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'The Bikeriders' movie review: A bumpy ride through the 60s

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'The Bikeriders' movie review: A bumpy ride through the 60s

Imagine a Martin Scorsese film set in the 1960s biker subculture of Chicago, echoing ‘Goodfellas’ but under two hours. Jeff Nichols’ The Bikeriders might be what you’d get. Inspired by Danny Lyon’s photographic book, the movie delves into the transformation of 1960s biker gangs from social clubs to organised crime.

Centered around Kathy, portrayed by Jodie Comer (Free Guy), the narrative dives into the dangerous world of the Vandals, led by the charismatic Johnny (Tom Hardy, Mad Max) and his right-hand man Benny (Austin Butler, Elvis). These characters channel the rebellious spirits of Marlon Brando and James Dean, offering a window into a turbulent subculture through Kathy’s eyes.

Tom Hardy’s Johnny, with his inconsistent American accent, subtly recalls his portrayal of the distinctly British Kray Twins in Legend (2015), occasionally mumbling his words, while Butler appears limited to his previous portrayal of Elvis, serving mainly as a visual attraction.

In contrast, Jodie Comer gives a compelling performance, despite her peculiar Midwestern accent. Nichols introduces engaging secondary characters like Zipco and Sonny played by Michael Shannon and Norman Reedus respectively, creating memorable, brief appearances that hint at deeper, unexplored narratives. The cinematography by Adam Stone and David Wingo’s musical score complement each other effectively, supported by a few cleverly written lines.

While he Bikeriders manages to be succinct yet impactful, it loses its pace in the latter half, quickly descending into obscurity, much like the bygone era of American counterculture it depicts.

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Published 22 June 2024, 02:30 IST

Movie Reviews

Movie Review: AFFECTION – Assignment X

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Movie Review: AFFECTION – Assignment X


By ABBIE BERNSTEIN / Staff Writer


Posted: May 8th, 2026 / 08:34 PM

AFFECTION movie poster | ©2026 Brainstorm Media

Rating: Not Rated
Stars: Jessica Rothe, Joseph Cross, Julianna Layne
Writer: BT Meza
Director: BT Meza
Distributor: Brainstorm Media
Release Date: May 8, 2026

 AFFECTION is an odd title for this tale. While it is about a number of topics and emotions, fondness isn’t one of them. Obsession, definitely. Love, possibly. The kind of general warm fellow feelings associated with “affection”? No.

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There have been a lot of movies lately in which characters – mostly women – are grappling with false identities and/or false memories imposed upon them, mostly by men.

Let us stipulate that the protagonist (Jessica Rothe) in AFFECTION is not an android or in an artificial reality. However, we can tell something is way off from the opening sequence. A car is stalled on a tree-bordered highway. Rothe’s character is lying face down on the asphalt beside it, possibly dead.

But then the young woman rises, dragging a broken ankle. She experiences a full-body seizure. Fighting to recover, she sees oncoming headlights and tries to run, only to be hit by a car.

The woman wakes up in a bed she doesn’t recognize, next to a man (Joseph Cross) she likewise is sure she’s never seen before. One big confrontation later, the man says his name is Bruce – and that the woman is his wife, Ellie.

Ellie insists that her name is Sarah Thompson, and she is married to someone else, with a son. When she sees her reflection in a mirror, she doesn’t relate to the face looking back at her.

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Bruce counters that Ellie has a rare neurological condition that causes her to block out her waking life and believe her dreams are real. This is why they agreed, together, to move to this isolated house, without the kinds of interruptions that can hinder Ellie’s recovery.

The set-up is presented in a way where we share Ellie’s skepticism. But Ellie and Bruce’s little daughter Alice (Julianna Layne) immediately identifies Ellie as “Mommy!” Alice appears to be too young to be in on any kind of deception, so what is going on here?

AFFECTION eventually explains this via a helpful videotape, though it’s so convoluted that viewers watching on streaming may want to replay the sequence to make sure they understand the exposition.

Writer/director BT Meza musters a sense of menace and lurking weirdness, as well as making great use of his location.

We still have a lot of questions, many of which are still unanswered by the film’s end. It may not matter to the points AFFECTION is trying to make, but a better sense of exactly how all this started might help our investment.

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As it is, despite a heroically versatile performance by Rothe, a credible and anguished turn by Cross and appealing work from Layne, we’re so busy trying to piece together what’s important and what’s not and how we’re supposed to feel about all of it that it can be hard to keep track of the action as it unfolds.

Agree or not, Meza’s arguments are lucid and illustrated clearly by AFFECTION’s events. However, the movie is structured in a way that becomes more frustrating as it goes. We comprehend it intellectually but can’t engage viscerally.

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Movie Reviews

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

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8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

RICHMOND, Va. (WRIC) — In this episode of 8News Reel Talk, digital producer Julia Broberg is joined by anchor Deanna Allbrittin and reporter Allison Williams to talk about “The Devil Wears Prada 2.”

The hosts gave their reviews and assigned the following star ratings:

Deanna: ★★★★.5

Allison: ★★★.25

Julia: ★★

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To watch more livestreams and digital video content, head to the WRIC+ Originals page. You can also watch full on-demand videos on your smart TV using the WRIC+ app.

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Movie Reviews

“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

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“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Billie Eilish fans prepare yourself,  the much talked about secret project has finally arrived on the big screens!

Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.

The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

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The film is very much fan focussed, with the sound mix being so specific that you can hear individual fans singing along in sync with the visuals.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.

The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.

Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.

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