Entertainment
Commentary: At Sean 'Diddy' Combs trial, the women testifying are on trial too
Did she scream? Was it loud enough? Was her dress torn enough to prove she fought?
These were some of the questions faced by 17-year-old Lanah Sawyer in 1793 during one of America’s first rape trials, which ended in an acquittal for the wealthy “rake” who assaulted the teenager.
As Week 4 ends in the sex trafficking and racketeering trial of Sean “Diddy” Combs, it’s becoming depressingly clear that the more things change, the more they remain the same — especially when it comes to how we treat survivors of sexual violence. Despite almost a decade of the #MeToo movement, the women testifying against Combs are on trial just as much as he is, and just as much as Sawyer was 232 years ago.
Why didn’t they leave? Why did they text Diddy friendly notes? Isn’t this all just about cashing in?
Once again, women are being asked to explain not just what happened to them, but why they reacted the way they did. It’s our collective ongoing need to police and scrutinize how women react to trauma, while steadfastly refusing to learn anything about trauma.
For a lot of folks, there is a perceived right way to react to sexual violence — crying, begging, pleading, running, fighting, shouting really loud, reporting it to police immediately. If a woman fails to conform to these narrow, male-approved reactions, well, they must be lying — or willing.
Case in point, Bill Maher’s recent unfunny rant about Cassie Ventura, the woman at the center of the Diddy allegations.
Maher, in a monologue as ignorant as it was self-assured, argued that he could understand why women in the past were hesitant to come forward with allegations of abuse and instead may have thought, “If I can’t get justice for my pain, can I at least get a receipt, a coupon?”
So dismissive of the real barriers women continue to face in the legal system to assume greed is why women sometimes seek civil penalties instead of criminal ones; so disingenuously classist to throw “coupon” in there, an unsubtle nod to the stereotype that victims are poor and opportunistic.
Sadly, Maher is far from the only one to attack Ventura. President Trump, who has been found civilly liable for the sexual assault of E. Jean Carroll, went so far as to hold out the chance of a pardon for Combs if he was convicted.
Maher went on to say that “things have changed enough” that women should be expected to immediately report any abuse or assaults.
“(D)on’t tell me any more about your contemporaneous account that you said to two friends 10 years ago, tell the police right away,” he lectured. “Don’t wait a decade. Don’t journal about it. Don’t turn it into a one woman show and most importantly, don’t keep f— him.”
Ami Carpenter, an assistant professor at the Joan B. Kroc School of Peace Studies at University of San Diego and an expert in trafficking, told me she doesn’t agree with Maher, to put it gently.
“We have a tendency to think of victims as either deserving or undeserving of care and compassion,” she told me. And a lot of that depends on the way they present themselves.
In Ventura’s instance, and perhaps some of the other women who have testified against Combs, the alleged abuse went on for years. It’s likely that she and others had a trauma bond with Diddy, as do many survivors of long-term sexual violence, whether through sex trafficking or intimate partner abuse.
Although MAGA immigrant panic has sold us the image of traffickers being Latino cartel members sneaking girls and boys across borders, the reality is most victims are right here in the United States and know — and at one point maybe even trust — their trafficker. It’s a friend, a mentor, a guy who offers protection from an otherwise difficult life. A person like Combs, with power and money and promises of a better life.
And only after the relationship is formed does the trafficking start, with the abuser cycling “between abusive behavior and displays of affection or remorse,” Carpenter said, often leading the victim to a confusing, paralyzing mix of emotions that can include “sympathy, compassion and even love for the abuser.” Because that is what the abuser wants.
In a 2016 study, Carpenter talked to 65 sex traffickers in the San Diego area about how they controlled their victims.
“They all, to a person, understood how to create this psychological connection to their victim,” she said. “In fact, they looked down on traffickers or pimps who, in their words, had to resort to violence because they didn’t know the power of their words. For them, it’s all manipulation, a mental manipulation. And if I extrapolate from that, and I look at Diddy’s behavior, I think it could point to him being aware of what he was doing, acutely aware.”
Dr. Stephanie Richard, a law professor at Loyola Law School and the director of its Sunita Jain Anti-Trafficking Policy Initiative, told me that although fight or flight is the way most people think of resisting abuse or violence, freezing and fawning are common trauma responses as well — and ones that those trapped in long-term abuse often rely on for survival.
“A lot of victims realize that they won’t be harmed if they’re fawning,” Richard said. “And so these kind of responses are someone trying to keep them safe, because we’re all human, and you can’t live through something so terrible without doing things that protect yourself.”
Like agreeing with the abuser, or even sending them approving texts. Along with Ventura, at least three other women have testified against Combs or are expected to. Two, “Mia” and “Jane,” are attempting to remain anonymous, though Mia has already been outed. A third, Bryana Bongolan, a friend of Ventura’s, testified that Combs once held her up over a balcony railing, leaving her in fear of her life, before throwing her onto nearby patio furniture.
During her cross-examination by Combs’ lawyers, Mia was grilled for hours about her friendly texts with Combs, and whether the abuse had really happened. Attempting to discredit testimony that Combs had once slammed her arm in a door, the defense attorney asked whether she had screamed. Sound familiar?
In the end, Mia explained her behavior with seven words that any survivor will understand: “When he was happy, I was safe,” she testified.
And that’s really what it comes down to for all women: a sense of safety.
Whether inside a courtroom, online, in the media or in common society, until women are certain they can be safe when they speak up — from their abuser and from the rest of us — they are trapped explaining how they survived, not just what they survived.
Isn’t it enough that they did, and that they’ve found the courage to try to stop that same pain from being inflicted on someone else?
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
Movie Reviews
Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind
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