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BEAUTIFUL ONE

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BEAUTIFUL ONE
** TELEVISION GUIDE **

HEADLINE: ** Beauty Is in the Eye of the. . . Creator **

Title: BEAUTIFUL ONE

Quality: * * * * Acceptability: +1

SUBTITLES: None

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WARNING CODES:

Language: None

Violence: None

Sex: None

Nudity: None

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RATING: Not Rated

RELEASE DATE: May 13, 2023

TIME: 102 minutes

STARRING: Stacey Bradshaw, Thomas Scott, Isabelle Almoyan, Nathan Blair, Anna Dornbirer, Allie Bennett, Anita Cordell, Jeannie Garcia, Meggie Jenny, Branden Lewis, Gigi Orsillo, James Pilachowski, Deborah Tucker

DIRECTOR: Michael Dornbirer

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PRODUCERS: Michael Dornbirer, Rachael Dornbirer

EXECUTIVE PRODUCERS: None

WRITER: Michael Dornbirer

BASED ON THE NOVEL/PLAY BY: N/A

DISTRIBUTOR: Pure Flix/AFFIRM Films/Sony Pictures Entertainment

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GENRE: Drama

INTENDED AUDIENCE: Older children to adults

REVIEW: From opening narration to closing summation, BEAUTIFUL ONE is a rewarding combination of delightful, disturbing, and thoughtful as it explores the concept of female human beauty. First scenes of BEAUTIFUL ONE, streaming on Pure Flix, portray the hurtfulness of mean-girls in elementary school teasing a young Mabel Schnodgrass about her looks. The remainder of the storyline pours over various magazine modeling portrayals of feminine beauty as they impact Mabel and her lifelong best friend, Breeze Perry, through their teenage years into their young adult years.

The movie opens in elementary school, where little Mabel Snodgrass is bullied because she’s not “pretty enough.” At the same time, her mother suddenly passes away from a brain aneurysm. Meanwhile, her father is pastor of a local evangelical church. When Mabel complains to him about people not noticing her, he tells her to give it time and the “right people” will notice her.

Mabel finds a friend in Breeze Perry. Mabel enters a child beauty contest but loses. People continue to make fun of her because of that. In high school, Mabel is still bullied for not being pretty enough. She’s also kind of a dork.

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One day, Mabel mysteriously gets a subscription to “American Beauty” magazine. She and Breeze start doing all the makeup and fashion things girls of that age do. Ten years later, however, Mabel still feels that she’s just not pretty enough.

Mabel decides to enter an adult beauty contest for “American Beauty,” with Breeze as her makeup artist. Mabel needs a photographer to submit photos, and she asks a mysterious new face in town, Nolan Pettering. Mabel met Nolan when he kept an appointment with her father to give him some photographs Nolan took during the church’s recent renovation.

Nolan does a first formal photo shoot under Mabel’s direction, but he starts secretly taking candid pictures of Mabel as he sees her performing various acts of kindness. For example, he catches Mabel helping an elderly woman load a heavy plant into the car and giving a cupcake to “Crazy Carl,” a notorious street person in their small town with the reputation of being “the town kook.”

At a second photo shoot under Mabel’s direction, Nolan protests her portraying a junkie lying in an alley, as it’s “not who she is.” In a later scene, Breeze and Mabel are surprised to see Nolan’s photography featured in a famous beauty magazine, and Mabel challenges him for not telling her who he is. Nolan tells her his story. He left high-fashion photography in New York City over the death of one of the models. He then moved back home to work for his father in construction, vowing not to work for the fashion industry again.

Nolan and Breeze advise Mabel to submit the more candid photos he made of her during their excursions. However, Mabel thinks doing that would automatically guarantee her to lose. So, Nolan shows Mabel the candid photos he’s been taking of her serving people in various ways. Instead of appreciating his sense of “the real her,” Mabel feels Nolan has violated her privacy. So, she ends his obligation to be her photographer.

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Unexpectedly, Mabel has her life’s dream come true and wins the magazine beauty contest. They come to her small town to do their contest cover photo sessions rather than having her come to New York. The photo sessions turn out to be nothing like what she imagined. They force her to reflect on what true beauty is.

Kudos to Writer/Director Michael Dornbirer. BEAUTIFUL ONE shines as a prime example of high-quality filmmaking with a small, independent film crew and minimal budget. Camera work, both indoor and outdoor, is top-notch, and the script maintains a refreshing balance of both incisive content and fun. Most of the acting by Stacey Bradshaw, Thomas Scott, Isabelle Almoyan, Nathan Blair as Mabel, Nathan, Breeze, and Mabel’s father is excellent, as is some of the dialogue. The director’s daughter, Anna, who plays Mabel as a child, has a great little scene with Nathan Blair as the father while they sit in the empty pews of the father’s church. BEAUTIFUL ONE inserts some very funny moments into this mix. It also has a good soundtrack. The movie winsomely entertains viewers while having them ponder a serious, probing issue in an intriguing way. All that said, a few moments are awkward, and a few of the scenes are a bit on-the-nose, but they bring out the movie’s positive themes.

BEAUTIFUL ONE has a strong Christian, biblical worldview. The focal character, Mabel, is the daughter of a church pastor, and a few scenes portray Mabel at church. She sings the hymn “How Great Thou Art” in a worship service with Breeze. She sits alone in the worship sanctuary praying as well as cleaning the church on occasion, prepping for Sunday. Mabel is shown walking the walk, doing good works like helping a guy on the side of the road stuck in the mud in his ATV, and other actions, all as a result of her Christian faith. Mabel’s words on beauty, love of self, love of others, and bearing God’s image all give evidence of her biblical faith. In addition, Nolan’s description of his remorse and repentance at a young fashion model’s drug overdose after she was asked to disrobe for a photo shoot also reflects the movie’s Christian, biblical worldview. The first time the father is shown in the movie, he’s preaching a sermon where he says, “A woman who fears the Lord is to be praised.” In one very important scene, Mabel concludes that beauty is measured by “how we love others and ourselves” and by “living in the knowledge that we are made in the image of God.” MOVIEGUIDE® likes the fact that, in this scene, the female protagonist says that feelings aren’t the only thing that should matter to people, including Christians. She adds that people should also measure themselves by their thoughts and deeds, including their love for others and how they relate to God, their creator. Some nice images of the lighted cross in the church are very creative. Finally, the movie has several overt biblical references, including a visual reference to the passage about “The Virtuous Woman” in Proverbs 31.

Other than Nolan’s memories about the fashion model’s drug overdose, BEAUTIFUL ONE is suitable for the entire family. It presents a Christian, biblical view of inner and outward beauty by reminding viewers that they shouldn’t judge ourselves and other people by outward appearances.

Please send your thanks or concerns, and copy us, to:

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Tony Vinciquerra, CEO, Sony Pictures Entertainment (Columbia Pictures, TriStar, Screen Gems, Sony Pictures Classics, Affirm Films, Provident Films, Pure Flix, Sony Pictures Television, Stage 6 Films, Triumph Films, Crunchyroll)

Rich Peluso, Executive Vice President, and Josh Nadler, Director, AFFIRM Films (AFFIRM Television, Pure Flix)

Michael Scott and David A.R. White, Executives, Pure Flix Entertainment (Quality Flix)

10202 West Washington Blvd., Stage 6

Culver City, CA 90232

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Phone: (310) 244-4000

Website: www.pureflix.com; Email: info@pureflix.com

SUMMARY: BEAUTIFUL ONE is a charming, thoughtful, worthwhile exploration of the concept of female human beauty through the lives of two small-town women and a mysterious man working in his father’s construction business. Streaming on Pure Flix, BEAUTIFUL ONE is high-quality filmmaking by a small, independent movie company that tells a winsome, funny and heartwarming, but serious, story, with strong Christian values, that presents an insightful view of the divine nature of true beauty.

IN BRIEF:

BEAUTIFUL ONE is a charming, thoughtful drama streaming on Pure Flix. The movie opens with Mabel and Breeze becoming best friends in elementary school and at church through the death of Mabel’s mother and Breeze’s father. As they grow up, such closeness allows them to talk about a variety of subjects, including the story’s focus about what it means to be beautiful. Meanwhile, Mabel’s supportive father is the pastor of a local evangelical church. Enter Nolan, a recent arrival to town with a gift for photography. A national magazine contest regarding female beauty sparks adventures and conversations that BEAUTIFUL ONE uses to portray the nature of beauty in American life.

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BEAUTIFUL ONE is a true gem of independent filmmaking. It entertains viewers with top production values and convincing acting, laced with occasional humor. It also thoughtfully surveys the pressing human topics of cultural beauty and self-worth through the fictional lives of three young adults in Small Town USA. Ultimately, BEAUTIFUL ONE promotes a strong Christian, biblical worldview of the divine nature of true beauty. Eventually, Mabel comes to a redemptive Christian perspective.

(CCC, BBB, DD, M):

Dominant Worldview and Other Worldview Content/Elements:

Very strong Christian, biblical worldview with brief portrayals of Christian church worship, church congregation sings, “How Great Thou Art,” people pray in empty church worship sanctuaries, a main character recounts a confession and acts of repentance, pastor preaches, “A woman who fears the Lord is to be praised,” multiple images of the cross in a church are shown, woman is briefly shown reading Proverbs 31 about “The Virtuous Wife,” and female protagonist says in one important scene that beauty is measured by the things in our heart, thoughts, “how we love others and ourselves,” and by “living in the knowledge that we are made in the image of God”

Foul Language:

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No obscenities or profanities, but a little girl is mean to another little girl, telling her she should join the “booger club”

Violence:

No violence

Sex:

No sex

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Nudity:

Nudity is not depicted and only hinted at once briefly in a spoken description of a photo shoot where a model is asked to disrobe

Alcohol Use:

No alcohol use

Smoking and/or Drug Use and Abuse:

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No smoking or drug use is shown, but in one photo shoot the female protagonist wants her photographer to take a photo of her lying in an alley and he drily jokes that she looks like a junkie lying in an alley, and man tells woman about a bad experience he had in fashion photography where a model died of a drug overdose after being asked to do a nude phot shoot (the experience led the man to stop working in fashion photography); and,

Miscellaneous Immorality:

One male character verbally admits to lying when, in the past, he had told Mabel very publicly that she wasn’t pretty enough to date, but in his confession, he tells Mabel that she is the most beautiful woman who ever agreed to go on a date with him.

From opening narration to closing summation, BEAUTIFUL ONE is a rewarding combination of delightful, disturbing, and thoughtful as it explores the concept of female human beauty. First scenes of BEAUTIFUL ONE, streaming on Pure Flix, portray the hurtfulness of mean-girls in elementary school teasing a young Mabel Schnodgrass about her looks. The remainder of the storyline pours over various magazine modeling portrayals of feminine beauty as they impact Mabel and her lifelong best friend, Breeze Perry, through their teenage years into their young adult years.

The movie opens in elementary school, where little Mabel Snodgrass is bullied because she’s not “pretty enough.” At the same time, her mother suddenly passes away from a brain aneurysm. Meanwhile, her father is pastor of a local evangelical church. When Mabel complains to him about people not noticing her, he tells her to give it time and the “right people” will notice her.

Advertisement

Mabel finds a friend in Breeze Perry. Mabel enters a child beauty contest but loses. People continue to make fun of her because of that. In high school, Mabel is still bullied for not being pretty enough. She’s also kind of a dork.

One day, Mabel mysteriously gets a subscription to “American Beauty” magazine. She and Breeze start doing all the makeup and fashion things girls of that age do. Ten years later, however, Mabel still feels that she’s just not pretty enough.

Mabel decides to enter an adult beauty contest for “American Beauty,” with Breeze as her makeup artist. Mabel needs a photographer to submit photos, and she asks a mysterious new face in town, Nolan Pettering. Mabel met Nolan when he kept an appointment with her father to give him some photographs Nolan took during the church’s recent renovation.

Nolan does a first formal photo shoot under Mabel’s direction, but he starts secretly taking candid pictures of Mabel as he sees her performing various acts of kindness. For example, he catches Mabel helping an elderly woman load a heavy plant into the car and giving a cupcake to “Crazy Carl,” a notorious street person in their small town with the reputation of being “the town kook.”

At a second photo shoot under Mabel’s direction, Nolan protests her portraying a junkie lying in an alley, as it’s “not who she is.” In a later scene, Breeze and Mabel are surprised to see Nolan’s photography featured in a famous beauty magazine, and Mabel challenges him for not telling her who he is. Nolan tells her his story. He left high-fashion photography in New York City over the death of one of the models. He then moved back home to work for his father in construction, vowing not to work for the fashion industry again.

Advertisement

Nolan and Breeze advise Mabel to submit the more candid photos he made of her during their excursions. However, Mabel thinks doing that would automatically guarantee her to lose. So, Nolan shows Mabel the candid photos he’s been taking of her serving people in various ways. Instead of appreciating his sense of “the real her,” Mabel feels Nolan has violated her privacy. So, she ends his obligation to be her photographer.

Unexpectedly, Mabel has her life’s dream come true and wins the magazine beauty contest. They come to her small town to do their contest cover photo sessions rather than having her come to New York. The photo sessions turn out to be nothing like what she imagined. They force her to reflect on what true beauty is.

Kudos to Writer/Director Michael Dornbirer. BEAUTIFUL ONE shines as a prime example of high-quality filmmaking with a small, independent film crew and minimal budget. Camera work, both indoor and outdoor, is top-notch, and the script maintains a refreshing balance of both incisive content and fun. Most of the acting by Stacey Bradshaw, Thomas Scott, Isabelle Almoyan, Nathan Blair as Mabel, Nathan, Breeze, and Mabel’s father is excellent, as is some of the dialogue. The director’s daughter, Anna, who plays Mabel as a child, has a great little scene with Nathan Blair as the father while they sit in the empty pews of the father’s church. BEAUTIFUL ONE inserts some very funny moments into this mix. It also has a good soundtrack. The movie winsomely entertains viewers while having them ponder a serious, probing issue in an intriguing way. All that said, a few moments are awkward, and a few of the scenes are a bit on-the-nose, but they bring out the movie’s positive themes.

BEAUTIFUL ONE has a strong Christian, biblical worldview. The focal character, Mabel, is the daughter of a church pastor, and a few scenes portray Mabel at church. She sings the hymn “How Great Thou Art” in a worship service with Breeze. She sits alone in the worship sanctuary praying as well as cleaning the church on occasion, prepping for Sunday. Mabel is shown walking the walk, doing good works like helping a guy on the side of the road stuck in the mud in his ATV, and other actions, all as a result of her Christian faith. Mabel’s words on beauty, love of self, love of others, and bearing God’s image all give evidence of her biblical faith. In addition, Nolan’s description of his remorse and repentance at a young fashion model’s drug overdose after she was asked to disrobe for a photo shoot also reflects the movie’s Christian, biblical worldview. The first time the father is shown in the movie, he’s preaching a sermon where he says, “A woman who fears the Lord is to be praised.” In one very important scene, Mabel concludes that beauty is measured by “how we love others and ourselves” and by “living in the knowledge that we are made in the image of God.” MOVIEGUIDE® likes the fact that, in this scene, the female protagonist says that feelings aren’t the only thing that should matter to people, including Christians. She adds that people should also measure themselves by their thoughts and deeds, including their love for others and how they relate to God, their creator. Some nice images of the lighted cross in the church are very creative. Finally, the movie has several overt biblical references, including a visual reference to the passage about “The Virtuous Woman” in Proverbs 31.

Other than Nolan’s memories about the fashion model’s drug overdose, BEAUTIFUL ONE is suitable for the entire family. It presents a Christian, biblical view of inner and outward beauty by reminding viewers that they shouldn’t judge ourselves and other people by outward appearances.

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Movie Reviews

Movie Review: 'The Fall Guy' – Catholic Review

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Movie Review: 'The Fall Guy' – Catholic Review

NEW YORK (OSV News) – Screwball comedies showcasing couples verbally duking it out in the battle of the sexes comprised a significant and often winning subgenre during the Golden Age of Hollywood. Whether the sparring partners were Gary Cooper and Jean Arthur or William Powell and Carole Lombard, audiences were likely to enjoy every round.

Such examples of amusing tension are comparatively rare these days, which makes the advent of “The Fall Guy” (Universal) a refreshing development. Although ostensibly an actioner — and a snappy one at that — director David Leitch’s loose adaptation of the eponymous 1980s TV series has even more appeal as a toothsome romantic comedy.

Unfortunately, however, the wit and engaging sentiment that characterize Drew Pearce’s script are offset by an excess of off-color dialogue. As a result, this bit of otherwise classy fun can only be endorsed for grown-ups.

After a near-fatal accident, veteran Hollywood stuntman Colt Seavers (Ryan Gosling) loses confidence in himself and leaves the film business. He also cuts off contact with Jody Moreno (Emily Blunt), the aspiring director he’d been dating, though he continues to carry a torch for her.

Having hit the skids and become a restaurant parking attendant, Colt is summoned back to the world of Tinseltown by producer Gail Meyer (Hannah Waddingham). She’s at work on the science fiction epic that will represent Jody’s feature debut.

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The lavish project is under threat, however, as Gail eventually explains, because its lead, Tom Ryder (Aaron Taylor-Johnson) — the egotistical star for whom Colt used to substitute — has disappeared. Gail begs Colt to track the actor down and, with Jody’s welfare in mind, he complies.

As a cover for carrying out this surreptitious mission, Gail has arranged for Colt to join the set of Judy’s production. This offers Judy the opportunity to take sweet revenge on Colt for his ghosting of her.

The screenplay tends to turn Colt’s misdeed into more of an obstacle to reconciliation than it might represent in real life. But the path to reunion is a thoroughly enjoyable one to travel, especially as it leads through some savvy satire of the entertainment industry’s mannerisms.

Although one exchange in the dialogue can be interpreted as suggesting that Colt and Judy’s former liaison included a sexual component, this remains uncertain. As for what’s seen on screen, past or present, nothing of the sort transpires. Instead, they pursue their kicks by doing fast doughnuts in Colt’s truck.

While Pearce keeps his lovers away from the bedroom, he also lowers the tone with a constant barrage of S-words. It’s a shame that indulging in them necessarily restricts the appropriate audience for his sharp barbs and Leitch’s well-choreographed bumps.

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The film contains considerable stylized violence, including gunplay, a possible offscreen premarital sexual relationship, several instances each of profanity and milder swearing, fleeting rough language, pervasive crude talk and obscene gestures. The OSV News classification is A-III — adults. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

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Movie Reviews

Mind Body Spirit – Review | Yoga Found Footage Horror Movie | Heaven of Horror

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Mind Body Spirit – Review | Yoga Found Footage Horror Movie | Heaven of Horror

Want to be a yoga influencer?

If ever you wanted to be a yoga influencer, then Mind Body Spirit will cure you of that. Just kidding, as it isn’t the practice of yoga that makes this a horror movie, but rather an old book full of ancient rituals. I always find myself thinking “Has nobody watched Evil Dead?” whenever they embark on reading out loud from weird books.

However, for this particular horror story, the book was left behind by the lead character’s grandmother. Anya has just inherited her grandmother’s old house and before she finds the book, she also discovers a huge part of the house. Including a strange room and a huge attic.

Both would have made me leave the house immediately. And if not then, the things that happen next most certainly would have. You see, I have actually watched a whole lot of horror movies, so I already know that this cannot end well for Anya.

From self-help to despair

Anya has never met her grandmother, but the book (along with the house) was left for her. While Anya’s mom begs her to leave the place and recognizes that her grandmother was not a good person, Anya looks at it all like some sort of fate.

What starts as a spiritual self-help guide that Anya follows to kick off her aspiring career as a yoga influencer turns into something very sinister. The only other person in Anya’s house is an already established lifestyle influencer who tries to help Anya get started – because Anya’s mother asks her to.

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While Anya is portrayed wonderfully (and also creepily, at times) by Sarah J. Bartholomew, the influencer Kenzi is portrayed by Madi Bready. I loved how we also got to watch commercials for various products that sponsor these influencers.

Not least seeing Kenzi from KenziFit in her element. A great detail that made it all come alive and feel very real.

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Movie Reviews

‘For Sale’ review: Fun horror comedy can’t quite close the deal

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‘For Sale’ review: Fun horror comedy can’t quite close the deal

For Sale is an interesting little comedy horror. Mason McGinness (Andrew Roth, The Wire) is a smarmy salesman who is not above cutting some corners to close the deal. When he pushes things too far, he finds himself out of a job and a home. He has a chance to right his life if he can sell a house with a sordid past and lots of unwanted guests.

The debate between practical effects and CGI is an ongoing one that will only end when there are no longer audiences old enough to have nostalgia for old school effects. Even though special effects are a relatively big part of For Sale, it does not offer much to that particular argument. Instead, it is an example of the effectiveness of simplicity.

For Sale is a haunted house movie, so there has to be ghosts, mysterious happenings, and strange sightings. While nothing is Savini-esque and the budget does not allow for massive computer generated spectacle, the film is great at using small moments to create maximum terror. There are some excellent jump scares and the use of shadows add to the biggest moments. When the specters who inhabit the house make their appearances, they have a cheesy look that works with the story being told.

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Charm may be the strongest thing about the film. Quirky music and characters are the biggest takeaway from For Sale. Roth is particularly good as the shady agent who will do anything to get his sale. He is in just about every scene and his personality ensures that anyone watching will not be bored of him. The plot is more about the development of his character than the actual scares.

For some, this may end up being an issue. For Sale skirts around the horror elements for the vast majority of the time. It is not until about an hour in that the story truly kicks in. Everything before is set up. This would be fine – and it is very well paced – except a tone is never established. It is not tense enough for horror fans, but also does not provide constant laughs. And when the terror finally does take center stage, things come to a screeching halt.

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The ending is also a little erratic. At first, it appears as if viewers will be getting a more family friendly ending complete with Mason learning a life lesson. This is before a dark turn that leads to a confusing finale that is sorta cute and sorta funny but incomplete more than anything else.

For Sale opens on digital platforms May 7

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