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Smile review: A cruelly scary studio horror movie | Digital Trends

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Smile review: A cruelly scary studio horror movie | Digital Trends

The alarm has been tripped. The backdoor is extensive open. And who or no matter’s impersonating the security-system operator on the opposite finish of the telephone line has simply croaked three phrases that no horror film character would ever need to hear: “Look behind you.” The command places Rose (Sosie Bacon), the more and more petrified heroine of Smile, between a rock and a tough place. She has to look, even when each fiber of her being would somewhat not. And so does the viewers. We’re locked into her campfire crucible, compelled to observe the hesitant backward tilt of her gaze, and the anticipatory creep of a digicam that’s sluggish to disclose what that disembodied voice has invited her (and us) to find.

Smile is filled with moments like this. It’s a nasty, diabolically calibrated multiplex scream machine — the sort of film that sends ripples of nervous laughter by means of packed theaters, the type that marionettes the entire crowd right into a synchronized dance routine of frazzled nerves and spilled popcorn. Flip up your nostril, should you should, on the lowly low cost sting of a soar scare. Smile offers that maligned gadget a exercise for the ages. It rattles with aplomb.

The primary massive shock arrives earlier than the delayed opening credit, on the emergency psychiatric ward the place Rose works as a therapist. A affected person, quaking with concern, screams of being haunted by a malevolent pressure. After which the distraught lady seizures right into a blankly beaming trance state, as if dosed with Joker toxin, and methodically cuts a gushing wound throughout her throat to match her ear-to-ear smile. It’s a horrible factor to witness, and Rose isn’t simply shaken by the incident. She’s cursed by it, too, as her personal life is slowly invaded by a ghoulishly grinning psychological phantom — an unholy aftershock of tragedy that solely she will be able to see, and which might take the type of folks she is aware of and loves.

Style buffs will now notice that the premise echoes one of many nice horror films of the brand new millennium, David Robert Mitchell’s dreamily sinister suburban creepshow It Follows. (Right here, once more, are figures planted within the ominous distance, and stretches of unoccupied background house you start to concern will quickly be occupied.) That’s not the one corpse Smile scavenges. The movie additionally picks from the bones of The Ring, the Elm Avenue films, and Drag Me to Hell, and even disposable Blumhouse junk like Fact or Dare. But from these leftovers, it cobbles collectively a satisfying meal; scares which are this fiendishly efficient are scarcely diminished by figuring out what impressed them.

Increasing his acclaimed 11-minute quick, Laura Hasn’t Slept, right into a full first function, writer-director Parker Finn establishes a prodigious expertise for using our nervous techniques like a rollercoaster. He’s internalized and almost mastered a variety of tips of the commerce: foreboding establishing photographs that peer from a extreme overhead vantage or flip the world on its seasick head; transitional cuts so arduous and sharp they approximate somebody lurching out of a nightmare. Smile has little mercy. It jolts with electrical precision. On the identical time, Finn varies the techniques, figuring out when to take much less crude routes underneath our pores and skin. There’s a party scene that distorts the cheerful serenading right into a spooky reverberating incantation, earlier than unwrapping a really sadistic shock. And the good character actor Rob Morgan drops by for a terrific one-scene cameo that proves how a lot simulated terror can goose the true type; his uncooked emotion is insidiously infectious.

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Sosie Bacon goes to check on a smiling patient.

Plotwise, the entire thing’s somewhat inventory. It has its clunky, compulsory components, together with a lopsided love triangle that simply fills up house between superlative bursts of funhouse mayhem. And the story finally shades into a type of beginner expository investigations horror heroines so typically embark upon, as Rose traces again a string of suicides, uncovering what the viewers will work out just a few reels earlier. Will it shock anybody to study that the true monster of this 2022 monster film is trauma itself? In Smile, that cobwebbed conclusion strikes from subtext to express textual content: The risk, somewhat actually, is PTSD as a transmissive hex, whereas the climax hinges very bluntly on confronting demons of a private, childhood selection. But Finn hasn’t put the cart earlier than the horse, as some highfalutin horror movies from the previous decade have. He’s made a mainstream fright flick too genuinely, unpretentiously scary to be confused for a therapeutic train.

Perhaps too darkly humorous, too. There’s a contact of midnight-black humor to a psychological well being skilled stubbornly rationalizing her supernatural misfortune. Rose has, in any case, been on the opposite aspect of such paranoia. What would she inform a affected person seeing visions after a traumatic expertise? Bacon, daughter of Kyra Sedgwick and Kevin Bacon, finds the drama and the comedy of this ordeal. Her Rose has an amusing behavior of managing her mounting misery, tagging a sheepish “Sorry” onto the tip of every freak-out.

Smile finally ends up drawing some grim conclusions. It’s “truly about trauma” in a somewhat unsparing manner, with little curiosity in regurgitating comfortingly cathartic platitudes. One may even determine, in its apocalyptic haunted-house climax, a merciless rebuttal to the Babadook Restoration Plan. But when this studio shocker finally proves a bitter tablet to swallow, it’s been sugarcoated in virtually joyously energetic craft, the plain delight Finn takes in dousing us all in gallons of premium goosebump gasoline. Horror followers, at the very least, will stroll out with an exaggerated rictus of their very own.

Smile opens in theaters in every single place Friday, September 30. For extra of A.A. Dowd’s writing, please go to his Authory web page.

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Movie Reviews

‘Better Man’ movie review: Robbie Williams is a chimp. (Just go with it.)

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‘Better Man’ movie review: Robbie Williams is a chimp. (Just go with it.)
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Music biopics are too often predictable, formulaic and, let’s face it, dull. One way to liven them up, however, is to venture way outside the box and make the central subject an anthropomorphic animal. And while an alligator Freddie Mercury in “Bohemian Rhapsody” or a sloth Bob Dylan in “A Complete Unknown” might have been bridges too far, a chimpanzee Robbie Williams defies logic and somehow works in “Better Man.”

Director Michael Gracey’s admirably eccentric biopic/jukebox musical (★★★ out of four; rated R; in select theaters now, nationwide Friday) still boasts the signature tropes of its ilk and the career-tanking vices of many a “Behind the Music” episode. Yet the fact that the ultra-cheeky Williams is inexplicably presented as a bawdy CG ape man (given cool moves and voice via performance capture by Jonno Davies) matches the fantastical nature of the British pop star’s bananas rise-and-fall-and-rise-again tale.

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The movie also has a lot in common with Gracey’s most famous effort, “The Greatest Showman,” featuring well-crafted, effervescent musical numbers doing what they can to make up for oversentimentality and an unfocused narrative.

Narrated by Williams himself, “Better Man” chronicles his life starting as a little simian dude playing soccer in the streets with his mates – and failing to impress his peers. Like his father Peter (Steve Pemberton), Robbie wants to be somebody and slowly he begins to embrace a charismatic, wild-child personality that wins him a spot in the boy band Take That. His brazen and outrageous personality wins over some like pop-star girlfriend Nicole Appleton (Raechelle Banno) – and his many fans – but irks many others, from his bandmates and manager (Damon Herriman) to members of Oasis.

The middle of the movie is where “Better Man” finds its groove. Robbie sings “Rock DJ” and his group pogo-sticks through London’s busy Regent Street in the film’s most spectacular sequence. And as the insecure Robbie goes down a bad path, he’s forced to literally fight the conflicting parts of his pop-star persona. Drugs and being a selfish jerk threaten everything, of course, and seeing a chimp go through the out-of-control partying instead of a normal dude is a bit different. The family drama peppered through the film leans too earnest, leading to an ending that pours on the schmaltz way too hard. Brash simian Robbie is a lot more fun to watch than soppy simian Robbie.

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No one’s ever going to play a primate like the brilliant Andy Serkis in his “Planet of the Apes” films. Davies does a good job at moving in such a way that’s human but also a little bit wild, which adds to the hyperrealism of a proudly oddball movie. It doesn’t completely explain why exactly Williams is a chimp in the biopic – he’s said he feels “less evolved” than others, and Nicole calls Robbie an “animal” during a fight – but it makes that bizarre choice a little less head-scratching.

Interestingly, the best part of “Better Man” is Williams. He sings the songs throughout the movie – including nifty new tune “Forbidden Road” – and his fabulous narration hilariously slings jabs and adds an emotional gravitas to his screen counterpart’s struggles. When the film goes most over the top, Williams’ commentary keeps it grounded.

“Better Man” isn’t perfect – as a straightforward effort, it doesn’t hold a candle to, say, “A Complete Unknown.” But it’s never boring, either. And the film is easily the most idiosyncratic of its kind, at least until that inevitable Barry Manilow biopic featuring a yeti.

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Research: How Top Reviewers Skew Online Ratings

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Research: How Top Reviewers Skew Online Ratings
Online platforms from Amazon to Goodreads to IMDb tap into the so-called “wisdom of the crowd” to rate products and experiences. But recent research suggests that more experienced buyers tend to select better products and therefore expect higher quality, which leads them to rate more stringently. This means that higher-quality products could paradoxically receive lower average ratings than their less-sophisticated competitors. Researchers used data from IMDb, a leading movie platform, to document this bias, and propose an easy-to-implement algorithm to adjust ratings to better align with external proxies of quality.
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The Forge Movie Review (with Spoilers)

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The Forge Movie Review (with Spoilers)


This image depicts the discipleship and mentorship prevalent throughout the movie The Forge. Digitalskillet captured this image on August 31, 2018. This image was downloaded from iStock.com on January 7, 2025.

If you are looking for a good movie to watch during these cold winter days, I suggest The Forge

Before providing an explanation for my recommendation I must warn that this review does contain spoilers. Therefore, do not read the rest of this article if you intend to watch the film.

The Forge

A Brief Summary

Under the direction of Alex Kendrick, The Forge is a faith-based movie emphasizing the importance of discipleship. Actors such as Priscilla Shirer,  Cameron Arnett, and Aspen Kennedy bring this theme to life with a passion for God that exudes beyond a typical acting role.

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Their passion manifests through the story of Isaiah Wright, a young adult struggling to find direction in life. He focuses on playing video games, hanging out with friends and not handling his responsibilities.

His mother scolds him for his lackadaisical habits but a transformation does not occur until he meets Joshua Moore. Joshua Moore, the owner of Moore Fitness gym, offers Isaiah a job. 

Little does Isaiah know, this opportunity will not only change his financial status but help him draw closer to God. God uses Joshua Moore as a mentor who gives Isaiah professional and personal advice to help him mature.

Over a short period of time, Isaiah decides to stop resisting God and accept Jesus as his Lord and Savior. After hearing the news, Mr. Moore disciples Isaiah and invites him into fellowship with other Christian men. 

This maturation helps Isaiah apologize for past mistakes, forgive his father and become a courageous young professional.

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The Forge concludes with Mr. Moore issuing a challenge to his forge (and viewers) to make disciples for Jesus Christ.

Relatable to the African American Community 

Brokenness & Fatherlessness 

Along with a compelling message to go make disciples for Christ, The Forge also highlights themes relatable to the African American Community.

One theme was Isaiah’s brokenness due to the absence of his father. This may seem like a negative depiction of black families because some media platforms associate fatherlessness with African Americans.

However, I see this as a positive since it confronts the realities that many young adults of various ethnic backgrounds face.

Pain Drawing People Closer to God

Another theme Christians in the Black community can relate too is painful situations drawing them closer to God. For Isaiah, pain occurs through fatherlessness and the inability to find direction for his life.

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But after surrendering his life to God, Isaiah transforms into a new creation.

For Mr. Moore, tragedy happens through a car accident resulting in his son’s death. Mr. Moore is so distraught, his marriage almost ends. Thankfully, yielding his anger to God helps him become a dynamic mentor for other men.

Ownership & Excellence in Business 

One way Mr. Moore serves as a dynamic mentor is by discipling his employee Joshua. Mr. Moore has the freedom to share his faith with Joshua since he owns Moore Fitness Gym. 

This same freedom appears as Joshua’s mom prays with her employees and friends at Cynthia’s (her hair salon).  

In addition to a gym and hair salon, the film features a black owned coffee shop.

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Seeing positive representations of African Americans in business through this film is encouraging for two reasons. 

First, this positive representation shows all Christian’s how we can use employment to glorify God regardless of our job title. Second, this film shows there is a strong sense of work ethic, unity, teamwork and business savvy in black families.

Hopefully, this inspires more Christians to start black owned family businesses that will make a lasting impact in their communities.

The Impact of Discipleship

One way to make a lasting impact in any community is by investing in people. Mr. Moore this by establishing the forge and discipling countless men who then disciple others. 

Through these personal investments, men not only grow spiritually, but in every aspect of their lives. They also gain a health support system that allows them to function in community the way God intends.

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Imagine what our churches, families and society will look like if more men accept the responsibility of discipleship. 

3 Things You Might Have Overlooked

The Power of Prayer 

The displays of discipleship prevalent in this film could not be possible without prayer. Isaiah’s mom asks her forge to pray for him on a few occasions.

Prayer is also evident during Isaiah’s conversion experience as well as Mr. and Mrs. Moore’s daily affairs. These examples prove we can not draw closer to God or help others in their relationship with the Lord without prayer.

This is why Paul uses scriptures like 1 Timothy 2:8 to illustrate the importance of prayer.

An Excellent Use of Scripture

Along with illustrating the importance of prayer, The Forge does an excellent job of using scripture in its proper context.  This is seen as Mr. Moore quotes or references the following scriptures to make key points

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  1. Matthew 28:19.
  2. Luke 9:23.
  3. Galatians 5:13-14.

This factor stands out to me because I have seen other films use scripture and biblical principles out of context. 

Being contextually accurate with scripture is essential because someone who does not fully understand a scripture may be susceptible to false teachings. God will hold filmmakers who intentionally misuse scripture accountable for making others stumble. 

A Reminder About Sin

Thankfully, instead of making me stumble, The Forge offers a helpful reminder about sin.  Sin is not just acts like using drugs, embezzling money, or committing adultery which are typical in many films.

Instead, The Forge reminds viewers that holding grudges, selfish ambitions, and not consulting God in every decision are also sins. I appreciate this reminder because it’s easy for believers to think they are in right standing with God if they do not commit sins others find unjustifiable.

However, God also takes offense when we act in ways that suggest he is not the Lord of our lives. We must strive to live by Luke 9:23 daily in order to be sincere disciples for Christ.


How do you feel about The Forge? I’d love to hear your thoughts. Your comments and feedback are greatly appreciated!

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