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‘Spaceman’ movie review: Adam Sandler cannot save gloomy sci-fi affair

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‘Spaceman’ movie review: Adam Sandler cannot save gloomy sci-fi affair

A still from ‘Spaceman’ 

According to Netflix’s description and genre, Spaceman is a sci-fi drama. According to me… it’s anything but.

Johan Renck’s (we know him as the director of the hit show Chernobyl) new directorial has a dreary premise at the very outset, and never really kicks into gear. Based on the 2017 novel Spaceman of Bohemia by Jaroslav Kalfař, this film follows Jakub Procházka’s (a very woebegone Adam Sandler) physical and spiritual journey to outer space.

Jakub is six months into a solo space mission. He is sent there to investigate what everyone in the film calls a ‘Chopra Cloud,’ a mysterious cloud of dust he is supposed to collect. A few minutes into the film, it is shown that he is struggling with loneliness, and misses his pregnant wife Lenka (Carey Mulligan) whom he left alone with a lot of unresolved baggage.

Lenka is now thinking of leaving him, and Jakub doesn’t know this yet because his commanding officer (Isabella Rossellini) makes sure he doesn’t get the messages; however, the spaceman still realises something is amiss.

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Spaceman

Director: Johan Renck

Cast: Adam Sandler, Carey Mulligan, Kunal Nayyar, Lena Olin, Isabella Rossellini and Paul Dano

Duration: 107 minutes

Storyline: Six months into a solo mission, a lonely astronaut confronts the cracks in his marriage with help from a mysterious creature he discovers on his ship

When he is aimlessly floating around the 1960s-looking vessel being lonely and bitter, a spider turns up. This ancient creature (voiced by Paul Dano) is telepathic and a certified therapist, or at least behaves like one. Hanuš, as Jakub calls him, delves deeper into the latter’s thoughts, makes him realise his cause for loneliness and tells him where he went wrong with Lenka: he left her alone to deal with life.

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A still from ‘Spaceman’

A still from ‘Spaceman’

Unfortunately, Spaceman suffers from an identity crisis that it never solves. There are American and English actors playing Czech roles, Jakub has confusing flashbacks of his father who supposedly did “bad things” and was on the “wrong side of history”, and Lenka’s character lacks depth.

We also don’t know enough about his childhood to imagine what he went through with his father, we don’t know enough about Lenka to be there for her, and we certainly don’t understand how they fell in love, why she never left him, or why she came back to him in the end.

Even though Sandler as Jakub looks nothing like the ‘skinny human’ as Hanuš calls him, he gives it all; with some Sandler-like humour, this film would have easily wafted into the space of an enjoyable sci-fi drama.

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Mulligan, as we all know, would have been brilliant with better writing and more screen time. Paul Dano’s mellifluent voice makes up for the otherwise sombre music. The supporting cast also includes Lena Olin and Kunal Nayyar; Nayyar’s love for space-related characters seems to be going strong years after The Big Bang Theory ended.

Remember the emotional relationship between Aragog and Hagrid in Harry Potter? Heartwarming, right? This emotion between the arachnid and the human in Spaceman gets lost somewhere in space, much like the whole film itself, to never return.

Spaceman is currently streaming on Netflix

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Movie Reviews

‘Hoppers’ review: Who can argue with hilarious talking animals?

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‘Hoppers’ review: Who can argue with hilarious talking animals?

Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.


movie review

HOPPERS

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Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.

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“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine. 

Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”

Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”

What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence. 

Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.

What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”  

In Pixar’s “Hoppers,” a teen girl discovers a secret device that can turn her into a talking beaver. AP

Bold and fiery Mabel — PETA, but palatable — sees an opportunity. 

The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared. 

So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.

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From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out. 

Mabel (Piper Curda) meets King George (Bobby Moynihan). AP

Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power. 

Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”   

That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities. 

Mayor Jerry (Jon Hamm) plans to destroy a local pond to build an expressway. AP

No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression. 

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Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it. 

But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.

AP

“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.

Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

4/5 stars

Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.

The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.

Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.

Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.

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“This is like Avatar,” Mabel coos, and, in truth, it is. Plugged into a headset, Mabel is reborn inside a robotic beaver. She plans to recruit a real beaver to help populate the glade, which is set to be destroyed by Jerry’s proposed road.
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Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

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Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

‘How to Make a Killing’

Directed by John Patton Ford (R)

★★

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