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‘Spaceman’ movie review: Adam Sandler cannot save gloomy sci-fi affair

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‘Spaceman’ movie review: Adam Sandler cannot save gloomy sci-fi affair

A still from ‘Spaceman’ 

According to Netflix’s description and genre, Spaceman is a sci-fi drama. According to me… it’s anything but.

Johan Renck’s (we know him as the director of the hit show Chernobyl) new directorial has a dreary premise at the very outset, and never really kicks into gear. Based on the 2017 novel Spaceman of Bohemia by Jaroslav Kalfař, this film follows Jakub Procházka’s (a very woebegone Adam Sandler) physical and spiritual journey to outer space.

Jakub is six months into a solo space mission. He is sent there to investigate what everyone in the film calls a ‘Chopra Cloud,’ a mysterious cloud of dust he is supposed to collect. A few minutes into the film, it is shown that he is struggling with loneliness, and misses his pregnant wife Lenka (Carey Mulligan) whom he left alone with a lot of unresolved baggage.

Lenka is now thinking of leaving him, and Jakub doesn’t know this yet because his commanding officer (Isabella Rossellini) makes sure he doesn’t get the messages; however, the spaceman still realises something is amiss.

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Spaceman

Director: Johan Renck

Cast: Adam Sandler, Carey Mulligan, Kunal Nayyar, Lena Olin, Isabella Rossellini and Paul Dano

Duration: 107 minutes

Storyline: Six months into a solo mission, a lonely astronaut confronts the cracks in his marriage with help from a mysterious creature he discovers on his ship

When he is aimlessly floating around the 1960s-looking vessel being lonely and bitter, a spider turns up. This ancient creature (voiced by Paul Dano) is telepathic and a certified therapist, or at least behaves like one. Hanuš, as Jakub calls him, delves deeper into the latter’s thoughts, makes him realise his cause for loneliness and tells him where he went wrong with Lenka: he left her alone to deal with life.

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A still from ‘Spaceman’

A still from ‘Spaceman’

Unfortunately, Spaceman suffers from an identity crisis that it never solves. There are American and English actors playing Czech roles, Jakub has confusing flashbacks of his father who supposedly did “bad things” and was on the “wrong side of history”, and Lenka’s character lacks depth.

We also don’t know enough about his childhood to imagine what he went through with his father, we don’t know enough about Lenka to be there for her, and we certainly don’t understand how they fell in love, why she never left him, or why she came back to him in the end.

Even though Sandler as Jakub looks nothing like the ‘skinny human’ as Hanuš calls him, he gives it all; with some Sandler-like humour, this film would have easily wafted into the space of an enjoyable sci-fi drama.

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Mulligan, as we all know, would have been brilliant with better writing and more screen time. Paul Dano’s mellifluent voice makes up for the otherwise sombre music. The supporting cast also includes Lena Olin and Kunal Nayyar; Nayyar’s love for space-related characters seems to be going strong years after The Big Bang Theory ended.

Remember the emotional relationship between Aragog and Hagrid in Harry Potter? Heartwarming, right? This emotion between the arachnid and the human in Spaceman gets lost somewhere in space, much like the whole film itself, to never return.

Spaceman is currently streaming on Netflix

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Movie Reviews

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”