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After a year-long wait, the Aaron Rodgers-led New York Jets are a hard watch

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After a year-long wait, the Aaron Rodgers-led New York Jets are a hard watch

EAST RUTHERFORD, N.J. — New York Jets players and coaches often talk about how they can’t resort to finger-pointing, even when things are at their worst — which they are right now.

There was a play late in the fourth quarter on Sunday, a coverage bust that fit perfectly in a season of misery and befuddlement. But that play was set up by a decision made on the other side of the ball a few minutes earlier.

It felt like a game the Jets were going to win. They stole momentum back at the start of the second half, with a takeaway on a forced fumble and then a Breece Hall touchdown a few plays later. They went up 24-16 on a Kenny Yeboah touchdown reception early in the fourth quarter. The Colts cut it to a two-point game, and then Aaron Rodgers worked the offense up the field, killing the clock and getting them to the Colts’ 25-yard-line with 3:30 left. On fourth-and-2, Rodgers went to the line of scrimmage. Jets cornerback D.J. Reed thought they were going to go for it. Instead, Rodgers tried to draw the Colts offsides. It didn’t work, so the Jets called timeout. Anders Carlson converted a 35-yard field goal. Interim head coach Jeff Ulbrich considered this a show of confidence in a Jets defense that, many times over the 2022 and ’23 seasons, did its job at the end of games.

“When we saw the field goal team go on we were all happy like: Let’s do what we do,” Reed said. “The last three years, that’s what we did.”

That’s not what they did on Sunday. This is 2024.

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On the second play of the drive, Anthony Richardson aired it out for Alec Pierce down the right sideline. Cornerback Sauce Gardner passed the route off to safety Jalen Mills, who was supposed to be in position to prevent Pierce from catching the ball, possibly even intercepting it. Instead, Pierce easily caught it, a 39-yard gain.

At the end of the play, Gardner ran over and pointed at Mills. Literal finger-pointing. Twice.

“It’s a play that shouldn’t have happened,” Gardner said.

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A few plays later, Richardson ran for a 4-yard touchdown. The Colts didn’t convert their two-point conversion but it didn’t matter. The Jets offense, without any timeouts, fumbled on the first snap then killed the clock on second down. Rodgers was sacked on third down and the clock ran out. The Jets, in embarrassing fashion, lost another game they should have won. Final score: 28-27. The Jets’ record: 3-8. The Jets’ season: in the toaster.

“It’s tough to process,” Reed said. “That’s what your play for. You want to play meaningful football in November, December, January … We want to stick together. We have to stick together. The outside world is going to be pointing fingers — and understandably so — but the guys in the locker room, we have to stick together and I feel like we have the right character guys to do that.”

In what has turned into arguably the most disappointing season in Jets history, it is clear that even if the Jets have the right character guys, they don’t have the right guys.


The Jets are at the point of the season when their offense is being booed off the field at their home stadium in the first quarter. The point that, when fans do cheer, it’s typically in a mocking tone — like when, on Sunday, the Jets offense converted its first first down just as the first half was about to end, or when Gardner made an impressive tackle in the second quarter after struggling for weeks to get opponents on the ground.

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They were supposed to combine a winning defense with one of the NFL’s greatest quarterbacks to become a bonafide playoff contender. Instead, since Robert Saleh was fired and replaced by Ulbrich, the defensive coordinator, the defense has looked like one of the NFL’s worst, allowing 26.2 points per game, failing in fundamentals and crumbling in key moments.

“I have noticed that,” Reed said. “The last couple games we haven’t played to our standard on defense. We’ve given up touchdowns, or given up explosive plays. I can’t really account for what it is. Coach Ulbrich does have a lot on his plate but he’s a grown man and he can handle it. I just think it comes down to executing and playing our role. I feel like we’re not executing, no matter what we’re being told to do, we’re just not executing on the field.”

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And there’s the Rodgers part of it all. Earlier in the week, he was asked if he still planned on returning in 2025, as he stumbled to the end of the worst season of his career. He responded, tepidly: “Yeah, I think so.”

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Sunday’s showing did nothing to make it feel like Rodgers returning to the Jets would be a good thing, for team or player. The 40-year-old didn’t even surpass 100 passing yards until the third quarter. He’s looked unwilling (or unable) to throw the ball down the field, and his excuses for that — last week he said the offensive line needs to block for longer, Sunday he blamed his lack of deep throws on the Colts playing a two-high defense — aren’t quite up to snuff.

Over the last two weeks, Rodgers is 1 of 6 on passes thrown more than 10 yards downfield, the one completion coming on a nice sideline throw to Xavier Gipson in Sunday’s fourth quarter. Those moments have been few and far between, and the Jets offense has somehow become less explosive since trading for Davante Adams. Rodgers finished Sunday with 184 yards on 29 pass attempts.

Ulbrich was asked if Rodgers’ reticence is holding the Jets offense back. He deflected in his response.

“We’ll take a hard look at the tape,” Ulbrich said. “There’s an element to, of course, injury is going to hamper anybody in these types of situations, but it never comes down to one man. It comes down to protection, receivers, running backs, the running game, all those things. So, I know Aaron would love to be playing better, but it’s not just him, it’s all of us.”

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Rodgers simply doesn’t look like Rodgers anymore, even if no one around the Jets organization wants to admit it publicly.

“Yeah, I mean, it wasn’t my best performance,” Rodgers said. “I felt like I did a few good things, but unfortunately in this game sometimes you have to make a decision and pick a side and sometimes you pick the right side and sometimes you pick the wrong side … It’s just one of those weird things. Sometimes you pick the right side and get lucky and sometimes you don’t and you have to look at the damn tablet and see a guy was open.”

He was asked about that sort of struggle being something he hadn’t dealt with before — he pushed back at the assertion.

“It happens all the time,” Rodgers said. “It does happen all the time, but sometimes you just pick it right and you get on a roll and seem to pick it right all the time. Sometimes it’s a hunch. I’m going through progressions. Sometimes in those two situations I would’ve had to have skipped over a progression and just trust the guy as being open. Sometimes that hits, sometimes you wish you would have just stayed with the progression. It’s the beauty and the frustration of the game.”

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The Jets are 3-8. Their playoff hopes, if there are any, range from one to four percent, depending on your source. There is plenty to be frustrated about. And none of it is pretty.

“It’s very hard to fathom,” Reed said. “I’m still processing it right now.”

(Top photo: Al Bello / Getty Images)

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Closed-Door Romance Books That Will Make You Swoon

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Closed-Door Romance Books That Will Make You Swoon

As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.

Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.

Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.

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Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth

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Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth

SEEK THE TRAITOR’S SON, by Veronica Roth


I read Veronica Roth’s new novel for adults, “Seek the Traitor’s Son,” over one weekend and had a hard time putting it down, and not just because I was procrastinating on my house chores.

There’s much about the novel one would expect from Roth, the author of the Divergent series, one of the hottest dystopian young adult series of the 2010s. Thematically, the novels are similar. Like “Divergent,” this new book is also set in an alternate, dystopian version of our world; it is also packed with vivid, present-tense prose full of capitalized labels to let you know that something different is going on; and it also centers on a classic “Chosen One” who is burdened by the mantle of savior she carries.

These are classic tropes, but I, like many other genre fiction fans, enjoy that familiarity. Still, I’m always hoping for a subversion, a tornado twist that sucks me into imagination land.

In “Seek the Traitor’s Son,” our Chosen One is Elegy Ahn, the spare heir of the most powerful woman in Cedre. Elegy likes her life, even if it’s filled with danger. See, some time ago, a virus took over the world. The contagion is strange: Everyone who is infected dies, but 50 percent of the people who die come back to life with mysterious cognitive gifts.

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After the outbreak, Earth split into two factions: The dominant Talusar, who worship the Fever, believe it is a divine gift, willingly infect themselves with it and consider anyone who does not submit to it a blasphemer; and Cedre, a small country made up of everyone who rejects the virus and the dogma around it. They are, naturally, at war.

Early in the book, Elegy, solidly on the Cedre side, and Rava Vidar, a brutal Talusar general, are summoned by an order of prophets who tell them: One of you will lead your people to victory over the other, and one of the deciding factors involves an unnamed man whom Elegy is prophesied to fall in love with.

Elegy doesn’t want this. But the prophecy spurs the Talusar into action, and so her mother assigns her a Talusaran refugee as a knight and forces her into the fray as the Hope of Cedre.

If that seems like a lot of setup, don’t worry. That’s just the first few chapters. Besides, if you know those dystopian novel tropes, you’ll get the hang of it. Roth gets through the world exposition quickly, and after a rather jarring time skip, the plot takes off, effectively and entertainingly driving readers to the novel’s exhilarating end.

The strength of “Seek the Traitor’s Son” is Roth’s character work. Elegy is a dynamic heroine. She has a lot to lose, and she leads with love, which is reflected in the intense grief she feels for the people she’s lost in the war and the life the prophecy took from her. It’s love that makes her stop running from her destiny and do what she thinks is right to save the people she has left.

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Many authors isolate their characters to back them into bad decisions, so it’s refreshing that Roth has given Elegy a community to support her. Her sister Hela in particular is a treat. She’s refreshingly grounded, and often gives a much needed reprieve from the melodrama of the other characters’ lives. (She has an important subplot that has to do with a glowing alien plant, but the real reason you should pay attention to her is that she’s funny, loves her sister so much, has cool friends and listens to gay romance novels.) Hela and Elegy’s unwavering loyalty to each other casts a positive illumination on both characters.

My favorite character is Theren, Elegy’s knight, who is kind and empathetic to everyone but himself. As the obvious romantic lead, his character most diverges from genre standard because of the nuanced depiction of his trauma. He has been so broken by his experiences that he thinks what he can do with his body is all he can offer, and it’s worth nothing to him.

But like I said, I need subversion, and for all the creative world-building, I didn’t quite get it. The most distinct part of the novel was the setting and structure of alternate Earth, as well as the subcultures born from that setting. But after ripping through the novel, I found that those details didn’t provide nourishment for thought, and the general handwaviness of the technology and history of Earth was distractingly easy to nitpick.

I am a greedy reader, so I want my books to have everything: romance, action, an intellectual theme, novel ideas about the future, and character development. “Seek the Traitor’s Son” comes close. The novel is the first in a series, and I’m willing to hold my reservations until I read the next book. Elegy and Theren are worth it.


SEEK THE TRAITOR’S SON | By Veronica Roth | Tor | 416 pp. | $29

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Revolution is the Theme at the Firsts London Book Fair

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Revolution is the Theme at the Firsts London Book Fair

To mark the 250th anniversary of the U.S. Declaration of Independence, “Revolution” is the timely theme of the Firsts London book fair, opening Thursday in the contemporary art spaces of the Saatchi Gallery.

The fair, running Thursday through Sunday, will feature 100 dealers’ booths on three floors of the neoclassical, early 19th-century building in the upscale Chelsea neighborhood and will take place at a moment of geopolitical convulsion, if not revolution. It also coincides with a profound change in reading habits: Fewer people read for pleasure, and when they do, more often it is on a screen. And yet some physical books are fetching record prices.

Why is that? Clues can be found at Firsts London, regarded as Britain’s pre-eminent fair devoted to collectible books, maps, manuscripts and ephemera. Dealers will be responding to the revolution theme by showing a curated selection of items that document political upheavals over the centuries.

While the organizers — members of the nonprofit Antiquarian Bookseller’s Association and the International League of Antiquarian Booksellers — have been eager to expand the theme to include material that throws light on revolutions in other realms such as science and social attitudes, the momentousness of the Declaration’s anniversary has spurred dealers to bring items with ties to 18th-century America.

The New York-based dealer James Cummins Bookseller, for instance, will be offering a 1775 London printing of Congress’s declaration of the “Causes and Necessity of Taking Up Arms” against the British authorities. Mostly written by John Dickinson and Thomas Jefferson and published just a year before the Declaration of Independence, the document represents a decisive moment in the colonies’ struggle for self-determination. It is priced at $22,500.

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“We’re generalists. We’re bringing a bit of everything,” said Jeremy Markowitz, a specialist on American books at Cummins. “But this year, because of the anniversary, we’re bringing Americana that we otherwise wouldn’t have brought.”

The London dealer Shapero Rare Books will be showing a letter written in January 1797 by Thomas Paine, one of the most influential Founding Fathers, to his friend Col. John Fellows who had served with the American militia during the Revolutionary War. The text reiterates the views of Paine’s open letter to George Washington, urging him to retire from the presidency, fearing that the office might become hereditary. With an asking price of 95,000 pounds, or about $130,000. Paine’s letter to Fellows was written just weeks before Washington stood down in March at the end of his second term, a practice later enshrined in the 22nd Amendment limiting presidents to two terms.

Bernard Quaritch, another London bookseller, will be exhibiting a first edition in book form of “The Federalist Papers,” the celebrated collection of essays written in favor of the new Constitution by Alexander Hamilton, James Madison and John Jay from 1787-1788. (These texts are mentioned in Lin-Manuel Miranda’s award-winning musical “Hamilton.”) In its original binding, with the pages uncut and largely unopened, this pioneering work of U.S. political philosophy is priced at £220,000.

The fair, like the United States, has gone through its own process of reinvention. It is the sixth annual edition of Firsts London, but its origins stretch from 1958, when its more traditional forerunner, the London International Antiquarian Book Fair, was founded.

The rebranded Firsts London was initially held at an exhibition space in Battersea Park in 2019, then transferred to the Saatchi in 2021. (There is also Firsts New York and Firsts Hong Kong.) Last year the event attracted an estimated 5,000 visitors over its four days, according to the organizers, and notable sales were made.

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“Book fairs are now part of the ‘experience culture.’ In an age where everything is available at a click, fairs have to present themselves in a different way,” the exhibitor Daniel Crouch said.

Crouch will be showing two late-18th-century engraved maps printed on paper of New York by Bernard Ratzer, an engineer commissioned by the British to survey the city and its environs in 1766 and 1767 in case it became a battlefield. Ratzer’s large three-sheet map of the southern end of Manhattan and part of New Jersey and Brooklyn is priced at £240,000; his smaller map of south Manhattan at £25,000. Both date from January 1776, just six months before the Declaration of Independence was adopted in Philadelphia on July 4, 1776.

Other revolutions are also represented. The cover design of Millicent Fawcett ’s classic 1920 Suffragists tract, “The Women’s Victory — and After,” from the collection of the Senate House Library at the University of London, is the poster image for the event and the library is lending the entire pamphlet for display at the fair.

Scientific revolutions are represented by items like a 1976 first edition of Richard Dawkins’s book “The Selfish Gene,” offered at £2,250 by Ashton Rare Books of Market Harborough in Leicestershire, England. Fold the Corner Books in Surrey is offering a handwritten letter by an anonymous British spy describing scenes in Paris in 1791 during the French Revolution, and the dealers at Peter Harrington are bringing a Chinese parade banner from the Cultural Revolution. The banner and the letter are each priced at £750.

While the U.S. document’s anniversary has spurred many exhibitors to show rare 18th-century American items, the organizers stressed the fair’s wider remit.

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“We wanted to do something related to our cousins over the water, but something a bit broader than just the American Revolution,” said Tom Lintern-Mole, the chairman of this year’s London fair.

“Revolution is a concept,” he said. “It encompasses everything to do with our world. Printing itself was a revolution. It helps foment revolutions. We like to think that books make history, as well as being artifacts of it.”

In terms of making sales, science fiction and science and fantasy are genres that many traders see as the key growth areas, because of, in great part, recent Hollywood adaptations. “Affluent younger collectors are moving the needle in the market,” said Pom Harrington, owner of Peter Harrington.

Cummins is offering a 1965 first edition of “Dune” for $16,500, while the London-based Foster Books will be asking £22,500 for a 1954-1955 three-volume first edition of “The Lord of the Rings” by J.R.R. Tolkien. It is sumptuously covered in red morocco leather by the binders at Bayntun Riviere.

And with the rise of tech, online sales have increasingly replaced high street transactions, resulting in many rare-book shops closing. Tom W. Ayling, who trades from his home in Oxfordshire and is exhibiting at Firsts London, is one of the most prominent of a cohort of young dealers who sell online and at fairs without the expense of a shop.

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“I get almost all my customers through social media,” said Ayling, who has about 298,000 followers on Instagram alone.

Tolkien is a favorite subject for his engaging, regular video posts. Ayling will be bringing a copy of the author’s extremely rare collection of poems, “Songs for the Philologists.” Printed in 1936, only about 15 copies of the collection are known. Ayling is asking £65,000 for this one.

“I put as much content out there as I can to get people interested in book collecting,” Ayling said. “I want to widen the arcane world of book collecting to a mass audience.”

A mass audience collecting — let alone reading — books? That really would be a revolution.

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