Movie Reviews
Netflix’s New Martha Stewart Documentary Makes Her More Powerful Than Ever
Martha.
Photo: Martha Stewart/Netflix
When Martha Stewart eventually passes away, she should order that director R.J. Cutler also be buried along with her inside her death pyramid. With the new Netflix documentary, Martha, he has constructed the greatest possible tribute one could want for a figure as godlike as Stewart — a warts-and-all portrait of the lifestyle mogul that somehow still manages to be a hagiography. Although she clearly cooperated with the production, Stewart has reportedly criticized Cutler’s finished film, which is understandable. In Martha, she comes off as combative, egomaniacal, impatient, uncaring, and at times delusional, as well as a wronged visionary who has reemerged on top. And not just merely “on top”: As someone says early in the film, Martha Stewart essentially created the world we’re currently living in — a world of influencers and borrowed lifestyles and perfect surfaces, all while deep beneath us roll the storms of chaos. Is Martha a good movie? I’m not sure. But it might be an essential one. Anyway, into the pyramid you go, R.J. Cutler.
Formally, the film is no great shakes. It’s an amiably edited journey through Stewart’s life and career with plenty of archival footage, synopsizing her early years in Nutley, New Jersey, with an abusive, embittered father who made the family raise their own vegetables; her young marriage to law student and future publishing-house chief Andy Stewart; the couple’s move to a Westport, Connecticut, fixer-upper that she transformed into a tony manse; and the discovery of her catering and entertaining talents after her lavish dinner parties. Like so many streaming-era documentaries, the picture effectively opens with a trailer for itself, briefly previewing its main points before settling into a by-now familiar cadence of bland insights, light historical context, and obvious music cues. (When young Martha Kostyra takes up modeling, we hear Etta James sing “Good Lookin’” on the soundtrack. When she becomes a stockbroker, we hear Nancy Sinatra’s “These Boots Are Made for Walkin’.” When her career as a lifestyle guru takes off, we hear the synth beats of Depeche Mode’s “Just Can’t Get Enough.”)
What makes Martha fascinating is the now-83-year-old Stewart herself, who presides over the film with a contemporary onscreen interview. (Other interviewees — including family members, friends, employees, and inmates she did time with at Alderson Federal Prison — remain offscreen as they attest, choruslike, to her gumption, her drive, and, occasionally, her goodness.) She makes a hard-nosed guide to her own life, pushing back when Cutler presses her on tougher topics. When Stewart talks angrily about how Andy cheated on her, Cutler notes that she also cheated on him. Her answer? “Yeah, but Andy never knew about that.” When Cutler replies that Andy did in fact know, Martha dismisses her own affairs as minor dalliances. This sort of back-and-forth actually helps humanize Stewart, however much she may hate it in retrospect. And it lifts Martha the movie up from just another bit of swoony celebrity blather to something more interesting.
Stewart’s surface perfection powered her business. She created beautiful spaces with beautiful things and cooked beautiful dishes, all while still looking beautiful. As the film makes clear, she connected with a generation of women who had been raised by working mothers; many of them didn’t get homemaking knowledge or recipes passed down. Stewart filled that gap, and she did so without requiring any kind of emotional reciprocity. She was there, smiling and infallible, the MacGyver of good housekeeping, ready to turn a used glass jug and some tissues into an elegant centerpiece at the drop of a hat. An incredible amount of initiative and energy went into all this, but she made it look so effortless partly because she had taste.
When Stewart did fall from grace, however, the celebrity culture that had embraced and lionized her bit back. She had always seemed so unfazed by everything, so the world now delighted in seeing her brought down several pegs. The infamous insider-trading scandal that landed her in prison is still a raw subject; Stewart and others involved continue to claim she did nothing illegal, and that she became a target because then-U.S. attorney for the Southern District of New York James Comey wanted to make a name for himself by bagging a celebrity. Stewart was also genuinely changed by prison and made friendships there among the women incarcerated alongside her. Once her mask of perfection fell, she seemed to open herself up more to the world.
All this would make an ideal rise-fall-rise narrative for a standard documentary, and you can imagine what the pitch memo for this might have looked like: Watch Martha Stewart achieve success, then watch the world unfairly humiliate her, then watch her claw her way back to fame and relevance. And maybe Martha still thinks it is that kind of movie. But Cutler’s onscreen interactions with Stewart, as well as occasional forays into the way she treats the people around her, turn the picture into something a lot slippier and the subject into someone more captivating. While most films would crystallize their theses as they near their end, Martha invites ambiguity and uncertainty. The more we see of Stewart, the more we feel for her — and the less we understand her. She cannot be summarized. And as much as Martha might try, in its failure to do so lies its unlikely power.
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Movie Reviews
Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat
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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.
🔥 Quick Facts
- Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
- Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
- March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
- Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases
Project Hail Mary Dominates with 95% Critical Acclaim
Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.
According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.
Streaming Certified Fresh Titles Light Up March
March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.
Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.
Beyond the Blockbusters: Other Standout Certified Fresh March Releases
| Title | Tomatometer Score | Release Date | Status |
| Hoppers | 94% | March 6, 2026 | Theaters |
| Ready or Not 2 | 73% | March 20, 2026 | Theaters |
| Late Shift | 96% | March 20, 2026 | Theaters |
| Two Prosecutors | 97% | March 20, 2026 | Theaters |
“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”
— IMDb Critics, Film Review Community
What Makes a Film Certified Fresh on Rotten Tomatoes
Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.
This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.
Plan Your March Movie Marathon Now – Which Film Will You Watch First?
Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.
New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?
Sources
- Rotten Tomatoes – Official certification database and critical scoring system
- Variety – Best movies streaming in March 2026 coverage
- The Wrap – Most anticipated films arriving in March analysis
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Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
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