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Jamie Foxx reveals he had a stroke in Netflix stand-up special: 'I don't remember 20 days'

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Jamie Foxx reveals he had a stroke in Netflix stand-up special: 'I don't remember 20 days'

Jamie Foxx is finally telling the whole story about his hospitalization last year in the language he knows best: comedy.

In his new comedy special released Tuesday, the Oscar winner revealed that he suffered a stroke last April. At that time, Foxx’s family had released a since-deleted statement that he was receiving care for an undisclosed “medical complication.”

While Foxx continued to share updates on his recovery, he declined in March to tell the full story until he could do so “in a funny way,” Variety reported.

He made good on that promise with arrival of his Netflix stand-up special “What Had Happened Was.”

During the 68-minute show, Foxx recounts his months-long health journey — beginning with the April evening when a “bad headache” turned much graver.

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“I asked my boy for a aspirin,” he recalled, “and I realized quickly that when you in a medical emergency, your boys don’t know what the f— to do.

“Before I could get the aspirin,” he continued, pausing to snap his fingers, “I went out. I don’t remember 20 days.”

With the help of friends and family, Foxx said he pieced together an account of what happened immediately after. The first doctor to see him administered a cortisone shot and sent him off with “half-star service,” he quipped.

But his younger sister Deidra Dixon, who he called “4 foot of nothing but pure love,” wasn’t satisfied. So she drove until she came upon Atlanta’s Piedmont Hospital. She had never heard of the facility before, Foxx said, “but she had a hunch that some angels is in there.”

That doctor said Foxx had a brain bleed that had led to a stroke, the comedian said, and his sister continually prayed during his entire operation.

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“They put me back together again,” Foxx said. “Atlanta saved my life.”

When he finally woke up one morning in May 2023, “The Jamie Foxx Show” star said he was startled to find himself in a wheelchair and stubbornly insisted on attempting to walk. Dramatically reenacting the scene in the special, Foxx’s legs tremble, his eyes wide. In the end, he said he admitted defeat.

Throughout the special, the “Just Mercy” actor also joked about his daughter Corinne’s fears that he would be “memed” for his condition, adding that being bathed by his nurse was more scarring than the stroke itself.

“You have no idea how good this feels,” Foxx told the Atlanta crowd as he opened his set. “If I dance all night, don’t mind me. I’m happy to be alive.”

Corinne Foxx first announced in April 2023 that Foxx was being treated for a medical emergency. In response to her since-deleted announcement, speculation arose about the details of the emergency. Corinne later slammed such rumors, lamenting “how the media runs wild” and adding that her dad had “been out of the hospital for weeks, recuperating.”

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The revelation about Foxx’s stroke did not come until “What Had Happened Was.” Before Tuesday, the actor had spoken publicly about the medical emergency without details. He has also regularly updated fans on social media about his health and well-being.

Meanwhile, “Back in Action,” Foxx’s action movie with Cameron Diaz, releases in theaters Jan. 17.

Filming for the movie was delayed upon Foxx’s April 2023 hospitalization. In January, Page Six published photos of the co-stars seemingly on set, though it is unclear if Foxx still had scenes to shoot.

Times staffers Nardine Saad and Alexandra Del Rosario contributed to this report.

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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