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In defense of helicopter parents

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In defense of helicopter parents

This column is the latest in a series on parenting children in the final years of high school, “Emptying the Nest.” Read the previous installment, about relearning how to be alone at home, here.

I recently saw a headline in the New York Times that I thought was the answer to my prayers: “Anxious Parents are the Ones Who Need Help.”

Yes, please, I thought, hoping to find acknowledgment of all the very real forces that can turn any parent into an anxious mess.

Things like school shootings, worsening teen mental health, the ongoing debate over the danger of smartphones, the rising cost of a college education, the growing restrictions on female reproductive rights, the housing crisis, the opioid crisis, the fentanyl crisis, and, of course, the climate crisis.

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As I prepare to launch my third child out of the nest, my personal and parental anxiety is at a fever pitch; I’ll take any offer of help I can get.

Alas, it was not to be. The piece, written by a senior staff psychiatrist at Boston University Health Services, focused exclusively on parental anxieties that can arise during a child’s college experience, particularly freshman year.

In a tone as kind and generous as possible, the author advised parents to just try to detach and chill.

It’s something parents hear all the time, when they are not being inundated with every type of story that can fit under the headline “The Kids Are Not Alright”: Modern American parents need to stop trying to control every moment of their children’s lives and relax.

Wouldn’t that be nice? To just, you know, let it all go and relax?

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To be fair, I absolutely plan to relax, at least a little, once I have deposited my third and youngest child at the college of her choice.

(This may be wishful thinking. Her current top picks include three UCs, each with an average admission GPA of 4.0, and an out-of-state school that costs — as the young woman leading the orientation informed us with a completely straight face — $90,000 a year.)

After we sent our older kids to college, my husband and I left them to their own devices, which worked out just fine — though I can see why some parents feel justified in demanding that their child have a VIP college experience when the sticker price, as it is for Boston University, is $82,000.

But honestly, it’s the time before college that can turn even the most stoic, no-nonsense parent into an insomniac mess.

Because no one gets more dire warnings, eye-rolling criticism or conflicting information thrown at them than parents.

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The kids, we are told repeatedly, are not doing well. They are depressed, they are anxious, they hate their bodies. They are addicted to their phones, don’t know how to make friends, can’t read or do math well enough and are easy prey for sexual predators and brainwashing extremists. They don’t want to work, they can’t find work, and the work they do find doesn’t offer benefits and they can’t afford to live close to it.

Try to prevent or mitigate any of the above and you risk being labeled neurotic, a “helicopter parent.” Take a more hands-off approach and you’re accused of being uninvolved or neglectful.

Occasionally it is acknowledged that larger forces — gun violence; overcrowded schools stripped of arts and vocational programs; racism, sexism, homophobia; the unregulated force of social media — could be contributing factors in our children’s perceived problems.

More usually, however, the parents somehow shoulder the blame.

Either we’re not giving our children enough free time or we’re not monitoring what they do. We’re too fixated on conventional definitions of success or we’re pressuring them to be unconventional. We’re not allowing them to make their own mistakes and face the consequences or we’re not seeing signs of trouble early and getting them the help they clearly need.

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All on our own, by the way. As research shows, the historic safety nets of extended family and involved community are increasingly frayed by mobility and the economic necessity of a two-income family, and nothing has been offered to replace them.

If you can afford help, you are faced with inevitable criticism for putting your kids in day care or “handing them over” to a nanny, a relationship that often raises issues of economic disparity, immigration status and racism.

And it doesn’t end when the little geezers turn 18 or graduate from college. Parents of young adults are increasingly expected to force them to be independent while also either underwriting their rent/down payments or allowing them to return home.

But sure, parents are anxious because they are paranoid control freaks.

I love being a parent, and most of the time I simply ignore the endless criticism that has been spewed my way. You don’t think I should breastfeed in public / put my kids in day care / let them have sleepovers / give them smartphones /track those phones’ locations / enroll them in club sports / encourage them to have birth control, Narcan and fentanyl testing strips on hand? I don’t remember asking you.

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And if you are not willing to come to my house and cook a meal or empty this damn dishwasher, I really don’t want to hear it.

But in recent years, I have felt myself wilt, felt myself waver, felt myself surrender to all the studies and opinion pieces and become a big hot mess.

Perhaps it was the pandemic, which traumatized so many of us in so many ways. Perhaps it’s just because my youngest is, and always will be, the baby of the family. But I find myself beset by second-guessing.

She seems happy. Is that happiness real? She’s doing well in school. Is she too worried about grades? She has a job, participates in extracurriculars. Is her schedule too full? She has an active social life. Is wherever she’s going safe? She seems a little down. Is she clinically depressed?

It’s exhausting and slightly ridiculous: “Don’t choke on the one-yard line,” I tell myself. In a few months, she’ll be 18; in a year, she’ll be out the door. But then what?

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I’m not a helicopter parent, a term I have come to loathe. But I am currently an anxious one. And you know what? That’s a perfectly reasonable thing to be.

Movie Reviews

Film reviews: ‘No Other Choice,’ ‘Dead Man’s Wire,’ and ‘Father Mother Sister Brother’

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Film reviews: ‘No Other Choice,’ ‘Dead Man’s Wire,’ and ‘Father Mother Sister Brother’

‘No Other Choice’

Directed by Park Chan-wook (R)

★★★★

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Entertainment

Brazil’s Wagner Moura wins lead actor Golden Globe for ‘The Secret Agent’

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Brazil’s Wagner Moura wins lead actor Golden Globe for ‘The Secret Agent’

Wagner Moura won the Golden Globe for lead actor in a motion picture drama on Sunday night for the political thriller “The Secret Agent,” becoming the second Brazilian to take home a Globes acting prize, after Fernanda Torres’ win last year for “I’m Still Here.”

“ ‘The Secret Agent’ is a film about memory — or the lack of memory — and generational trauma,” Moura said in his acceptance speech. “I think if trauma can be passed along generations, values can too. So this is to the ones that are sticking with their values in difficult moments.”

The win marks a major milestone in a banner awards season for the 49-year-old Moura. In “The Secret Agent,” directed by Kleber Mendonça Filho, he plays Armando, a former professor forced into hiding while trying to protect his young son during Brazil’s military dictatorship of the 1970s. The role earned Moura the actor prize at last year’s Cannes Film Festival, making him the first Brazilian performer to win that honor.

For many American viewers, Moura is best known for his star-making turn as Colombian drug lord Pablo Escobar in Netflix’s “Narcos,” which ran from 2015 to 2017 and earned him a Golden Globe nomination in 2016. He has since been involved in a range of high-profile English-language projects, including the 2020 biographical drama “Sergio,” the 2022 animated sequel “Puss in Boots: The Last Wish,” in which he voiced the villainous Wolf, and Alex Garland’s 2024 dystopian thriller “Civil War,” playing a Reuters war correspondent.

“The Secret Agent,” which earlier in the evening earned the Globes award for non-English language film, marked a homecoming for Moura after more than a decade of not starring in a Brazilian production, following years spent working abroad and navigating political turmoil in his home country as well as pandemic disruptions.

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Though he failed to score a nomination from the Screen Actors Guild earlier this month, Moura now heads strongly into Oscar nominations, which will be announced Jan. 22. “The Secret Agent” is Brazil’s official submission for international feature and has been one of the most honored films of the season, keeping Moura firmly in the awards conversation. Last month, he became the first Latino performer to win best actor from the New York Film Critics Circle.

Even as his career has been shaped by politically charged projects, Moura has been careful not to let that define him. “I don’t want to be the Che Guevara of film,” he told The Times last month. “I gravitate towards things that are political, but I like being an actor more than anything else.”

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Movie Reviews

Mana Shankara Vara Prasad Garu Review: USA Premiere Report

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

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With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

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– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

 Mana Shankara Vara Prasad Garu Movie Review by M9

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