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Billy Eichner’s “Bros” Is For Everyone — For Better And Worse

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Billy Eichner’s “Bros” Is For Everyone — For Better And Worse

Bros could be very a lot a automobile for Eichner. He performs Bobby Lieber, a podcaster who covers queer politics and effortlessly exists within the realm of nonprofit and Human Rights Marketing campaign profit gala philanthropy.

At a membership one evening, he bumps right into a shirtless Aaron (Hallmark film hunk Luke Macfarlane), and so they construct a rapport over their snarky superiority in regards to the vapidity of the membership gays who encompass them.

Aaron is a butch company lawyer, largely out of contact with queer tradition (he doesn’t acknowledge old-school Mariah Carey taking part in on the membership) and politics. Initially there isn’t precisely lots of chemistry or connection between the 2, besides of their shared discomfort with vulnerability.

The film is at its finest as they find out about one another, opening up about their mutual insecurities. Eichner is nice at taking part in a model of himself. Bobby is earnest and self-deprecating, and humorously grouchy. His dad and mom are lifeless, and in a single particularly poignant monologue, he speaks about his unhappiness that tradition didn’t catch as much as queers quick sufficient for his dad and mom to see his new life.

Aaron slowly opens up too. He felt his skilled ambitions (to be a, spoiler alert, chocolatier of mini candies) had been too homosexual and ended up a company lawyer. There’s a touching high quality to their confessions of shared anxieties.

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Macfarlane’s Aaron typically comes off extra like a foil for Eichner’s traits — he likes nation music, he’s boringly company, he loves the health club — than a personality unto himself. However the romantic pairing nonetheless works, nearly as a homosexual replace on Barbra Streisand and Robert Redford in The Approach We Had been, with the politically passionate outsider in love with the hopelessly insider-y hottie.

Each Fireplace Island and Bros symbolize a step away from masc-for-masc melodramas like Brokeback Mountain or God’s Personal Nation, and actually get at queer-specific conundrums. There are humorous scenes in regards to the rhythms of Grindr and the annoyingly meddlesome additional in each foursome.

The romance on Bros, although, is intercut with scenes of Bobby at his work, struggling to satisfy deadlines as he works on the LGBTQ historical past displays he’s been employed to curate.

The work storyline depicts the acquainted dynamics of a messy queer household, the place trans individuals, lesbians, and a self-important “bisexual erasure” man all hash out views about identification politics as they determine the museum’s themes and displays.

These jokes about queer illustration are probably the most stereotypical. The nonprofit world and HRC-style politics are a juicy goal for parody — and there’s even a Kristin Chenoweth bit at an LGBTQ profit gala — however Bros by no means reaches the chunk of, say, HBO Max comedy sequence The Different Two and its skewering of Instagays.

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Fireplace Island’s sense of homosexual neighborhood additionally felt much less tacked on. As a homosexual comedy of manners, based mostly on a queer pal group, Island managed to show the specificity of a homosexual enclave right into a common story of falling for the new man. It additionally landed biting jokes in regards to the mores of white homosexual tradition that felt natural to the story, moderately than included to push back criticism, like Bros’ jokes about Bobby.

Nonetheless, humorous references to Pricey Evan Hansen and Schitt’s Creek all hit their mark. We are able to really feel the Eichner that followers bear in mind from the 2015 area of interest however biting Hulu sitcom Tough Folks.

That Bros doesn’t utterly hit would possibly simply be a timing subject. There’s an rising disconnect between what studio heads suppose the general public can deal with, what the general public truly needs, and what will get onscreen. This downside is magnified with any marginalized identification.

On actuality TV and streaming, there’s been one thing of a renaissance for queer illustration that has allowed for storytelling that sheds the burden of reaching an imagined straight viewers. Bros, which is produced by Judd Apatow’s movie firm, is clearly partly in dialog with that viewers.

In some scenes, we see Bobby himself watching You’ve Obtained Mail, a New York rom-com that subtly brings in themes of gentrification and on-line courting however feels as freshly retro at this time because it did within the late ’90s. It’s too unhealthy that Bros’ try and enchantment to everyone seems to be the one factor that may date it. ●

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Movie Reviews

The Real Bros of Simi Valley: The Movie Review — Straight Up Having a Good Time

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The Real Bros of Simi Valley: The Movie Review — Straight Up Having a Good Time

Even if you didn’t watch The Real Bros of Simi Valley during its three-season run, it’s likely you’ve seen GIFs or clips of a handful of scenes as they’ve made their way around the internet the last few years. The two most popular are easily “Bro, I’m straight up not having a good time” and “Yo Xan, get your boy, dawg.” As great as those moments are, they’re just a glimpse into what the show had to offer. So how does it fare as a movie, nearly four years after its last episode?

The Real Bros of Simi Valley Plot

If you’re unfamiliar with the show, it’s a parody reality show, satirizing the lifestyle and culture of Southern California, in the vein of other reality shows, namely Jersey Shore and the Real Housewives series. It follows a group of nine friends in the titular Simi Valley in California. It’s a true ensemble cast, though Jimmy Tatro (who also directed and co-wrote with his longtime friend and creative partner Christian Pierce; the two co-created the show together) is ostensibly the lead as Xander, the de facto leader of the squad.

Picking up a couple years after the conclusion of season three, Real Bros finds the crew gearing up for their 10 year high school reunion. As the self-proclaimed sickest crew in their high school, they make it their mission to prove to everyone they’re still as dope as ever, if not even doper. And with the purchase of a brand new truck, Xander hopes to take home the coveted Truck of the Year Award handed out at every Simi High 10 year anniversary.

Jimmy Tatro in The Real Bros of Simi Valley: The Movie (2024)

The Real Bros of Simi Valley Critique

Right off the bat, it’s completely clear Real Bros is not a serious movie in any way whatsoever. Sure, if you squint hard enough, there are glimpses of deeper themes and messaging sprinkled in. Don’t judge your happiness and and success off the happiness and success of others. If you’re happy, be content with who you are and where you’re at in life. Xander and his wife Molly (Colleen Donovan) have some very obvious marital problems. But those are often played as a joke, and are quickly resolved. And that’s fine. That’s not the movie Real Bros wants to be.

And that also makes it a pretty easy movie to critique. Do you like the mockumentary setup? Is this your style of humor? Do you find the characters interesting? If yes, then you’ll like it. There is such little story here, with such low stakes, that those aspects essentially don’t matter for how “good” the overall movie is.

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Cast of The Real Bros Of Simi Valley: The Movie (2024)
Cast of The Real Bros Of Simi Valley: The Movie (2024)

The humor, though, is unique. You’re not going to find many movies (I can’t come up with any off the top of my head) with this kind of collection of characters. They’re very “bro-ey” and as a parody, the script leans hard into it.

For better or worse (better, in my opinion), Real Bros uses that style and setup to set itself apart from every other comedy out there right now. And for comedies these days, that’s really saying something, and is an impressive to pull off.

The biggest thing Real Bros has going for it is the cast and therefore characters as well. The entire main cast from the show returns, and they all jump right back into their roles as if the show ended yesterday. They all had three seasons to hone their characters, and it pays off in spades with the movie.

All the ins and outs, the smaller details for each of them, all of those were already known, and every character gets their own moment or two to shine. The cast already had great chemistry to work with. Some hurdles that other movies might have to work through, Real Bros didn’t have to give a second thought to.

The Real Bros Of Simi Valley: The Movie (2024)
The Real Bros Of Simi Valley: The Movie (2024)

While the humor and characters are the sole reasons for watching Real Bros, being so committed to the bit will likely push some newer viewers away. I appreciate it, but I was also coming in as a fan of the show. There are also certain character moments and storylines (one in particular with Xander and Molly’s son) where the jokes won’t fully land without having the context from the series. It’s not a huge ding against Real Bros, but there are a handful of moments and jokes like this, not just one or two. It’s still a low barrier of entry, but it bears mentioning.

In Conclusion

The Real Bros of Simi Valley: The Movie is a terrific follow-up to the show. Tatro and Pierce have such a feel for these characters and that’s evident in every scene. Fans of the show don’t need to be sold on the movie. It’s more of what you already know and love, simple as that. New viewers may not be drawn into the overly “bro-ey” style and some of the more outlandish aspects. But I’d encourage everyone to give it a shot (watch the trailer first), as it’s in line to finish as one of the year’s funniest movies.

If you want to check out the show before watching the movie, the entire series is available on Tatro’s Life According to Jimmy YouTube channel.

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The Real Bros of Simi Valley: The Movie is now streaming on The Roku Channel.

8 out of 10

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Despicable Me 4 movie review: Still fun the fourth time around

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Despicable Me 4 movie review: Still fun the fourth time around

Despicable Me 4 English (Theatres)

2024

Director:Chris Renaud, Patrick Delage

Cast:Steve Carell, Kristen Wiig, Pierre Coffin

Following a few insightful but intense releases in the animation sphere, Despicable Me 4 comes as a welcome change. Despite my initial sequel scepticism — arguably well-founded, considering this was the fourth instalment of scenes from the lives of Gru, his girls and the minions — I was very pleasantly surprised. The expected drop in quality that often comes as a series progresses never arrived with this one. 

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The fourth film features a storyline that maintains the key elements of chaotic good that characterises the series. Yet, as a few new characters and challenges are introduced, the resultant town and family dynamics are amusing. As expected, the minions continue to find themselves in ridiculous, funny and adorable pickles. In terms of the cute quotient, the movie definitely rises to the challenge, with the sweet, curious young girls and the introduction of a few furry friends.

The winning factor was the pace — the plot developed smoothly and quickly, in a way that really made one-and-a-half hours fly by. In typical Despicable Me fashion, the balance between physical comedy and character quirks work for both, young children and older audiences. 

Steve Carell makes a reappearance as his classic Gru self, seeming to only get more comfortable in his wacky and endearing characterisation. Lesser screen time and predictable lines did not enable other voice actors to shine as much as the leads. 

The soundtrack is cool and fresh, typical of what Pharrell Williams has done throughout the series. It has you grooving along as you hear it, and also sticks around as you hum it while leaving the theatre. 

In all, the film promises easy laughs and a fun viewing experience. Particularly if you’re a fan of the mischievous minions or good ol’ Gru, this is a must-watch for the weekend.

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Published 05 July 2024, 20:44 IST

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‘Despicable Me 4’ movie review: Surf this tide of multi-hued super-villainy including the blue-and-yellow kind

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‘Despicable Me 4’ movie review: Surf this tide of multi-hued super-villainy including the blue-and-yellow kind

A still from ‘Despicable Me 4’ 

The sixth entry in the Despicable Me franchise and a sequel to 2017’s Despicable Me 3, Despicable Me 4 sees Felonious Gru (Steve Carell) heading to his school Lycée Pas Bon for a reunion. But he is also undercover for the Anti-Villain League (AVL) to capture Maxine Le Mal (Will Ferrell).

Maxine and Gru have a long-standing rivalry from their school days especially after Gru sang Culture Club’s ‘Karma Chameleon’ dressed as Boy George at the talent show. Maxine, who was planning to sing the same song, also dressed as Boy George, could not do so as everyone would think he was copying Gru (shudder).

Despicable Me 4 

Director: Chris Renaud

Voice cast: Steve Carell, Kristen Wiig, Pierre Coffin, Joey King, Miranda Cosgrove, Sofía Vergara, Steve Coogan, Chris Renaud, Madison Polan, Dana Gaier, Chloe Fineman, Stephen Colbert, Will Ferrell

Story line: Gru and his family are relocated to a safe house after some of his activities at the AVL. There, however, is no rest for the wicked as he is hounded by an old school rival and a new fan

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Run time:  94 minutes

Maxine has developed many villainous properties including a machine to turn people into enhanced bugs. Gru arrests Maxine who promptly escapes the AVL’s maximum security prison with help from his femme fatale girlfriend Valentina (Sofía Vergara) and swears vengeance on Gru and his family.

The former director of AVL Silas Ramsbottom (Steve Coogan) comes out of retirement to get Gru and his family, which includes his wife,Lucy (Kristen Wiig) adopted daughters Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Madison Polan) and son Gru Jr, (Tara Strong) to a safe house in the upscale Mayflower neighbourhood.  

A still from ‘Despicable Me 4’ 

A still from ‘Despicable Me 4’ 

Though the Grus, with the cover name of Cunningham, try to blend in, they do stick out. Gru’s attempt at making friends with his neighbour the super-rich Perry Prescott (Stephen Colbert) fall flat while Lucy’s efforts at the hair salon end up in an epic fail with burning a customer, Melora’s (Laraine Newman) hair. Perry’s wife Patsy (Chloe Fineman) invites the Cunninghams to a game of tennis, which Lucy knows is no sign of being accepted.

The Prescott daughter Poppy (Joey King), however recognises Gru and blackmails him to joining her on a heist to steal the school mascot. Apart from the three minions (Pierre Coffin) who accompany the Gru family, the rest are at AVL headquarters and Silas puts five into a programme for the creation of super-powered Mega Minions. The programme is quickly shut down as the Mega Minions unleash all kinds of mayhem under the guise of helping.

The voice work is fun with most of the gang reprising their roles. Romesh Ranganathan as Gru’s quarter master Dr. Nefario and Chris Renaud as the tough-as-nails principal Übelschlecht have a blast as do Ferrell and Vergara. Some of the sequences are inventive, especially the one with the mega minion and the Swiss cheese.

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Stuff keeps happening through Despicable Me 4’s 94 minutes and before you know it, the credits are rolling, which might be a good thing if you want to pounded into submission with a relentless procession of gags. Despicable Me 4 is fun while it lasts, but might not stand as a synonym for enduring.

Despicable Me 4 is currently running in theatres

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