Movie Reviews
Joy (2024) – Movie Review
Joy, 2024.
Directed by Ben Taylor.
Starring Thomasin McKenzie, Bill Nighy, James Norton, Charlie Murphy, Rish Shah, Cecily Cleeve, Eoin Duffy, Mariam Haque, Abbiegail Mills, Olivia Sellers, Joanna Scanlan, Tanya Moodie, Ella Bruccoleri, Douggie McMeekin, Miles Jupp, Louisa Harland, and Toby Williams.
SYNOPSIS:
3 trailblazers: a young nurse, a visionary scientist, and an innovative surgeon face opposition from the church, state, media, and medical establishment in their pursuit of the world’s first ‘test tube baby,’ Louise Joy Brown.

With several competing plot threads and perspectives, Ben Taylor’s directorial debut (but not without plenty of prior experience working on television), Joy – the story of the first-ever baby birthed through IVF (in vitro fertilization) methods – overcomes such a scattershot narrative through sincerity and a pair of winning, affecting performances from a conflicted, sacrificial, and determined Thomasin McKenzie a nuanced Bill Nighy.
From a script by Jack Thorne (seemingly a screenwriting journeyman, having dabbled in television, other Netflix originals such as Enola Holmes, and other period pieces centered on life-changing accomplishments like The Aeronauts) with story contributions from Emma Gordon, Rachel Mason, and Shaun Topp, there is a case to be made that this inspirational story could have benefited from the limited series treatment given how much these filmmakers are trying to tackle.

Rather than stick to scientific research and problem-solving (while also using interactions with test subjects to break down scientific babble for the average viewer with a light and amusing touch), the film admirably cares about the life of nurse Jean Purdy (Thomasin McKenzie), her reasons for getting involved with IVF research, and how that cuts her off from a disapproving, conservative mother played by Joanna Scanlan. The film is also interested in depicting how she became close to the numerous human test subjects, bonding over their personal lives and taking the occasional field trip.
Front and center of the research is Bob Edwards (James Norton), who also becomes the public face, trying to push back against conservative media, public, and medical boards that don’t see finding a way to give infertile women a choice as important science. This typically blows up in his face, as he is unable to sway minds and earn additional funding, something that gradually begins to wear him down mentally. Meanwhile, outstanding surgeon Patrick Steptoe (Bill Nighy) is convinced to join them, also serving as a source of wisdom for Jean and Bob, each going through personal and professional strife. His incisions and various surgeries are also sensitively and educationally captured without bordering on gratuity.

There is a moment where Jean, moderately religious, also has to look inside at the other side of that choice, abortion, which her coworkers also perform and is a procedure that initially makes her uncomfortable. A large part of this is also due to her mother threatening to never talk to her again if she continues working with these “heathens,” but this mostly goes underexplored. The mother-daughter estrangement is also unconvincingly resolved, eventually playing to a sappy beat.
Similar issues persist throughout Joy, which is simply trying to broadly do too much with too many characters, meaning that plenty of it doesn’t feel as emotionally involving as it should be. There is an entire romantic subplot involving Jean and a coworker, there to convey something important about who she is, but it’s also servicing the plot without adding characterization. Some test subjects are also revealed to have some dark backstories that tie into a greater understanding of how infertility can destroy personal lives and marriages, but also frustratingly gloss over those people as characters here.

However, the decade-encompassing story (despite none of these characters actually aging) is remarkable and affecting; Joy is a slice of history one is happy to have learned more about, wrapped up in a film that might have worked better off in another format or as a documentary. Regardless, Thomasin McKenzie elevates the material, especially in some of her final scenes, as succeeding in this research is also personal to her.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★
Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com
https://www.youtube.com/watch?v=embed/playlist
Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
Lisa Dent
Weekdays 2-6pm
A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
Movie Reviews
Movie Reviews 2026: Ukrainian and World Premieres
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Sports1 week agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico6 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Tennessee5 days agoTennessee Police Investigating Alleged Assault Involving ‘Reacher’ Star Alan Ritchson
-
Technology6 days agoYouTube job scam text: How to spot it fast
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets


