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Kat Timpf on battling trolls, embracing pregnancy and writing a book about being written off for her views

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Kat Timpf on battling trolls, embracing pregnancy and writing a book about being written off for her views

Commentator, comedian, podcaster and author Kat Timpf isn’t here for your preconceived notions. Whether she’s bringing her vibrant personality to a stage or sharing her libertarian perspectives on “Gutfeld!” via Fox News, one can always count on her to make light of heavy topics with a witty and unapologetic approach.

Originally from Detroit but launching her comedy career in Los Angeles, Timpf graduated magna cum laude from Hillsdale College. Over the years, she has remained incredibly active, seamlessly balancing her comedy career with her influence in the political space. She recently announced her first pregnancy, and her second book, “I Used to Like You Until… (How Binary Thinking Divides Us),” was published Sept. 10 by Simon & Schuster and follows up her New York Times bestseller, “You Can’t Joke About That: Why Everything Is Funny, Nothing Is Sacred, and We’re All in This Together.”

Crediting humor for helping her navigate both the highs and lows, Kat Timpf’s popularity comes from a relatable blend of hard laughs and genuine emotion, with context playing a crucial role. On Sept. 14, Timpf is bringing all of that (plus cool merch) to Thousand Oaks on her “I Used to Like You Tour” at the Scherr Forum Theatre, where she’ll be showing off her comedy chops, all while inadvertently squashing those “you can’t have it all” naysayers.

It’s so crazy how well “Gutfeld!” is doing. I mean, not crazy, I was a huge “Red Eye” fan. I always found it random that it was on Fox News. It was interesting trying to tell certain people why the show was so great.

Kat Timpf: Yeah, I was a huge fan of “Red Eye” before I ever was on it. I didn’t tell Greg that until a year after I got hired, though. And I still have to explain to people about Fox because people have ideas about it, that everybody there is about the same thing, and it’s just not accurate. It’s totally possible to have a friendship with people that you don’t agree with on political issues, which is beyond frustrating to the point of me having to write this book.

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Choosing sides seems to be the thing people demand, but it’s rarely black-and-white.

Right, and people will say that you’re a “fence sitter” because you don’t firmly sit on one side or the other because you have different independent views. I’m not sitting on a fence, I’m actually very firm in my own views. It actually would be a lot easier for me to go all in on one side or the other because then I’d have this whole team of people backing me up, no matter what I said or did. It’s easier to have a team of allies.

I have to imagine that people you know, and don’t know, also have been free and loose with the baby advice?

I have no idea what to expect, obviously, and I’ve definitely been given advice from people online, which bothers me less than people just being so mean and hateful. I’m 35, so they call it a “geriatric pregnancy.” So, for years I was getting these hate comments like, “You don’t understand anything about the world because you don’t have any kids. Your eggs are scrambled and drying up, and you’ll regret this soon. You’re so selfish.” Then I got pregnant, and you would have thought that this is what these people wanted, right? I mean, I didn’t do it for them, but now people are saying, “Can you just shut up about being pregnant already?” Some of them are the same people! Some people are just gonna be haters no matter what. I just hate the whole, “Oh, you’re not the first person in the world to be pregnant.” I know that! But it’s the first time I’ve been pregnant! Life can be so monotonous and there are so few things that inspire a sense of genuine wonderment and amazement about life and being alive. I’ve been so dead inside that sometimes I’m just like, let me have this! You’re mad that I’m happy and excited about having a baby? So, if people want to give me actual useful advice because you mean well, I’m good with you.

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The most bizarre thing about social media is that you’ll never make a stranger happy. And truly, why is it even important?

Right? I’ve never seen someone else being excited about something in their life, whether it’s them getting married, having a baby, getting a new job or coming out with a book, and just being like, urghhh no thanks. Life can be really depressing, and life can be really boring, so if you’re excited and happy about something, that’s amazing and I’m happy for you.

I do love that you clap back when needed. And not to be cheesy, but you do bare it all in your new book. I found it strong and vulnerable.

I’ve definitely always been like this, but I’m a sensitive person too. I write a lot about that in the new book. There have been times where people have said mean things to me and I’ve direct messaged them and said something like, “That really hurt my feelings.” Nine times out of 10 the person will say, “I’m sorry.” Now, one time out of 10 they’ll be even more mean, and that makes me feel really bad. That’s actually the concept of the cover of the book — I’m naked and I’m covered in hate mail. It’s just vulnerability in the face of overwhelming hatred. And I think that being vulnerable about your own stuff in your life can help people when they now see that you’re human. For me, it also goes back to intention, and you have to be able to stand up for yourself when people are coming for you with bad intentions. If we could just all see each other as humans rather than this team or that team, we could find a lot more to agree on than we think.

It really is wild that people will see you for your job but not as the human working a job to pay for your life. It’s like, we are not them.

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That’s what it is, and this book is for anyone who has ever felt like someone’s written them off for just one single aspect of themselves. A single difference in viewpoint, or association, or an assumption should not be enough to write off another person entirely. We lose so much when we do that. And I know this book is coming out during a very contentious and very polarized time, and I didn’t write this book because of that, I wrote it in spite of that. I really think this is an important book, and it’s also a fun book to read.

Headshot of Kat Timpf with long straight brown hair and dark-rimmed glasses

“This book is for anyone who has ever felt like someone’s written them off for just one single aspect of themselves,” Timpf says of her new book “I Used to Like You Until.”

(Melinda DiMauro)

Do you ever trip out thinking about what life was like when you came out to L.A. versus you coming to L.A. now?

Yes! I wrote about being in L.A. a little in my first book, but when I came to Los Angeles out of college, I was struggling. I worked at Boston Market waiting tables and I lived in a really crappy apartment, and then I couldn’t afford that apartment, so I had to move in with this bartender I was kind of sort of seeing. I was really struggling trying to do what I am doing now. I had done stand-up one time before, so I started doing comedy in L.A. because I was going through so much rough stuff. I found that it was really helpful to get onstage and make fun of the things making me feel powerless. It gave me a sense of power over it. I kept doing it when I moved to D.C. for a job, and then I quit three times, but then I got back onstage and it’s like, I love this!

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I’m sure Scherr Forum Theatre in Thousand Oaks adding a second show because you sold out the first one feels pretty great too?

It really does! I’m very, very excited. Those shows are the opening two shows for the tour, so I’m very grateful. There is no place for me quite like the Los Angeles area because of the effect that it has on me. Thinking about how much I struggled here, hoping for that sliver of a chance that I’d be able to do what I’m doing now — it’s so awesome. I have a lot of new material, and I could not be more excited about it. I’ve never played this venue either, and honestly, it’s still overwhelming to me that I get to do this. I’m just very grateful for every single person that comes out. I think that opening this tour in this area is the best way to do it. Every time I get out of the airport and I’m driving through L.A., I still get emotional. I’m very grateful and I hope I never stop being astounded by all of this.

Comedy is such a complex thing because you’re watching a somewhat insecure mind that absolutely shines in a spotlight.

I have a whole line of “Are You Mad at Me?” merch so, spot on. I’m insufferable, really, but at least I’m self-aware!

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Movie Reviews

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

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‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

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With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

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On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

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Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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