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Dakota Johnson returns to host 'SNL' with an assist from Justin Timberlake

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Dakota Johnson returns to host 'SNL' with an assist from Justin Timberlake

Even if Dakota Johnson, the star of “Madame Web” and this week’s “Saturday Night Live” guest host, was in on the monologue joke that musical guest and previous five-time host Justin Timberlake was there to upstage her, it must have seemed a lot less funny to her by the end of the show.

It was an episode that felt undernourished on the performance side while being overstuffed with guest stars. They included “Tonight Show” host Jimmy Fallon, there to bring back “The Barry Gibb Talk Show” sketch with Timberlake; two cast members from “Shark Tank,” Mark Cuban and Barbara Corcoran, for a sketch about a woman (Johnson) debuting a bad T-shirt idea at her book club; and Dave Chappelle, who appeared in no sketches, but could be spotted on stage next to Fallon during the final goodnight at the end of the show. Like last week’s host, Jacob Elordi, Johnson couldn’t seem to pick up the rhythms of the sketches, losing her place in the cue cards multiple times and breaking character often when cast members fired off funny lines next to her. It wasn’t first-time nerves: She hosted previously in 2015 to promote “50 Shades of Grey.”

The episode also included a sketch about a family having trouble ordering a meal at a restaurant called Buccacino’s, one about an overly enthusiastic Delta airport counter employee (Devon Walker) blocking Johnson’s character from retrieving her lost bag, and a sketch about the Stanley cups craze called “Big Dumb Cups” that had funny lines, but suffered from dropped lines and scattershot performances. Befitting of someone who might be more comfortable off of live television, Johnson shined in two pre-taped pieces, one about a family watching old VHS tapes (more on that in a bit), and a “Please Don’t Destroy” video in which Johnson and the three writers get into a beef and exchange very personal insults.

Timberlake performed “Sanctified” with featured performer Toby Nwigwe, and “Selfish,” introduced by Falon. Both songs are from his upcoming new album.

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This week’s cold open parodied CBS’s NFL playoff coverage, with sports analysts including Jim Nantz (James Austin Johnson), Tony Romo (Andrew Dismukes) and James Brown (Kenan Thompson) lamenting “the last real day of football” because the Super Bowl is just a bunch of commercials and nobody watches the Pro Bowl. The melancholy crew, also consisting of Phil Simms (Michael Longfellow), Bill Cowher (Mikey Day) and Nate Burleson (Walker), clapped back at criticisms of Ryan Gosling’s Oscar nomination for “Barbie,” saying that the character of Ken was the first time they felt seen, and asked sadly, “What are men supposed to do on Sundays? Just go to their friends’ houses for no reason?” The existential crisis concluded with an autotuned song that promised better times, “When there’s football again.”

In the monologue, Dakota Johnson showed a prescient photo from when she appeared at an “SNL” 40th-anniversary event. A photo shows her standing up amid a crowd of celebrities including Steven Spielberg, Donald Trump before he was president and someone who Johnson says would become the most powerful person in the country — Taylor Swift. The host said she’s always had trouble handling interviews and press, leading to a clip of her as a child, on stage with her father, Don Johnson. As her dad speaks at the People’s Choice Awards, she’s next to him rolling her eyes and making faces.

With the Dakota Johnson part of the Dakota Johnson monologue dispensed with, Timberlake appeared on the stage to steal the spotlight, and Fallon, already dressed in his Barry Gibb costume, joined. Timberlake offered to fill in when needed because he’s hosted five times. It felt all the more crass given that Timberlake has been telling the press that he “flirted with the idea of hosting” but decided not to, making it seem as if Johnson wouldn’t have been producer Lorne Michaels’ first choice. Yikes. Maybe “Selfish” was an apt song choice.

Best sketch of the night: Home videos full of secrets

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A son (Dismukes) comes across old VHS tapes at his aging parents’ home (played by Day and Johnson) and asks to view them. One of the tapes reveals that his parents were disgusting guests on a Maury Povich-style ‘90s talk show segment, “Is He the Father?” The son learns that his parents were in a dysfunctional relationship that involved lots of cheating and fighting. The pre-taped sketch goes on a little too long, but Day and Johnson, along with fellow cast members Sarah Sherman, Marcello Hernandez and James Austin Johnson, lean into the craziness.

Also good: ‘The Barry Gibb Talk Show’ still works

The first “Barry Gibb Talk Show” sketch with Timberlake and Fallon was in October 2003, and whatever you think of Fallon and Timberlake more than 20 years later, the shtick still works. Even if the guests on the made-up show, including Johnson, have nothing to do, Fallon’s Barry Gibb impression is still killer, the random harmonized lyrics are still funny, and Timberlake admirably doesn’t break as the quiet, unopinionated Robin Gibb. If that doesn’t win you over, there’s Fallon-as-Gibb warbling, “If you don’t cry at [Australian animated show] ‘Bluey,’ you’re not a real man!” Hard agree.

‘Weekend Update’ winner: Give Ethan all the Oscars

There’s something about Bowen Yang and award shows, as we’ve mentioned before. For this guest segment, Yang plays Ethan, a 15-year-old in a tux who makes up his own Oscar categories including “Best Performance That Reminded Ethan of Moments From Ethan’s Past” such as having an eye problem like Paul Giamatti’s character in “The Leftovers.” “Been there,” Ethan says and sighs. Ethan’s Academy of Motion Pictures membership is 100% Asian, leading him to share a hashtag for his one-person ceremony, #EthansSoAsian! He concludes the segment by stealing Niecy Nash-Betts’ Emmy speech and revealing that his last name is Oscars. Here’s hoping Ethan makes a return appearance before the Academy Awards in March.

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.

Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.

Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.

Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.

The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.

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To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.

So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.

Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.

As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.

These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.

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True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.

The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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Reiner family tragedy sheds light on pain of families grappling with addiction

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Reiner family tragedy sheds light on pain of families grappling with addiction

When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.

It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.

Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.

“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)

“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”

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Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.

But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.

“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.

Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.

Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.

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The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.

Experts in substance use cautioned against drawing a direct line between addiction and violence.

“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.

The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.

Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.

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Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.

“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”

During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.

Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.

Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.

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“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”

Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.

Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.

On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.

There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.

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“There is always the risk of relapse. That can be hard to process,” Greg said.

Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.

“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”

After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”

But the painful fact is that devotion alone cannot cure a complex, chronic disease.

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“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”

If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.

Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.

(Denise Truscello / Getty Images for Wynn Las Vegas)

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The Housemaid

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The Housemaid

Too good to be true? Yep, that’s just what Millie’s new job as a housemaid is—and everyone in the audience knows it. What they might not expect, though, is the amount of nudity, profanity and blood The Housemaid comes with. And this content can’t be scrubbed away.

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