, an obvious nod to THE SHINING. It’s been one year after Clover’s sister Melanie vanished without a trace. The group consists of Max, Nina, Megan, Abe, and Clover. Shortly after their mother died, Melanie had decided to start a new life in New York. Clover decided to stay, which created tension between the sisters before Melanie left.
Clover and her friends are looking for more information about her disappearance. Their last stop is the last place she was seen in a video message taken in front of a middle-of-nowhere gas station. Megan, a proclaimed psychic, wants to join hands outside and see if they can feel any mystical energy regarding Melanie. Their attempt is cut short when an RV blares its horn and almost hits them, scaring them all.
Clover goes inside the gas station for a cup of coffee while the others talk outside. Clover asks the man behind the register if he worked here last year. After confirming he’s been working there for years, she shows him a picture of Melanie from the video. He asks if she was missing and clarifies saying that Clover is not the first to come asking. When she asks if many people around here go missing, he says people “get in trouble” in Glore Valley. As their only lead, the group decides to go there and stick together.
Nervously driving to the valley in an increasingly dangerous storm, the group begins to question what they are doing. Suddenly the storm stops but is still raging behind them. They park in front of a house with a “Welcome Center” sign, with the storm circling around the area but leaving the house dry. Confused, they get out of the car and look around. Nina decides to see if there’s anyone inside so they can come up with a plan. Everyone goes in except Clover, who walks up to the strange rain wall.
Inside the house, they find a dated and dusty interior. The power and water don’t work, and they conclude that they are the first people to come there in years. There is a strange hourglass with a skull on the wall. Checking the guest book, Nina finds Melanie’s name signed multiple times, with increasingly shaky handwriting. In another room, Abe finds many missing posters with faces on a bulletin board and finds poster with Melanie’s face.
Outside, Clover thinks she sees a person in the rain. She also hears Melanie’s voice and runs after it. Concerned, Max calls after her and he pulls her back in. As Nina signs the guestbook, the sun suddenly sets and the clock starts ticking.
Inside the house now with the hourglass turned over, they try to understand what’s happening. The car is out in the rain now with someone revving the engine threateningly. Some of them go to the dark basement, where the lights don’t work. There is an eerie sense of dread as Abe goes to check out a noise, and Nina finds a scarred and masked psychopath standing in a room as the top half of Abe’s body falls to the ground.
Hearing the commotion upstairs, the others go to see what happened and Max spots the killer. They run to hide, and the apparently invincible psychopath horrifically stabs each of them as they try to fight back. The sand in the hourglass runs back, as each character returns to where they were when Nina originally signed the book (she now signs it a second time). They remember what had just taken place, and how they were all murdered. Clearly stuck in this time loop escape room situation, they will now have to figure out how to escape this terrifying hellscape as the situations get worse with every loop.
UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.
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