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Film Review: Rei (2024) by Toshihiko Tanaka

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Film Review: Rei (2024) by Toshihiko Tanaka

“Even if I disappear, it won’t make any difference to the world at all”

Winner of the Tiger Award in this year’s IFFR, and in one of the most touching moments of the whole festival, with the whole cast and crew on stage, “Rei” is a typical Japanese family drama, which stands out due to its cinematography but also fosters a number of the inherent issues of the local movie industry.

The kanji character “Rei” has no direct meaning by itself, but can find a number of meanings when combined with other characters, with the protagonists of the movie actually sharing a hypostasis quite similar to that of the kanji. 30-something company employee Hikari, eventually finds meaning when, after attending a stage play with her best friend, Asami, she is impressed by the quality of the poster, and begins searching for the particular landscape photographer. The man in question is a deaf landscape photographer, Mato, who has alienated his family, essentially living disconnected from the rest of the world. The two soon connect as Hikari asks him to take a picture of her as part of a landscape, but the monotony of their lives is not the only thing that is disrupted. In the meantime, Asami also has problems of her own, as her young daughter seems to be on the spectrum and her husband, Kohei, is not particularly eager to help, not to mention other parts of his despicable behavior. Daisuke, Mato’s brother is quite angry at his brother, with the two of them clashing during their mother’s funeral.

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As such, and considering the plethora of characters, the narrative also deals with cheating husbands, single motherhood particularly in the case of handicapped children, repressed homosexuality, grief, regret and the alienations that seem to torment life in Japan (to say the least). It is also here that one of the movie’s biggest faults appears, as there are too many things happening to the many characters that are part of the story, not to mention that the story follows too many paths after a point. On the other hand, individually, all arcs are quite interesting, while the connection between them, at least among some of them, is well presented, in probably the movie’s best narrative trait.

On the other hand, as the film gets from the second hour mark and onwards until the ending of its whooping 189 minutes, the quality definitely deteriorates, with the inherent issue of Japanese movies to lag for no apparent reason unfortunately being present once more. Furthermore, in combination with the utterly melodramatic finale, the last part definitely emerges as the weakest here, in terms of narrative.

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Again on the other hand, Yoshihito Nakashima, Erika Arai, Yusuke Soramura and Akio Ikeda’s cinematography, is definitely the best trait of the whole movie, both in the presentation of the various interiors and Mato’s photography. Actually, this aspect finds its apogee in the finale, with the fully snowed setting being quite impressive to watch, additionally intensifying the drama that permeates the story. Toshihiko Tanaka’s own editing results in an expected slow pace that fits the aesthetics of the story, but it becomes quite evident that the movie would benefit from extensive trimming.

As such, it is quite interesting to discern whether the movie’s faults outweigh its merits, with both actually being in abundance here. In that regard, I have to say that the latter come on top, with the movie actually being quite rewarding for the patient viewer.

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Movie Reviews

'Bad Newz' star Vicky Kaushal reviews Karan Johar's movie 'Kill'; Ananya Panday and Shanaya Kapoor join the suit | – Times of India

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'Bad Newz' star Vicky Kaushal reviews Karan Johar's movie 'Kill'; Ananya Panday and Shanaya Kapoor join the suit | – Times of India
Karan Johar‘s highly anticipated film ‘Kill‘ has captured the hearts and attention of audiences from its very inception. Following a recent screening, Bollywood celebrities have been effusive in their praise for the upcoming movie. Among them is Vicky Kaushal, known for his role in ‘Bad Newz‘, who took to Instagram to express his deep admiration for the film and its creators.Vicky commended the dedication of the entire team behind ‘Kill’, highlighting its potential to resonate strongly with viewers.
“What a film! I tip my hat off to each and everyone involved in making this film. People don’t know what’s coming their way,” wrote Vicky Kaushal in his Instagram story, reflecting his enthusiasm and confidence in the film’s potential.
‘Dream Girl 2’ fame Ananya Panday and her bestie Shanaya Kapoor also took to their respective Instagram stories to share their enthusiastic reviews. Ananya Panday reposted the movie poster, labeling it as “so bloody good” and urging her followers not to miss it when it hits theaters this Friday.
Meanwhile, Shanaya Kapoor expressed her awe for the film, stating she was “mind-blown” and eagerly anticipating a repeat viewing. Addressing lead actor Lakshya, Shanaya Kapoor added, “You killed it,” highlighting the impact of his performance in the movie.

These social media posts show Bollywood stars’ support for the upcoming film. Their endorsements highlight the excitement and anticipation surrounding the film, promising a thrilling cinematic experience that audiences would not want to miss.

Directed by Nikhil Nagesh Bhat, who also worked on the story of the movie with Ayesha Sayed, ‘Kill’ is slated to release on July 5. It stars Lakshya and Tanya Maniktala in the lead as the protagonist and Raghav Juyal in a negative role. The plot revolves around a train journey during which a pair of commandos face an army of invading bandits.

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Movie Review – Despicable Me 4

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Movie Review – Despicable Me 4

This is not a Pixar movie that appeals to adults just as much as kids. (BTW, this is a Universal/Illumination production.) It’s pretty much a young kids’ movie, beginning to end. This is one of those movies that mom and dad do rock, paper, scissors to decide who has to sit through the movie with their kid(s).

There were a lot of children in the theater when I saw the movie and they all seemed engaged in the antics. I heard giggles and other reactions throughout. I even heard a young girl say, “This movie was awesome,” to her parent as they walked out of the theater.

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The one cool thing I got out of the movie was that Stephen Colbert was the voice of their new neighbor. But at the same time, Will Ferrell was totally wasted as the voice for Maxime. I had no idea that was him. They could have gotten anyone to do that character with a horrible French accent.

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Grade: A (for kids) D (for adults).

About The Peetimes: I have two good Peetimes. There are a few antics in each, but nothing major. I would recommend the 2nd Peetime. It’s one long scene that is easy to summarize.

There are extra scenes during, or after, the end credits of Despicable Me 4.

Rated: (PG) Action and Rude Humor
Genres: Adventure, Animation, Comedy
Starring: Steve Carell, Kristen Wiig, Joey King
Director: Chris Renaud, Patrick Delage
Writer(s): Ken Daurio, Mike White
Language: English
Country: United States

Plot
Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run.

Don’t miss your favorite movie moments because you have to pee or need a snack. Use the RunPee app (Androidor iPhone) when you go to the movies. We have Peetimes for all wide release films every week, including A Quiet Place: Day One, Inside Out 2, Bad Boys: Ride or Die and coming soon , Despicable Me 4, Twisters  and many others. We have literally thousands of Peetimes—from classic movies through today’s blockbusters. You can also keep up with movie news and reviews on our blog, or by following us on Twitter @RunPee.
If there’s a new film out there, we’ve got your bladder covered.

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Movie Review: 'Despicable Me 4' – Catholic Review

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Movie Review: 'Despicable Me 4' – Catholic Review

NEW YORK (OSV News) – Though it comes across as somewhat unfocused, the animated comedy “Despicable Me 4” (Universal) retains much of the charm that has characterized the whole series of films to which it belongs. It’s an agreeable piece of fun that’s suitable for all but the very youngest.

This latest chapter in the adventures of Gru (voice of Steve Carell), the would-be supervillain whose heart of gold long ago turned him into a loving dad and a crimefighter, opens with him assisting in the arrest and imprisonment of French criminal Maxime Le Mal (voice of Will Ferrell). Le Mal vows vengeance on Gru’s family and manages to escape in short order.

With Le Mal on the loose, Gru and the clan — Kristen Wiig voices his sensible wife, Lucy — have to go into hiding and assume false identities. But Poppy (voice of Joey King), the daughter of their preppy, country club patronizing new neighbors, the Prescotts (voices of Stephen Colbert and Chloe Fineman), discovers their secret and uses it to blackmail Gru.

While the comic chaos wrought by Gru’s trademark Twinkie-shaped minions continues to evoke laughs, director Chris Renaud’s addition to a franchise he helped to establish goes down too many plot paths at once. Some of the details of the story — Le Mal’s goal is to kidnap infant Gru Jr., for instance — also seem a bit challenging for kids.

Genuinely objectionable ingredients are kept out of the mix. And there’s a morally interesting, though underdeveloped, subplot about the refusal of one of Gru’s adopted daughters to use the pseudonym she’s been given on the grounds that it would constitute lying.

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Yet scenes of danger, a touch of potty humor and a minion mooning may give the parents of the littlest moviegoers pause.

The film contains characters in peril, a flash of nonhuman rear nudity and a scatological sight gag. The OSV News classification is A-I — general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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