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Column: What the sexual assault charges against Sean Combs, the Alexander brothers and others reveal

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Column: What the sexual assault charges against Sean Combs, the Alexander brothers and others reveal

When I first heard the phrase “rape culture” years ago, it sounded so dystopian that I wanted to believe it was an exaggeration.

But then came shocking revelations from all corners: the Catholic Church sex scandal, the Boy Scout sex scandal, the Fox News sex scandals, the Bill Cosby sex scandal and the numerous revelations of the #MeToo movement.

Any doubt about the existence of rape culture simply crumples under the weight of reality.

“I don’t always use that term because it is too vague,” said Wayne State University social psychologist Antonia Abbey, whose research focuses on male sexual violence and aggression against women. “I will use ‘patriarchy’ or ‘misogyny,’ the idea that throughout history, men have had power over women and children.”

Because of #MeToo, and all the firings, resignations, civil lawsuits and criminal charges the movement produced, it really did seem possible for a moment that we were on the verge of a true cultural shift. Maybe men of power and privilege would finally understand that women are not objects to be used for their subjugation and pleasure and would, you know, keep their hands off.

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If a recent series of bombshell criminal charges against rich, powerful, famous men prove true, this view was far too optimistic.

Last week, a federal indictment charged three brothers associated with the high-flying world of luxury Manhattan and Miami real estate with drugging and raping dozens of women. If even half of what’s in the indictment is accurate, it would make it painfully clear that a subset of privileged, narcissistic men still believe women exist for their domination and gratification. And perhaps nothing will ever change that.

The Alexander brothers — twins Alon and Oren and their brother, Tal — are accused of a veritable crime wave. For more than a decade, according to Manhattan U.S. Atty. Damian Williams, the brothers “alone and together” repeatedly and violently sexually assaulted and raped women after drugging them with cocaine, mushrooms, GHB and other substances. Lawyers for the brothers have said they are innocent of the charges.

Alon Alexander, top, and his twin brother, Oren, bottom, in court in Miami.

(Matias J. Ocner / Associated Press)

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“Our investigation is far from over,” Williams said in a statement announcing the sex trafficking indictment. He urged any other victims to come forward.

The recent accusations against music entrepreneur Sean “Diddy” Combs are also mind-boggling. Williams announced in September that a federal grand jury had returned a three-count indictment of Combs alleging crimes so heinous that a judge has refused three requests to free him on bail. He remains in a jail cell at the Metropolitan Detention Center in Brooklyn awaiting trial.

The indictment accuses Combs of running a criminal enterprise for the last 15 years in which many women, and some men, were systematically drugged, sexually assaulted, punched, kicked and threatened. A lawsuit filed last week accused another music titan, Jay-Z, of drugging and raping a 13-year-old girl at a 2000 MTV Video Music Awards after-party in Combs’ presence. Jay-Z has vigorously denied the charges, and a lawyer for Combs has said he has “never sexually assaulted anyone.”

Sean Combs.

Sean Combs at a gala before the 2020 Grammy Awards in Beverly Hills.

(Mark Von Holden / Invision / Associated Press)

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From 2008 through this year, the grand jury alleged, Combs and his staff organized a number of what they called “freak-offs” in which sex workers were hired to have sex with victims who were often drugged to make them compliant. Combs videotaped the encounters and used the tapes as collateral “to ensure the continued obedience and silence of the victims,” according to the indictment.

American celebrities aren’t the only recent subjects of such charges. There’s also the grotesque case of Dominique Pelicot, the Frenchman who admitted drugging his wife, Gisele, and allowing dozens of men to rape her in their home. President-elect Donald Trump has been found liable for sexual assault, and several members of his inner circle have also been implicated in allegations of sexual misconduct, some of which have been vehemently disputed.

Rape culture, Abbey said, “doesn’t disappear in a generation or two, just like racist beliefs don’t disappear.” It wasn’t even very long ago, she noted, that the last states to eliminate a marital exception for rape did so. (Oklahoma and North Carolina finally outlawed marital rape in 1993, though loopholes still exist.)

One of Abbey’s recent studies, published in the journal Psychology of Violence, found that up to 30% of men admit using coercive techniques against women who clearly did not want to have sex. “That’s part of this idea of rape culture,” she told me, “just the fact that the line between seduction and coercion is blurry, and people think, ‘If I can get away with it, it’s OK.’ If we didn’t have a society that condoned it, it would be rarer.”

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It’s easy to see how a victim could be ensnared by a more powerful perpetrator under such circumstances.

“Someone famous and powerful pays attention to you — what a boost for your ego,” said Abbey, while emphasizing that she does not blame sexual assault victims. “A record deal! Come live at my place! For many, it seems like a dream come true, a ticket to the top.”

What exactly is it going to take to end rape culture? At this dark moment, I am at a loss.

Bluesky: @rabcarian.bsky.social. Threads: @rabcarian

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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