Connect with us

Entertainment

First-time 'SNL' host Paul Mescal isn't afraid to have fun, and Church Lady returns

Published

on

First-time 'SNL' host Paul Mescal isn't afraid to have fun, and Church Lady returns

As pointed out in the first proper Please Don’t Destroy sketch to air this season that wasn’t a commercial, serious actors don’t always do great on “Saturday Night Live.” Either they’re not actually funny, or they get too in their head about being perceived as funny as they think they are, and the result is a guest-host turn that feels too effortful.

“Gladiator II” actor Paul Mescal escaped that fate with a breezy, fun performance in his “SNL” debut, doing what young actors should always do when hosting the show for the first time: surrender to the process and don’t be afraid to look foolish.

Mescal brought his acting intensity to sketches like one about a college student whose parents hate his new pierced ear, a scene about an actor struggling with a commercial for an Italian restaurant, and a pitch-perfect portrayal of his fellow countryman Bono late in the show.

But he was also quite silly in a sketch about a Spotify Wrapped playlist featuring little-known singer and podcaster Satoshi Gutman (Bowen Yang) with an appearance by internet celebrity Trisha Paytas, a courtroom sketch about a terrible lawyer (Andrew Dismukes), and one about a pirate-themed all-male dance revue. But nowhere was Mescal more game than in the two standout pieces of the night: a Please Don’t Destroy video in which Mescal falls in love with the “SNL” writers, and a “Gladiator II” trailer in which the movie is turned into a musical. Mescal is fantastic in both and it would be no surprise if he returned for a second hosting turn sometime in the future.

Musical guest Shaboozey performed “Good News” and “A Bar Song (Tipsy).”

Advertisement

Dana Carvey’s Season 50 “SNL” residency continued with the revival of his Church Lady character in the cold open, the first time we’ve seen “Church Chat” on the show since 2016. Church Lady began by calling 2024 “the most Satanic year ever,” referencing Hawk Tuah Girl, the movie “Wicked” and pop star Sabrina Carpenter. “You know who’s the best carpenter?” she asked. “Jesus!” Church Lady welcomed former U.S. Attorney General appointee Matt Gaetz (Sarah Sherman), who was subjected to jokes about his facial features, and Hunter Biden (“SNL” alum David Spade, Carvey’s “Fly on the Wall” podcasting co-host) who said at one point, “Pardon me,” and leaned into comparisons to Jesus, another son forgiven by his father. The last guest was baseball phenom Juan Soto (Marcello Hernández), who earned a tweak on one of Church Lady’s catchphrases when she replied, “Well, isn’t that Spanish?” The cold open ended with the Church Chat dancers joining in for a song that may have been called, “Satan Had a Good Year.”

Mescal’s short monologue first focused on his reputation for very serious roles in movies such as “Aftersun” and “All of Us Strangers,” and not for comedy. He joked that he’s either doing nude scenes or crying scenes or nude crying scenes. A brief clip superimposed one of those performances on footage from “Gladiator II.” The actor then discussed his pride of being Irish, taking a few shots at England and U.S. mascots and greeting Hernández, who came on stage in short shorts to appear more Irish like Mescal.

Advertisement

Best sketch of the night: ‘Gladiator II’ could really use 50 minutes of singing

“Gladiator II” was a hit, but not as big a hit as the new musicals “Wicked” and “Moana 2.” Thus, a re-release of the movie featuring 50 minutes of new, original songs, such as, “There’s No Place Like Rome: “Our streets are the cleanest / Our soldiers the meanest / And all of our statues have a tiny penis.” Mescal sings, “They call me slave, they call me a killer, but someday they’ll know my name!” as he slashes necks with his swords, and gets into a Lin-Manuel Miranda-written rap battle with Mikey Day, who plays a “Mad Emperor with the bad temperor.” It ends with the flossing dance, a broomstick ride and the perfect title: “Gladiator Twosical.”

Also good: Daddy time with the Please Don’t Destroy boys

For the first time all season, a full Please Don’t Destroy video made it on the air, and it was a good one. When guest host Mescal is told he’s loved by the writers, he takes it literally and decides he’s actually falling in love with them. But not so much romantically; he wants to care for them and protect them in a wintery cabin like a father would. But he’s not their dad: he’s Daddy. And the boys, wearing Old Navy pajamas, rejoice when he returns home from playing another sad, hot guy in a movie. Angry villagers who don’t understand the love they share come to attack, but Daddy and the boys stand up for their new family, at least in their cabin dream sequence.

‘Weekend Update’ winner: The Dookie family is living large

There was only one guest segment on “Weekend Update” this week: Heidi Gardner played “A Mom Whose Son Just Got Famous,” alongside Hernández, a rookie NFL player. Mom is as excited about her new Oakley sunglasses and her Louboutin shoes as she is about her son’s success given that he had to sacrifice his personality to get ahead. “Trust the process,” he says flatly. Mom is also excited to go backstage and hook up with the musical guest: “I’m about to show Shaboozey my Shapoozey,” she says. The family’s surname is “Dookie” and there are plenty of jokes about the family holding solid even when it gets squeezed. Maybe we could have used a second guest segment

Advertisement

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Published

on

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

Advertisement

Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

Continue Reading

Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

Published

on

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

Advertisement

He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

Advertisement

Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

Advertisement
Continue Reading

Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

Published

on

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

Continue Reading
Advertisement

Trending