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Salem's Lot (2024) – Movie Review

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Salem's Lot (2024) – Movie Review

Salem’s Lot, 2024.

Written and Directed by Gary Dauberman.
Starring Lewis Pullman, Alfre Woodard, Makenzie Leigh, Bill Camp, Spencer Treat Clark, Pilou Asbæk, John Benjamin Hickey, William Sadler, Jordan Preston Carter, Nicholas Crovetti, Cade Woodward, Kellan Rhude, Debra Christofferson, Rebecca Gibel, Mike Bash, Fedna Jacquet, Avery Bederman, Liam Anderson, Marilyn Busch, Sage Rudnick, Alyana Hill, Gavin Maddox Bergman, and Alexander Ward.

SYNOPSIS:

Author Ben Mears returns to his childhood home of Jerusalem’s Lot in search of inspiration for his next book only to discover his hometown is being preyed upon by a bloodthirsty vampire.

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Stephen King’s Salem’s Lot has an abundance of characters, with writer/director Gary Dauberman seemingly uninterested in positioning one group front and center in this adaptation. Instead, the film jumps between them, ranging from adults to children, often forgetting to develop any of these characters or explain who they are and what they care about. Whether this is a casualty of trying to adapt the entire novel into a 113-minute movie or just incompetent filmmaking is up for debate (I don’t think I’ve ever read the novel, and I don’t remember anything about previous adaptations), but one thing is for sure; this story is empty and lacks scares. The only portion it comes close to working is during some third-act vampire-battling that comes with clever kills, thrills, and urgency.

Taking place in Salem’s Lot (a rural Maine town as in most Stephen King works), there is a vested interest in bringing it to life, showing off as many establishments and locations as possible. In some ways, this takes away from time that could go to actual characterization, but the effort is admirable nonetheless. Among those stores is a new furniture place opened up by Barlow and his business partner Straker (Alexander Ward and Pilou Asbæk), with the former secretly being a vampire and having the other do his bidding to prepare for a takeover. Their headquarters is also an abandoned house thought to be haunted.

Meanwhile, author Ben Mears (Lewis Pullman) has returned to town for the first time since childhood, having not felt right there from a young age and looking to reclaim some of that uneasiness while getting in touch with his roots. He befriends the local school teacher Matt Burke (Bill Camp, frequently and amusingly seen rocking a Boston Red Sox jacket) while learning about the town from a potential love interest in Susan Norton (Makenzie Leigh.) Their first day is taking in drive-in movie experiences that intriguingly work as an effective way for her to point out other noteworthy people in town and their personalities.

Elsewhere, a group of kids playing around occasionally get bullied. The most significant of the bunch is Mark Petrie (Jordan Preston Carter), who is fearless and unafraid to lay a good punch on those bullies. It’s an impressive performance that makes the character’s inevitable and similar bravery in fending for survival against vampires more natural. In a town where good people are apparently a dying breed, Mark is someone to look up to and aspire to be, making the adults here look like cowards in comparison. It’s a talented and defiant performance that made one wish more of the film had centered on the kids in general, which would have lent more stakes to them getting snatched up and turned into vampires (one of the film’s only genuinely striking scenes observes such an abduction with silhouette lighting.)

Instead, the film doubles down on trying to make its human drama work, which also comes to involve Susan’s mother becoming increasingly irritated that she is considering dating an outsider rather than any of the men she suggests. The point eventually trying to be made here comes across as more unintentionally comical than sharply satirical about society. During this, there is also a search for the missing children, except the narrative here is trying to put so much in motion that the passage of time is hardly felt.

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Eventually, everyone joins forces, including a doctor played by Alfre Woodard, reckoning whether or not they believe something supernatural is occurring. Soon after, they find themselves fighting vampires and trying to avoid getting turned, just like some of the children have. It all leads to a somewhat exciting sundown showdown at that drive-in theater, but that’s mostly due to the staging of the action and has nothing to do with caring about any of these characters or the story and themes, which feels like an insult to a Stephen King adaptation. None of this is helped by special effects that look straight out of early 2000s TV, not something that initially had a chance of going to theaters. 

Salem’s Lot is bypassing a theatrical release to go straight to Max, which begs the question, why not flesh this out into an actual series to develop the characters? As is, it feels like a string of scenes that continuously forget about essential characters, relegating much of their progression offscreen. Whatever reason there is to get engaged in any of this is sucked out dry.

Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

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Movie Reviews

MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

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MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

By BREANNA WHIPPLE

Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters

Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters. 

More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.

Nestled in the Hudson Valley, Kinderhook is an old town with even older legends. Despite being over 100km from the village of Sleepy Hollow, Kinderhook was the inspiration for Washington Irving’s The Legend of Sleepy Hollow. (Ichabod Crane was modelled after a Kinderhook schoolmaster; plaques honour this fact in the small community.) At a glance, one can sense an otherworldly ether in this place where the veil is seemingly especially thin.

THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.” 

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“Haunted” feels like an inappropriate description.  What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook. 

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.

Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.

Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious. 

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We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.

THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms. 

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Lisa Dent

Weekdays 2-6pm

A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)

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Movie Reviews

Movie Reviews 2026: Ukrainian and World Premieres

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Movie Reviews 2026: Ukrainian and World Premieres

The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.

“Kakhovka Object” (war drama)

The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.

“Mavka. The True Myth” (romantic fantasy)

The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.

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“When Will You Divorce?” (corporate comedy)

A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters. 

“Odyssey” (epic adventure drama)

A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep. 

“Lord of the Universe” (sci-fi, action)

The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.

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“Scream 7” (2026)

The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics. 

Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.

“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views

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