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'Love is Blind' finally gets political. Is supporting Trump a relationship dealbreaker?

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'Love is Blind' finally gets political. Is supporting Trump a relationship dealbreaker?

Over seven seasons, contestants on “Love Is Blind” have shared difficult, sometimes deal-breaking conversations about issues like race, religion, money, birth control and abortion.

But one subject has been largely absent from conversation in the “pods,” despite being virtually unavoidable in the real world: politics. We never saw any would-be couples asking each other explicitly how they voted. And even though “Love Is Blind” premiered in 2020, at the tail end of President Trump’s divisive term in office, his name was never uttered onscreen.

Then came Season 7, set in Washington, D.C.

The latest installment of the dating experiment, as the show markets itself, follows singles from the Capitol region and arrives in the final stretch of yet another contentious presidential race. It also happens to be the first season in which contestants discuss their personal political beliefs in partisan terms.

“OK, let’s start with this,” Monica Davis, a 36-year-old sales executive, asks Stephen, a 33-year-old electrician, during an early pod date. “Did you vote in the last presidential election? And the election before that?” Stephen Richardson explains that in 2016, he voted for Trump “because I didn’t like Hillary [Clinton].” But he came to “despise” the way Trump handled himself in office, and voted for now President Biden in 2020.

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“I will happily admit that my first vote wasn’t the most educated vote,” he tells Monica, who (briefly) becomes his fiancée, until she catches him sending racy text messages to another woman.

It’s not the only mention the former president receives in the pods. Bohdan Olinares, 36, and Marissa George, 32, both military veterans, bond over their shared liberal views. Marissa confesses that she dated a Trump supporter for three years but found that “there’s just a difference in thinking about how our society works.”

”When it comes down to it, are you gonna vote for a guy who tried to overthrow the government?” Bohdan says. “I’m never gonna agree with that.”

“I’m not gonna vote for a rapist, right?” she replies.

Marissa ultimately gets engaged to Ramses Prashad, 34, who works at a justice nonprofit and may be the most performatively woke person who has ever appeared on the show. With hair that Marissa’s brother compared to that of ’80s R&B singer El DeBarge and a wardrobe of leather pants and Coogi sweaters, Ramses also is the first person on “Love Is Blind” to quote James Baldwin or use the phrase “hammer of American imperialism” between sips from a golden goblet. When Marissa tells him that the movie “Barbie” made her realize she couldn’t be with someone who supported the patriarchy, he scoffs, “It took ‘Barbie’ to make you realize that?” He also is openly disdainful of Marissa’s military service, and tells her he’d break up with her if she reenlisted. (Meanwhile, the only thing he should be judging Marissa for is her belief that Adam Sandler is funnier than Will Ferrell, but I digress.)

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On one hand, this season’s political bent should not be surprising. Washington, D.C., is one of the most overwhelmingly Democratic places in the country: Biden won 93% of the vote there in 2020. The entire region is full of people who work in government, advocacy, lobbying and the military. And while there are no congressional staffers in the cast this season, there are numerous veterans and at least one “clean energy policy consultant,” Taylor Krause, who recently published a white paper about hydrogen.

Ramses Prashad and Marrisa George eventually get engaged.

(Netflix)

Yet previously, it often felt like the producers of “Love Is Blind” were going out of their way to elide overtly partisan conversations, or the discussions were so vague that they were almost incomprehensible. (In Season 1, Giannina Gibeli and Damian Powers got in what seemed to be an argument about Trump but no one knew for sure.) The singles in “Love Is Blind” seem to exist in a parallel universe, curiously devoid of the intense polarization that consumes the rest of the country and compels many Americans to size up their neighbors, prospective romantic partners, athletes and favorite pop stars based on how they vote.

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There have been a few coded dog whistles (e.g., Season 6’s Sarah Ann Bick, who described herself as a “patriot,” meaning “Republican”). But for the most part, viewers have been left to draw conclusions about contestants’ political leanings based on circumstantial evidence such as their social media history or predilection for star-spangled clothing.

All of which makes Season 7, with its frank, uncomfortable discussions about the role of politics in people’s intimate lives, feel like a watershed moment for “Love Is Blind” as it finally bursts its escapist bubble. It also feels like an overdue acknowledgment of our hyperpartisan reality, particularly as we approach an election in which issues like abortion, IVF and childcare will be central to how people cast their vote, especially women, who have been most affected by the fall of Roe vs. Wade and bear the brunt of child rearing. Many pundits expect that this election will feature a bigger-than-ever gender gap between women, mobilized to support Vice President Kamala Harris because of her stance on abortion, and men, drawn to Trump’s blustering machismo.

But as we see with Ramses and Marissa, there is more to being compatible than mutual disdain for Trump or a shared support for liberal ideas. The couple’s initially blissful relationship begins to fray as they return to D.C. and realize their personal values don’t necessarily align, even if their politics kinda-sorta do.

The first signs of trouble appear when Ramses expresses reservations about Marissa’s military service — which he was aware of when they got engaged. “I don’t view politics and those types of things as something that exists in a vacuum,” he says. “These ideas, they affect real people.”

In other words, the personal is political. It’s true, especially when it comes to marriage and family, but for Ramses, it increasingly appears to be an empty, self-serving slogan. In last week’s batch of episodes, he and Marissa shared a tense and infuriating conversation about birth control. (The Infuriating Conversation About Family Planning has become something of a “Love Is Blind” trope.) She says she doesn’t want to go on the pill, but he balks at the idea of using a condom during sex “because it’s not enjoyable” even though he is also adamant about not starting a family for several years. (Here’s where I ask, not for the first time: Has anyone on this show heard of an IUD?) Ramses — or at least the edited version of him we see on the show — is a hypocrite, someone who boasts that he “doesn’t try to follow traditional expectations of what masculinity should look like” and yet gives his fiancée a hard time for making choices about her body that create minor inconveniences for him.

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This week, we witness yet another painful fight: After Marissa apparently turns Ramses down for sex because she’s sick, exhausted and has a nasty case of PMS, he gives her a guilt trip over the lack of physical affection. He even implies he’s having second thoughts about getting married because of this single rejection. Usually bubbly and upbeat, Marissa is visibly deflated and worn down by her partner’s demands. She listens to his concerns, then counters that in the future, she may not want or be able to have sex for any number of reasons — like, for instance, if she just gave birth. “This is probably going to come up multiple times in our relationship. Is this going to be an issue for you?” she asks.

“That’s a fair question,” he replies.

It’s also one he isn’t ready to answer, because for all his liberal posturing, he still can’t quite accept his fiancée’s bodily autonomy. The “Love Is Blind” fandom has already started to turn on Ramses, slamming him as a toxic “gaslighter.” We still have a finale and a reunion to go, so Ramses has a chance to redeem himself — or at least provide some context for his cringe-inducing conversations with Marissa. But this season has already made it clear that while love may be blind, relationships are always political.

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Movie Reviews

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

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‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

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With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

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On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

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Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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