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BATWHEELS: Episodes 1.1-1.3 Review

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BATWHEELS: Episodes 1.1-1.3 Review
The first three animated episodes of BATWHEELS streaming on Max bring to life the world of Batman and his crime-fighting colleagues, Robin and Bat Girl. Batman, Robin and Batgirl’s talking vehicles team up to help the three heroes fight crime and keep Gotham City safe. The first three episodes find the team confronting Joker and his girlfriend, Harley Quinn, the Penguin’s souped up Ducky Boat and Mr. Freeze.

The action BATWHEELS is set during the cloak of night in Gotham City. So, the animation is visually dark. However, the creators employ bright colors through the character’s outfits and the animation to make the series lively. The episodes aren’t long, but they keep viewers of all ages engaged and even laughing. BATWHEEELS has a strong moral worldview. It promotes helping others without expecting anything in return, staying together as a team, and instilling confidence in others by believing in them. Episode Three even has a strong redemptive theme of love thy enemy. Each episode contains fights that aren’t overly violent. There are some scenes involving creepy villains, however. So, Movieguide® suggests discernment for younger children.

(BB, C, V):

Dominant Worldview and Other Worldview Content/Elements:

Strong moral worldview promotes helping others without expecting anything in return, staying together as a team, and instilling confidence in others by believing in them, plus Episode Three has a redemptive theme of loving thy enemy, which leads to repentance;

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Foul Language:

No foul language;

Violence:

A few scenes contain mild violence with several heroes and villains fighting one another such as vehicle chases, villain’s boat causes vehicles to crash, and Mr. Freeze tries to freeze Batman and finally is able to freeze Batman in his Batmobile, but a side villain repents and helps Batman and his friends;

Sex:

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No sex;

Nudity:

No nudity;

Alcohol Use:

No alcohol use;

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Smoking and/or Drug Use and Abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

There are more minor questionable elements such as stealing, lying, deceiving.

BATWHEELS is an exciting, funny animated adventure series on Max based on the famous comic book characters Batman, Robin and Bat Girl. The three famous vehicles of the superheroes jump into action to save Gotham City and put villains behind bars. Each episode features action sequences that are not overly violent but include some violence. There are creepy scenes involving villains such as Harley Quinn’s menacing gaze. So, MOVIEGUIDE® suggests discernment for younger children.

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BATWHEELS Episode One opens after the notorious villain, the Joker, and his cohorts have stolen a boatload of money. Just when they think they’ve gotten away with the robbery, Batman, Robin and Bat Girl come to the rescue and stop the villains from completing the robbery.

Following the trio’s successful mission, the Gotham City mayor offers to honor them with the keys to the city. Bat Girl and Robin are excited by the recognition, but Batman initially declines the invitation stating they “don’t protect Gotham for awards.” After some convincing, Batman relents, and the group accepts the mayor’s invitation.

Meanwhile, back at the Batcave, an intruder triggers the bat computer to activate the heroes’ vehicles to protect the cave and the city in the absence of the heroes. Assisted by Batman’s robot aid, MOE the Bat Mobile (BAM) receives upgrades, bringing the vehicle to life to fight crime in Gotham City.

Episode Two shows the Batmobile, Redbird and the Batgirl Cyle and their friends thwarting the villainous Penguin’s Ducky Boat’s evil schemes. As the Batwheels hit the streets of Gotham City, they arrive at the marina where Ducky Boat can be found. Ducky Boat has been given a fuel cell upgrade and has become the fastest boat at the marina. The Batgirl Cycle impulsively races towards Ducky Boat, jolting the rest of the Batwheels into action. However, each vehicle is plagued by an obstacle from Ducky Boat, ranging from beach balls stuck in tires or green slime which cause crashes. Ducky Boat escapes, so the Batwheels return to the Batcave for needed repairs.

One of the team’s challenges is establishing a leader to turn to in times of trouble. Bam, the Batmobile, takes on that role and does his best to lead the team to victory. However, he messes up, and the team flops. Bam soon realizes that being a good leader requires more than barking orders. It’s about trusting the team to do what they do best and step in only when necessary.

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In Episode Three, Batman is battling Mr. Freeze and his snowcrusher vehicle, Snowy. Batman ends up chasing them, but Snowy swerves to avoid an animal and crashes. As a result, Mr. Freeze is thrown from the vehicle. Mr. Freeze keeps running, and Batman keeps chasing him.

Buff, the Bat Truck, stops to help Snowy. He suspects Snowy is not such a bad vehicle, because he risked injury to save the animal. Buff and Snowy become friends, and Buff takes Snowy to the Batcave to get repaired. The other vehicles are wary of Snowy, but they start making friends too, and Snowy creates a bunch of fun ice ramps for them to play. He even makes it snow in the Batcave!

However, Mr. Freeze orders Snowy to return so he can use Snowy’s ice machine to freeze Batman. A fight ensues, but Buff still believes in Snowy. He doesn’t think Snowy will hurt him. However, will Buff’s faith in his new friend be rewarded?

The action in the first three episodes of BATWHEELS is set in the cloak of night in Gotham City, so the atmosphere is dark. However, the creators employ bright colors through the character’s outfits and the animation, which makes the series lively. The episodes aren’t long, but they keep viewers of all ages engaged and even laughing.

BATWHEEELS has a strong moral, redemptive worldview that promotes helping others without expecting anything in return, staying together as a team and always instilling confidence in others by believing in them. Episode Three adds a strong redemptive theme with a wonderful message of love thy enemy.

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Each episode in BATWHEEELS contains fights, but they aren’t overly violent. There are a few creepy scenes, however, involving villains such as Harley Quinn’s menacing gaze. So, MOVIEGUIDE® suggests discernment for younger children.

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Movie Reviews

Research: How Top Reviewers Skew Online Ratings

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Research: How Top Reviewers Skew Online Ratings
Online platforms from Amazon to Goodreads to IMDb tap into the so-called “wisdom of the crowd” to rate products and experiences. But recent research suggests that more experienced buyers tend to select better products and therefore expect higher quality, which leads them to rate more stringently. This means that higher-quality products could paradoxically receive lower average ratings than their less-sophisticated competitors. Researchers used data from IMDb, a leading movie platform, to document this bias, and propose an easy-to-implement algorithm to adjust ratings to better align with external proxies of quality.
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Movie Reviews

The Forge Movie Review (with Spoilers)

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The Forge Movie Review (with Spoilers)


This image depicts the discipleship and mentorship prevalent throughout the movie The Forge. Digitalskillet captured this image on August 31, 2018. This image was downloaded from iStock.com on January 7, 2025.

If you are looking for a good movie to watch during these cold winter days, I suggest The Forge

Before providing an explanation for my recommendation I must warn that this review does contain spoilers. Therefore, do not read the rest of this article if you intend to watch the film.

The Forge

A Brief Summary

Under the direction of Alex Kendrick, The Forge is a faith-based movie emphasizing the importance of discipleship. Actors such as Priscilla Shirer,  Cameron Arnett, and Aspen Kennedy bring this theme to life with a passion for God that exudes beyond a typical acting role.

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Their passion manifests through the story of Isaiah Wright, a young adult struggling to find direction in life. He focuses on playing video games, hanging out with friends and not handling his responsibilities.

His mother scolds him for his lackadaisical habits but a transformation does not occur until he meets Joshua Moore. Joshua Moore, the owner of Moore Fitness gym, offers Isaiah a job. 

Little does Isaiah know, this opportunity will not only change his financial status but help him draw closer to God. God uses Joshua Moore as a mentor who gives Isaiah professional and personal advice to help him mature.

Over a short period of time, Isaiah decides to stop resisting God and accept Jesus as his Lord and Savior. After hearing the news, Mr. Moore disciples Isaiah and invites him into fellowship with other Christian men. 

This maturation helps Isaiah apologize for past mistakes, forgive his father and become a courageous young professional.

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The Forge concludes with Mr. Moore issuing a challenge to his forge (and viewers) to make disciples for Jesus Christ.

Relatable to the African American Community 

Brokenness & Fatherlessness 

Along with a compelling message to go make disciples for Christ, The Forge also highlights themes relatable to the African American Community.

One theme was Isaiah’s brokenness due to the absence of his father. This may seem like a negative depiction of black families because some media platforms associate fatherlessness with African Americans.

However, I see this as a positive since it confronts the realities that many young adults of various ethnic backgrounds face.

Pain Drawing People Closer to God

Another theme Christians in the Black community can relate too is painful situations drawing them closer to God. For Isaiah, pain occurs through fatherlessness and the inability to find direction for his life.

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But after surrendering his life to God, Isaiah transforms into a new creation.

For Mr. Moore, tragedy happens through a car accident resulting in his son’s death. Mr. Moore is so distraught, his marriage almost ends. Thankfully, yielding his anger to God helps him become a dynamic mentor for other men.

Ownership & Excellence in Business 

One way Mr. Moore serves as a dynamic mentor is by discipling his employee Joshua. Mr. Moore has the freedom to share his faith with Joshua since he owns Moore Fitness Gym. 

This same freedom appears as Joshua’s mom prays with her employees and friends at Cynthia’s (her hair salon).  

In addition to a gym and hair salon, the film features a black owned coffee shop.

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Seeing positive representations of African Americans in business through this film is encouraging for two reasons. 

First, this positive representation shows all Christian’s how we can use employment to glorify God regardless of our job title. Second, this film shows there is a strong sense of work ethic, unity, teamwork and business savvy in black families.

Hopefully, this inspires more Christians to start black owned family businesses that will make a lasting impact in their communities.

The Impact of Discipleship

One way to make a lasting impact in any community is by investing in people. Mr. Moore this by establishing the forge and discipling countless men who then disciple others. 

Through these personal investments, men not only grow spiritually, but in every aspect of their lives. They also gain a health support system that allows them to function in community the way God intends.

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Imagine what our churches, families and society will look like if more men accept the responsibility of discipleship. 

3 Things You Might Have Overlooked

The Power of Prayer 

The displays of discipleship prevalent in this film could not be possible without prayer. Isaiah’s mom asks her forge to pray for him on a few occasions.

Prayer is also evident during Isaiah’s conversion experience as well as Mr. and Mrs. Moore’s daily affairs. These examples prove we can not draw closer to God or help others in their relationship with the Lord without prayer.

This is why Paul uses scriptures like 1 Timothy 2:8 to illustrate the importance of prayer.

An Excellent Use of Scripture

Along with illustrating the importance of prayer, The Forge does an excellent job of using scripture in its proper context.  This is seen as Mr. Moore quotes or references the following scriptures to make key points

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  1. Matthew 28:19.
  2. Luke 9:23.
  3. Galatians 5:13-14.

This factor stands out to me because I have seen other films use scripture and biblical principles out of context. 

Being contextually accurate with scripture is essential because someone who does not fully understand a scripture may be susceptible to false teachings. God will hold filmmakers who intentionally misuse scripture accountable for making others stumble. 

A Reminder About Sin

Thankfully, instead of making me stumble, The Forge offers a helpful reminder about sin.  Sin is not just acts like using drugs, embezzling money, or committing adultery which are typical in many films.

Instead, The Forge reminds viewers that holding grudges, selfish ambitions, and not consulting God in every decision are also sins. I appreciate this reminder because it’s easy for believers to think they are in right standing with God if they do not commit sins others find unjustifiable.

However, God also takes offense when we act in ways that suggest he is not the Lord of our lives. We must strive to live by Luke 9:23 daily in order to be sincere disciples for Christ.


How do you feel about The Forge? I’d love to hear your thoughts. Your comments and feedback are greatly appreciated!

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Movie Review: Robbie Williams has always lived to entertain. In ‘Better Man,’ he’s still doing it

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Movie Review: Robbie Williams has always lived to entertain. In ‘Better Man,’ he’s still doing it

“I came out of the womb with jazz hands,” pop star Robbie Williams recounts in “Better Man,” his new biopic. “Which was very painful for my mum.”

Movie Review: Robbie Williams has always lived to entertain. In ‘Better Man,’ he’s still doing it

Badum Dum.

But also: Wow. What an image, to illustrate a man who, we learn, agonized from early childhood as to whether he had “it” — the star quality that could make him famous.

Turns out, he did. Williams became the hugest of stars in his native Britain, making 14 No. 1 singles and performing to screaming crowds And whatever else we learn from director Michael Gracey’s brassy, audacious and sometimes utterly bonkers biopic, the key is that Williams’ need to entertain was primal – so primal that it triumphed over self-doubt, depression and addiction. It should surprise nobody, then, that this film, produced and narrated by Williams , is above all entertaining.

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But wait, you may be saying: Five paragraphs in, and you haven’t mentioned the monkey?

Good point. The central conceit of Gracey’s film, you see, is that Williams is represented throughout by a monkey — a CGI monkey, that is . This decision is never explained or even referred to.

There’s a clue, though, in one of Williams’ opening lines: “I want to show you how I really see myself.” Gracey based his film on many hours of taped interviews he did with Williams. He says the pop star told him at one point that he felt like a monkey sent out to entertain the masses — particularly in his teens as a member of the boy band Take That. It was Gracey’s idea to take this idea and run with it.

We begin in 1982, in Stoke-on-Trent, England. Young Robert Williams is bad at football and mercilessly taunted. But there’s no football in his DNA, he explains. There is cabaret.

He gets the performing itch from his father. When Sinatra appears on telly singing “My Way,” little Robert jumps up to join Dad in singing along. But Dad cares more about performing than parenting, and one day just leaves home for good. Robert is raised by his mum and his adoring grandmother, who assures him he’s a somebody, not a nobody.

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At 15, flailing in school, Robert auditions for Take That, the boy band, and somehow makes the cut. The band first covers the gay club circuit — until it emerges that girls go wild over these young men.

Director Gracey, who helmed “The Greatest Showman,” is quite the showman himself, never more obviously than in a terrific musical sequence that chronicles the band’s journey to success. Filmed to Williams’ hit “Rock DJ” on London’s Regent Street and featuring some 500 extras, the number starts with the boys hardly noticed by passersby, representing the start of their career. Gracey illustrates their rise to fame with explosive choreography, pogo sticks, scooters, London buses — all ending in a flash mob with hundreds dancing on the famed street.

And now, Robert is forever Robbie – his name changed by the band’s shrewd manager, Nigel. “Where’s my Robert gone?” asks his grandmother , bewildered by the hype. “I’m a pop star now,” he replies.

But fame brings all sorts of trouble for Robbie. Later, he will note that when you become famous, your age freezes – so he never graduates from 15. He sinks into depression and develops alcohol and cocaine habits.

But when the band kicks him out, his competitive fire is stoked: He’s going to have a “massive” solo career. A woman overhears him saying this to himself at a New Year’s party; she turns out to be Nicole Appleton, of the girl band All Saints. Another of Gracey’s grand song and dance numbers covers their troubled relationship, including an abortion.

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Nicole ends up leaving Williams , part of a miserable time for the singer, who manages to destroy most of his relationships. But he reaches a career pinnacle, performing at the storied Knebworth Festival to some 375,000 adoring fans.

Gracey punctuates shots of Williams performing with a violent, medieval-style battle between the singer and his demons — other versions of him, essentially. It’s another over-the-top sequence that makes this biopic radically different than most — if also a tad indulgent .

But, hey, it’s all in service of one thing. “Let me entertain you,” Williams seems to be screaming through every scene. Mostly, he succeeds.

“Better Man,” a Paramount release, has been rated R by the Motion Picture Association “for drug use, pervasive language, sexual content, nudity and some violent content.” Running time: 135 minutes. Three stars out of four.

This article was generated from an automated news agency feed without modifications to text.

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