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Review: Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

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Review: Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

By a kind of coincidences that leads me to suspect witchcraft — or maybe simply the extra banal darkish magic of social media — this week has renewed some heated on-line chatter concerning the doubtful cultural legacies of two very completely different motion pictures. Certainly one of them is James Cameron’s 3-D wonderment “Avatar” (2009), which lately returned to theaters as a warm-up act for “Avatar: The Manner of Water.” That soon-to-arrive sequel will take a look at among the extra persistent putdowns of the primary “Avatar,” particularly that it was a uncommon field workplace juggernaut with a negligible pop-cultural imprint. It was an occasion film that everybody noticed, the argument goes, however few actually cherished.

The opposite film is the family-friendly supernatural comedy “Hocus Pocus” (1993), which, like “Avatar,” has now spawned a long-awaited follow-up. However not like “Avatar,” “Hocus Pocus” set no field workplace data on launch, broke no technological floor and acquired largely detached to hostile critiques. The ten-year-old me who noticed it in theaters (and numerous occasions afterward on VHS) would have provided one of many extra enthusiastic notices, received over by its wanly funny-spooky vibes, its now-creaky visible results and the shrieky rapport of Bette Midler, Kathy Najimy and Sarah Jessica Parker because the Sanderson Sisters, a trio of Seventeenth-century New England witches with a style for younger kids and archaic second-person-singular pronouns.

Mini-me additionally would have been delighted by the prospect of a sequel, if dissatisfied to listen to it could take virtually 30 years to get off the bottom. That prolonged gestation speaks to the lengthy, bizarre shelf lifetime of the primary “Hocus Pocus,” acquired as a campy misfire however reclaimed, over the many years, as a Halloween staple and (oc)cult basic. It occasioned fan guides, TV specials, theme-park sights and wildly widespread anniversary screenings, a few of them attended by ye olde authentic forged and crew. Parker even launched her personal spinoff sitcom, “Hex and the Metropolis.” OK, I madest that up.

Belissa Escobedo, Whitney Peak and Lilia Buckingham within the film “Hocus Pocus 2.”

(Disney Enterprises)

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Regardless of all this, the charms of “Hocus Pocus” stay elusive for a lot of, its retroactive reputation an ongoing supply of bafflement. “Hocus Pocus 2,” arriving this week on Disney+, is unlikely to clear up anybody’s confusion. However neither will it make anybody terribly sad. Directed by Anne Fletcher (“The Proposal,” “27 Clothes”) from a script by Jen D’Angelo, the film is a skinny however painless retread, cloaking its spinoff storytelling in a well-known cloak of fan gratification. It kicks off in Seventeenth-century Salem, Mass., the place a defiantly impious younger Winifred Sanderson (an excellent Taylor Henderson) flees into the forest along with her sisters, Mary (Nina Kitchen) and Sarah (Juju Journey Brener). There, they meet an older witch (“Ted Lasso’s” Hannah Waddingham) who bequeaths them a magic spellbook that may unlock their darkish powers.

Flash ahead to the current day, which occurs to be precisely 29 years after the occasions of the primary “Hocus Pocus,” when a virginal excessive schooler ill-advisedly resurrected the Sanderson Sisters for one Halloween evening of actually soul-sucking mayhem. That’s what occurs once more in “Hocus Pocus 2,” this time by means of a slightly smarter teenager, Becca (Whitney Peak), and a really dumb Salem historian, Gilbert (Sam Richardson), plus some tortuous story logic that brings the evil sisters whooshing again to life. Because the lip-smacking, incantation-hurling Winifred, Midler gorges herself anew on the surroundings and typically blasts it with lightning bolts. Najimy and Parker are additionally again as dopey Mary and ditzy Sarah, respectively, who dwell to smell out kids and lure them to a tasty demise.

The Sandersons’ shtick — half sub-Three Stooges slapstick, half “Saturday Evening Reside” parody of “The Crucible” — is not any extra intelligent or impressed than it was within the first film, however Midler, Najimy and Parker stay such sport performers, so adept at vampy antics and menacing facial contortions, that thou wilt not likely care. They’re significantly humorous in a single sequence by which Becca and her buddy, Izzy (Belissa Escobedo), attempt to distract the witches from their pedicidal rampage by taking them purchasing at Walgreens, the place they’re duly wowed by the superior sorcery of magnificence merchandise and automated sliding doorways.

A man in period dress and long unkempt hair stands in a room in the movie "Hocus Pocus 2."

Doug Jones within the film “Hocus Pocus 2.”

(Matt Kennedy)

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Aside from some issues involving the city’s geekily Halloween-obsessed mayor (Tony Hale), that’s about it for narrative novelty. “Hocus Pocus” die-hards received’t be stunned by the reappearance of Winifred’s undead paramour, Billy Butcherson (Doug Jones, lean, inexperienced and un-mean as he was within the first film). And after their 1993 rendition of “I Put a Spell on You,” after all the witches are obliged to revive their Vegas-style lounge act right here, this time whereas crashing (what else?) a Sanderson Sisters-themed costume contest — a self-congratulatory wink at how widespread the “Hocus Pocus” phenomenon has change into.

It has additionally change into, at the very least on this passably entertaining sequel, a softer, extra sentimental factor than in its earlier incarnation. Somewhat than sucking the souls of Salem’s kids, the witches determine to shore up their energy with the mom of all spells, initiating an “Into the Woods”-style quest for substances. Nobody bursts into Sondheim right here (a Blondie basic is the soundtrack spotlight), but it surely all builds to an appreciably shifting, even Sondheimian warning to watch out what thou wishest for. That poignancy units it other than the primary film, as does the truth that no one turns right into a cat this time round. For that, we’ll at all times have “Avatar.”

‘Hocus Pocus 2’

Score: PG, for motion, macabre/suggestive humor and a few language

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Operating time: 1 hour, 43 minutes

Enjoying: Streaming on Disney+

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Movie Reviews

Research: How Top Reviewers Skew Online Ratings

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Research: How Top Reviewers Skew Online Ratings
Online platforms from Amazon to Goodreads to IMDb tap into the so-called “wisdom of the crowd” to rate products and experiences. But recent research suggests that more experienced buyers tend to select better products and therefore expect higher quality, which leads them to rate more stringently. This means that higher-quality products could paradoxically receive lower average ratings than their less-sophisticated competitors. Researchers used data from IMDb, a leading movie platform, to document this bias, and propose an easy-to-implement algorithm to adjust ratings to better align with external proxies of quality.
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Movie Reviews

The Forge Movie Review (with Spoilers)

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The Forge Movie Review (with Spoilers)


This image depicts the discipleship and mentorship prevalent throughout the movie The Forge. Digitalskillet captured this image on August 31, 2018. This image was downloaded from iStock.com on January 7, 2025.

If you are looking for a good movie to watch during these cold winter days, I suggest The Forge

Before providing an explanation for my recommendation I must warn that this review does contain spoilers. Therefore, do not read the rest of this article if you intend to watch the film.

The Forge

A Brief Summary

Under the direction of Alex Kendrick, The Forge is a faith-based movie emphasizing the importance of discipleship. Actors such as Priscilla Shirer,  Cameron Arnett, and Aspen Kennedy bring this theme to life with a passion for God that exudes beyond a typical acting role.

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Their passion manifests through the story of Isaiah Wright, a young adult struggling to find direction in life. He focuses on playing video games, hanging out with friends and not handling his responsibilities.

His mother scolds him for his lackadaisical habits but a transformation does not occur until he meets Joshua Moore. Joshua Moore, the owner of Moore Fitness gym, offers Isaiah a job. 

Little does Isaiah know, this opportunity will not only change his financial status but help him draw closer to God. God uses Joshua Moore as a mentor who gives Isaiah professional and personal advice to help him mature.

Over a short period of time, Isaiah decides to stop resisting God and accept Jesus as his Lord and Savior. After hearing the news, Mr. Moore disciples Isaiah and invites him into fellowship with other Christian men. 

This maturation helps Isaiah apologize for past mistakes, forgive his father and become a courageous young professional.

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The Forge concludes with Mr. Moore issuing a challenge to his forge (and viewers) to make disciples for Jesus Christ.

Relatable to the African American Community 

Brokenness & Fatherlessness 

Along with a compelling message to go make disciples for Christ, The Forge also highlights themes relatable to the African American Community.

One theme was Isaiah’s brokenness due to the absence of his father. This may seem like a negative depiction of black families because some media platforms associate fatherlessness with African Americans.

However, I see this as a positive since it confronts the realities that many young adults of various ethnic backgrounds face.

Pain Drawing People Closer to God

Another theme Christians in the Black community can relate too is painful situations drawing them closer to God. For Isaiah, pain occurs through fatherlessness and the inability to find direction for his life.

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But after surrendering his life to God, Isaiah transforms into a new creation.

For Mr. Moore, tragedy happens through a car accident resulting in his son’s death. Mr. Moore is so distraught, his marriage almost ends. Thankfully, yielding his anger to God helps him become a dynamic mentor for other men.

Ownership & Excellence in Business 

One way Mr. Moore serves as a dynamic mentor is by discipling his employee Joshua. Mr. Moore has the freedom to share his faith with Joshua since he owns Moore Fitness Gym. 

This same freedom appears as Joshua’s mom prays with her employees and friends at Cynthia’s (her hair salon).  

In addition to a gym and hair salon, the film features a black owned coffee shop.

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Seeing positive representations of African Americans in business through this film is encouraging for two reasons. 

First, this positive representation shows all Christian’s how we can use employment to glorify God regardless of our job title. Second, this film shows there is a strong sense of work ethic, unity, teamwork and business savvy in black families.

Hopefully, this inspires more Christians to start black owned family businesses that will make a lasting impact in their communities.

The Impact of Discipleship

One way to make a lasting impact in any community is by investing in people. Mr. Moore this by establishing the forge and discipling countless men who then disciple others. 

Through these personal investments, men not only grow spiritually, but in every aspect of their lives. They also gain a health support system that allows them to function in community the way God intends.

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Imagine what our churches, families and society will look like if more men accept the responsibility of discipleship. 

3 Things You Might Have Overlooked

The Power of Prayer 

The displays of discipleship prevalent in this film could not be possible without prayer. Isaiah’s mom asks her forge to pray for him on a few occasions.

Prayer is also evident during Isaiah’s conversion experience as well as Mr. and Mrs. Moore’s daily affairs. These examples prove we can not draw closer to God or help others in their relationship with the Lord without prayer.

This is why Paul uses scriptures like 1 Timothy 2:8 to illustrate the importance of prayer.

An Excellent Use of Scripture

Along with illustrating the importance of prayer, The Forge does an excellent job of using scripture in its proper context.  This is seen as Mr. Moore quotes or references the following scriptures to make key points

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  1. Matthew 28:19.
  2. Luke 9:23.
  3. Galatians 5:13-14.

This factor stands out to me because I have seen other films use scripture and biblical principles out of context. 

Being contextually accurate with scripture is essential because someone who does not fully understand a scripture may be susceptible to false teachings. God will hold filmmakers who intentionally misuse scripture accountable for making others stumble. 

A Reminder About Sin

Thankfully, instead of making me stumble, The Forge offers a helpful reminder about sin.  Sin is not just acts like using drugs, embezzling money, or committing adultery which are typical in many films.

Instead, The Forge reminds viewers that holding grudges, selfish ambitions, and not consulting God in every decision are also sins. I appreciate this reminder because it’s easy for believers to think they are in right standing with God if they do not commit sins others find unjustifiable.

However, God also takes offense when we act in ways that suggest he is not the Lord of our lives. We must strive to live by Luke 9:23 daily in order to be sincere disciples for Christ.


How do you feel about The Forge? I’d love to hear your thoughts. Your comments and feedback are greatly appreciated!

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Movie Review: Robbie Williams has always lived to entertain. In ‘Better Man,’ he’s still doing it

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Movie Review: Robbie Williams has always lived to entertain. In ‘Better Man,’ he’s still doing it

“I came out of the womb with jazz hands,” pop star Robbie Williams recounts in “Better Man,” his new biopic. “Which was very painful for my mum.”

Movie Review: Robbie Williams has always lived to entertain. In ‘Better Man,’ he’s still doing it

Badum Dum.

But also: Wow. What an image, to illustrate a man who, we learn, agonized from early childhood as to whether he had “it” — the star quality that could make him famous.

Turns out, he did. Williams became the hugest of stars in his native Britain, making 14 No. 1 singles and performing to screaming crowds And whatever else we learn from director Michael Gracey’s brassy, audacious and sometimes utterly bonkers biopic, the key is that Williams’ need to entertain was primal – so primal that it triumphed over self-doubt, depression and addiction. It should surprise nobody, then, that this film, produced and narrated by Williams , is above all entertaining.

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But wait, you may be saying: Five paragraphs in, and you haven’t mentioned the monkey?

Good point. The central conceit of Gracey’s film, you see, is that Williams is represented throughout by a monkey — a CGI monkey, that is . This decision is never explained or even referred to.

There’s a clue, though, in one of Williams’ opening lines: “I want to show you how I really see myself.” Gracey based his film on many hours of taped interviews he did with Williams. He says the pop star told him at one point that he felt like a monkey sent out to entertain the masses — particularly in his teens as a member of the boy band Take That. It was Gracey’s idea to take this idea and run with it.

We begin in 1982, in Stoke-on-Trent, England. Young Robert Williams is bad at football and mercilessly taunted. But there’s no football in his DNA, he explains. There is cabaret.

He gets the performing itch from his father. When Sinatra appears on telly singing “My Way,” little Robert jumps up to join Dad in singing along. But Dad cares more about performing than parenting, and one day just leaves home for good. Robert is raised by his mum and his adoring grandmother, who assures him he’s a somebody, not a nobody.

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At 15, flailing in school, Robert auditions for Take That, the boy band, and somehow makes the cut. The band first covers the gay club circuit — until it emerges that girls go wild over these young men.

Director Gracey, who helmed “The Greatest Showman,” is quite the showman himself, never more obviously than in a terrific musical sequence that chronicles the band’s journey to success. Filmed to Williams’ hit “Rock DJ” on London’s Regent Street and featuring some 500 extras, the number starts with the boys hardly noticed by passersby, representing the start of their career. Gracey illustrates their rise to fame with explosive choreography, pogo sticks, scooters, London buses — all ending in a flash mob with hundreds dancing on the famed street.

And now, Robert is forever Robbie – his name changed by the band’s shrewd manager, Nigel. “Where’s my Robert gone?” asks his grandmother , bewildered by the hype. “I’m a pop star now,” he replies.

But fame brings all sorts of trouble for Robbie. Later, he will note that when you become famous, your age freezes – so he never graduates from 15. He sinks into depression and develops alcohol and cocaine habits.

But when the band kicks him out, his competitive fire is stoked: He’s going to have a “massive” solo career. A woman overhears him saying this to himself at a New Year’s party; she turns out to be Nicole Appleton, of the girl band All Saints. Another of Gracey’s grand song and dance numbers covers their troubled relationship, including an abortion.

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Nicole ends up leaving Williams , part of a miserable time for the singer, who manages to destroy most of his relationships. But he reaches a career pinnacle, performing at the storied Knebworth Festival to some 375,000 adoring fans.

Gracey punctuates shots of Williams performing with a violent, medieval-style battle between the singer and his demons — other versions of him, essentially. It’s another over-the-top sequence that makes this biopic radically different than most — if also a tad indulgent .

But, hey, it’s all in service of one thing. “Let me entertain you,” Williams seems to be screaming through every scene. Mostly, he succeeds.

“Better Man,” a Paramount release, has been rated R by the Motion Picture Association “for drug use, pervasive language, sexual content, nudity and some violent content.” Running time: 135 minutes. Three stars out of four.

This article was generated from an automated news agency feed without modifications to text.

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