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Column: I went to a Vegas wedding chapel, strip club and casino — all in the name of Taylor Swift

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Column: I went to a Vegas wedding chapel, strip club and casino — all in the name of Taylor Swift

When I pitched covering the Taylor Swift Effect at the Super Bowl, I was envisioning tracking down fans decked out in Eras tour apparel, gleefully trading friendship bracelets and then heading to a karaoke bar to belt out “Karma” together.

Instead here I was, in a strip-club Champagne room.

A $10,000-per-hour private suite at Larry Flynt’s Hustler Club, to be exact. Strings of faux roses and fairy lights hung from the ceiling, illuminating a metallic tufted sofa. On a small coffee table rested a small arrangement of balloons, one of which read “Touchdown.”

It was difficult to envision Travis Kelce or Swift here, in a man cave where the red bulbs had been dimmed just enough to mask things I probably did not want to see.

Yet this is where the club is hoping Travis Kelce and Swift will come following the Super Bowl on Sunday, which is being held at Allegiant Stadium, less than two miles away. The 75,000-square-foot facility on the Strip is offering a package worth $1 million to the couple, including limo transportation, unlimited access to the pricey suite, a Champagne bottle parade, $50,000 to shower on the club’s entertainers and lifetime VIP membership.

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The Hustler Club is just one of dozens of businesses trying to capitalize on the “Swelce” frenzy in Sin City this weekend. And on Friday, I decided to go on a tour of them.

Even if I hadn’t read about Hustler’s promotion on TMZ — where else? — it would have been difficult to miss the glaring neon billboard outside the club: “NOW AUDITIONING SWIFTIES FOR THE BIG GAME 2024 — SEE CLUB FOR DETAILS.”

The Hustler Club is hoping to attract new dancers for Super Bowl weekend who also happen to be Swift fans.

(Amy Kaufman/Los Angeles Times)

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The marketing brains behind the sign got the idea after noticing that many new dancers were auditioning specifically for Super Bowl weekend, and all its potentially bill-waving attendees.

“Travis was spotted wearing a Crazy Horse shirt once, so obviously he’s been to a strip club here before. So who knows, he might roll in here,” said Nick Vardakis, marketing director for GoBest, the network that manages the club.

I have no idea if Kelce has ever actually been to Crazy Horse, or any other strip club; I certainly have not. (When I let my editor know I was viewing the suite, her only request was that I wear a mask to avoid “strip club Covid.”)

Balloons rest on a coffee table next to a tufted metallic couch in a Champagne room.

(Amy Kaufman/Los Angeles Times)

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It was 7 p.m. when I arrived, and I guess I’d been expecting, well, more action? There were only a couple of topless dancers slinking around poles, and barely any customers; apparently this hour in Las Vegas night life is equivalent to noon somewhere else.

Vardakis said the club has received a handful of calls from entertainers responding to the Swiftie billboard, though he seemed to have a realistic perspective about the odds of Kelce and Swift actually turning up post-game. On the off chance it happened, though, was the idea that the club would offer Kelce blond dancers who resembled Swift?

“Yeah, absolutely,” he said, noting that the general manager “would coordinate our top grossers” to keep him company. “We’ll have to see how the game plays out. He’s either going to be out celebrating or, who knows, she might leave him if they lose.”

Just then, a man stumbled out of a Champagne room and approached me. “OK, I gotta ask, seriously: Why is everyone wearing masks again?”

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Cue the getaway car. It was time to move on to my next spot — another first for me — making a prop sports bet.

Station Casinos is offering a Kelce-Swift prop bet this weekend.

(Amy Kaufman/Los Angeles Times)

Station Casinos, which operates 17 properties in town, has added a Taylor-Travis-themed question to its 28 pages of Super Bowl-related bets this weekend: “Will Travis Kelce have more total receptions in the championship game than his pop star girlfriend’s total of 10 platinum albums?”

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Wildfire Gaming, the company’s location on Fremont Street, was in a business park and attached to an IHOP. I opened the doors and was greeted by a blanket of cigarette smoke. I needed to make this quick, lest the smell linger in my hair. (Likely an unavoidable side effect of five days in Las Vegas, but a girl’s gotta try.)

I walked over to the sports betting station and inquired about the Swift bet. I had three options: 11 or more receptions, exactly 10, or nine or less. My boyfriend, who had accompanied me on this journey, pulled up some quick stats on his phone so we could try to make an educated guess.

The man behind the counter, in his 20s and slack-jawed, attempted to explain to me how the payouts worked. He struggled to make the calculations. “It’s all math,” he said and shrugged.

The smallest amount I could bet was two bucks, he said. (Yes, I was spending my own, non-company money on this.) But two dollars felt extremely lame. I went to the ATM at the center of the room and decided on $20. I put $10 on exactly 10 — giving Kelce and Swift a tie — while my boyfriend used his half on Kelce getting more than 10. If I win, I’ll get $35; he’ll get $50. The odds of me actually wanting to return to collect any winnings, however? Unclear.

Joan Collins was the first star to get married at the Little White Wedding Chapel, turning it into a celebrity hot spot.

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(Amy Kaufman/Los Angeles Times)

I was far more excited about my next stop, anyway: the Little White Wedding Chapel. The site of countless celebrity nuptials, including Jennifer Lopez and Ben Affleck‘s in 2022, it is offering Kelce and Swift a free wedding, should the conspiracy theory about a possible Super Bowl proposal occur.

With a massive Elvis Presley sign out front with mechanically moving hips, the Little White Wedding Chapel was the first chapel in Vegas to offer a drive-through wedding option. It’s called the Tunnel of Love, and yes, you can literally drive through the gates and up to a window to get married, without stepping out of your vehicle.

You do need to have gotten a wedding license first. But unlike most cities, the Vegas marriage license bureau is open from 8 a.m. to midnight every day, including holidays and weekends, has no waiting period and doesn’t require a blood test. It’s still illegal to wed if you’re not of sound body or mind, of course, but the two-step process tends to weed out those who have partied too hard.

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Melody Willis-Williams, president of the Little White Wedding Chapel, was already planning on offering anyone associated with the two NFL teams in the Super Bowl — players, coaches, staff members — free vow renewals when she heard the game would be held at Allegiant Stadium.

“But that was before the whole Taylor and Travis thing started,” she said. When the two began one of the most famous courtships in the world, she knew she couldn’t let the opportunity slip by. “That’s all everybody’s talking about, right? And then she wore the white Grammys dress and I was like, ‘This is so stupid. We should just do a shoutout. She’s a serial dater, but she hasn’t yet got married.”

The Little White Wedding Chapel is offering Swift and Kelce — or anyone associated with the 49ers or the Chiefs — a free wedding or vow renewal this weekend.

(Amy Kaufman/Los Angeles Times)

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I withheld my personal feelings about one of the world’s most successful women being branded as “a serial dater” and followed Willis-Williams around the property, which offers four different venues. My favorite, predictably, was the Tunnel of Love, where couples can pose on a vintage pink Cadillac under a roof painted with cherubs.

The venue became a favorite with celebrities after its late founder, Charolette Richards, decided to put Joan Collins’ name on the sign outside. Collins stopped by in 1985 — when Richards was on the brink of closure due to financial trouble — and her endorsement turned everything around. Since then, Michael Jordan, Kim Kardashian, Nick Jonas and Sophie Turner and many others have all said their vows here.

Willis-Williams likes to play up the business’ Hollywood ties. After Lopez and Affleck wed, the couple later shared pictures of the actor changing into his white tux in the men’s room, his phone held up to a graffiti-laden bathroom mirror. Afterwards, the president decided to anoint the spot “Ben’s Bathroom,” hanging a sign to the left of the toilet.

“We remodeled the other bathroom [after the wedding], took out the wallpaper and replaced the mirrors, but I didn’t do it in here. I was like, ‘Nope, it’s Ben’s.’ ”

Ben Affleck got changed in this bathroom at the Little White Wedding Chapel before marrying Jennifer Lopez. It has since been dubbed “Ben’s Bathroom.”

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(Amy Kaufman/Los Angeles Times)

Should Swift and Kelce decide to tie the knot Sunday night, the venue has already prepared a gold-and-red bouquet for her — even dusting the roses with glitter. Usually, this would run someone about $185, but again, it would be free for the famous pair. Not that getting married at the Little White Wedding Chapel is that expensive, anyway: You can do it for as little as $80.

“This is not your big, let’s have a bridal party, everybody walks down the aisle kind of thing. These are very simple ceremonies,” Willis-Williams said. “I call it the rock-star wedding, because you just get married and go party.”

The speedy nature of the affair, she contended, might appeal to Swift and Kelce, whose schedules are packed.

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“She’s already flying in from Japan, and if they need to get it done, they just need to get it done that night. Let’s go,” she said, somehow kind of selling me on the idea. “I mean, JLo did it and just went home and then had a big wedding. If he wins, she’s in Vegas, his mom’s here? Bring that gorgeous Grammys dress, bring your man and let’s get her done.”

And if Taylor forgets the Grammy dress, well, “tell her to put on a winning jersey and let’s roll,” Willis-Williams said. “He didn’t have time to shop but he’s got the Super Bowl ring. It’s impromptu! It’s romantic!”

A Chiefs-themed bouquet has been made available to couples getting married at the Little White Wedding Chapel this weekend.

(Amy Kaufman/Los Angeles Times)

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Wait, could eloping with an Elvis impersonator serving as my officiant actually be kind of romantic? I needed to get out of the Tunnel of Love, stat.

The last destination of the evening was Flanker Kitchen + Sports Bar in Mandalay Bay, which has created a special menu entirely devoted to Swift and Kelce. The spot was offering a Swelce Sando ($24) filled with smoked brisket, cheese, pickles and onion rings and two special drinks: A “Shake It Off” milkshake ($15) and “Love Story” cocktail ($20).

We’d already stopped for dinner, so we decided to opt for beverages only. The coolest part of of the alcoholic drink — made with tequila, lime juice, triple sec, blood orange puree and simple syrup — was that it arrived with a Swiftie-related image dusted on top. Flanker’s manager, Christina Haddon, allowed me to select an image of my choosing, so we flipped through Google images until we settled on some cute pictures of the couple.

She led me back to the bar’s Ripples machine, a $2,000 contraption that uses plant-based extracts to print images on foam-topped drinks. Haddon placed the cocktail on a base that was quickly sucked up into the machine. Within 10 seconds, it descended again, now adorned by the couple’s faces.

I wish I could give you detailed tasting notes on the “Love Story,” but a) I don’t drink, b) I gave it to my boyfriend and c) I barely let him drink it because I was so fixated on taking pictures of it. He said it was “enjoyable enough and heavy on citrus.”

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The “Shake It Off” milkshake includes Swift’s favorite candy: Squashies.

(Amy Kaufman/Los Angeles Times)

The milkshake, however? I got down on that. It was made with vanilla and double chocolate cookie dough ice cream, chocolate sauce and Squashies — Swift’s favorite candy from the United Kingdom and a deep cut that I had to respect.

I’ve never had Squashies before, which are a gummy candy with a marshmallow consistency, and I feel like I still have not; I did not spot any Squashies in the drink. I’m assuming they were blended in well, which is good, because gummy candy in a milkshake kind of seems wack.

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Walking out of Mandalay Bay, I kept my eyes peeled for Swifties — fans in her gear, any of her music wafting out of a club. Nada. But there’s still one day until the Super Bowl. And if all else fails, maybe I’ll just head back to the Hustler Club. I’m bound to cross paths with at least one fateful auditionee lured in by that billboard.

Movie Reviews

‘Project Hail Mary’ Review: Ryan Gosling and a Rock Make Sci-Fi Magic

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‘Project Hail Mary’ Review: Ryan Gosling and a Rock Make Sci-Fi Magic

In contrast to other sci-fi heroes, like Interstellar’s Cooper, who ventures into the unknown for the sake of humanity and discovery, knowing the sacrifice of giving up his family, Grace is externally a cynical coward. With no family to call his own, you’d think he’d have the will to go into space for the sake of the planet’s future. Nope, he’s got no courage because the man is a cowardly dog. However, Goddard’s script feels strikingly reflective of our moment. Grace has the tools to make a difference; the Earth flashbacks center on him working towards a solution to the antimatter issue, replete with occasionally confusing but never alienating dialogue. He initially lacks the conviction, embodying a cynicism and hopelessness that many people fall into today. 

The film threads this idea effectively through flashbacks that reveal his reluctance, giving the story a tragic undercurrent. Yet, it also makes his relationship with Rocky, the first living thing he truly learns to care for, ever more beautiful. 

When paired with Rocky, Gosling enters the rare “puppet scene partner” hall of fame alongside Michael Caine in The Muppet Christmas Carol, never letting the fact that he’s acting opposite a puppet disrupt the sincerity of his performance. His commitment to building a gradual, affectionate friendship with this animatronic creation feels completely natural, and the chemistry translates beautifully on screen. It stands as one of the stronger performances of his career.

Project Hail Mary is overly long, and while it can be deeply affecting, the film leans on a few emotional fake-outs that become repetitive in the latter half. By the third time it deploys the same sentimental beat, the effect begins to feel cloying, slightly dulling the powerful emotions it built earlier. The constant intercutting between past and present can also feel thematically uneven at times, occasionally undercutting the narrative momentum. At 2 hours and 36 minutes, the film feels like it’s stretching itself to meet a blockbuster runtime when a tighter cut might have served better.

FINAL STATEMENT

Project Hail Mary is a meticulously crafted, hopeful, and dazzling space epic that proves the most moving friendship in film this year might just be between Ryan Gosling and a rock.

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James Van Der Beek ‘became what we used to just call a good man,’ Joshua Jackson says

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James Van Der Beek ‘became what we used to just call a good man,’ Joshua Jackson says

Joshua Jackson says he knows he was “really just a footnote” in James Van Der Beek’s life, despite the “amazing” time they spent together as stars of the series “Dawson’s Creek.”

The star of “The Affair” is reflecting publicly for the first time about his former castmate, who died Feb. 11 at age 48 after a battle with colorectal cancer.

The time they shared on set was “formational” for them, Jackson said on “Today.” When the “Dawson’s Creek” pilot aired in January 1998, he was 19 and Van Der Beek was almost 21, playing characters who were 15.

“I know both of us look back on that time with great fondness, but I will also say that I know that I’m really just a footnote in what he actually accomplished in his life.”

Jackson spoke with great respect for his friend, who he said “became what we used to just call a good man, a man of the kind of belief, the kind of faith that allowed him to face the impossible with grace, an unbelievable partner and husband, just a real man who showed up for his family and a beautiful, kind, curious, interested, dedicated father.”

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On the one hand, the 47-year-old said, “that’s beautiful.” On the other, “The tragedy of that loss for his family is enormous.”

Since Jackson and Van Der Beek played Pacey Witter and Dawson Leery three decades ago, both men had kids of their own — a 5-year-old daughter for Jackson, born during the pandemic with ex-wife Jodie Turner-Smith, and six kids for Van Der Beek with second wife Kimberly Brook. The latter couple’s children — two boys and four girls, ranging in age from 4 to 15 — were what Van Der Beek said changed everything for him.

“Your life becomes shared, and your joys become shared joys in a really beautiful way that expands your level of circuitry out to other people instead of just keeping it all for your own gratification,” the actor told “Good Morning America” in May 2023. “And the lessons, they keep on coming. It’s the craziest, craziest thing I’ve ever done, and it’s the thing that’s made me happiest.”

Knowing his colleague’s love for his family, Jackson said on “Today” that “for me as a father now, I think the enormity of that tragedy hits me in a very different way than just as a colleague, so I think the processing [of Van Der Beek’s death] is ongoing.”

The “Little Fires Everywhere” actor was on the morning show Tuesday to bring attention to colorectal cancer screenings.

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Van Der Beek’s diagnosis, which went public in November 2024, was among the factors prompting Jackson to get involved with drugmaker AstraZeneca’s “Get Body Checked Against Cancer” campaign, which takes a lighter approach to a serious subject — cancer screening — through a partnership with Jackson, the National Hockey League and the Philadelphia Flyers’ furry orange mascot, Gritty.

“It is … true, the earlier you find something,” said “The Mighty Ducks” actor, “the better your possible outcomes are.”

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Dan Webster reviews “WTO/99”

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Dan Webster reviews “WTO/99”

DAN WEBSTER:

It may now seem like ancient history, especially to younger listeners, but it was only 26 years ago when the streets of Seattle were filled with protesters, police and—ultimately—scenes of what ended up looking like pure chaos.

It is those scenes—put together to form a portrait of what would become known as the “Battle of Seattle” —that documentary filmmaker Ian Bell captures in his powerful documentary feature WTO/99.

We’ve seen any number of documentaries over the decades that report on every kind of social and cultural event from rock concerts to war. And the majority of them follow a typical format: archival footage blended with interviews, both with participants and with experts who provide an informational, often intellectual, perspective.

WTO/99 is something different. Like The Perfect Neighbor, a 2026 Oscar-nominated documentary feature, Bell’s film consists of what could be called found footage. What he has done is amass a series of news reports and personal video recordings into an hour-and-42-minute collection of individual scenes, mostly focused on a several-block area of downtown Seattle.

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That is where a meeting of the WTO, the World Trade Organization, was set to be held between Nov. 30 and Dec. 3, 1999. Delegates from around the world planned to negotiate trade agreements (what else?) at the Washington State Convention and Trade Center.

Months before the meeting, however, a loose coalition of groups—including NGOs, labor unions, student organizations and various others—began their own series of meetings. Their objective was to form ways to protest not just the WTO but, to some of them, the whole idea of a world order they saw as a threat to the economic independence of individual countries.

Bell’s film doesn’t provide much context for all this. What we mostly see are individuals arguing their points of view as they prepare to stop the delegates from even entering the convention center. Meanwhile, Seattle authorities such as then-Mayor Paul Schell and then-Police Chief Norm Stamper—with brief appearances by Gov. Gary Locke and King County Executive Ron Sims—discuss counter measures, with Schell eventually imposing a curfew.

That decision comes, though, after what Bell’s film shows is a peaceful protest evolving into a street fight between people parading and chanting, others chained together and splinter groups intent on smashing the storefronts of businesses owned by what they see as corporate criminals. One intense scene involves a young woman begging those breaking windows to stop and asking them why they’re resorting to violence. In response a lone voice yells their reasoning: “Self-defense.”

Even more intense, though, are the actions of the Seattle police. We see officers using pepper spray, tear gas, flash grenades and other “non-lethal” means such as firing rubber pellets into the crowd. In one scene, a uniformed guy—not identified as a police officer but definitely part of the security crowd, which included National Guardsmen—is shown kicking a guy in the crotch.

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The media, too, can’t avoid criticism. Though we see broadcast reporters trying to capture what was happening—with some affected like everybody else by the tear gas that filled the streets like a winter fog—the reports they air seem sketchy, as if they’re doctors trying to diagnose a serious illness by focusing on individual cells. And the images they capture tend to highlight the violence over the well-meaning actions of the vast majority of protesters.

Reactions to what Bell has put on the screen are bound to vary, based on each viewer’s personal politics. Bell revels his own stance by choosing selectively from among thousands of hours of video coverage to form the narrative he feels best captures what happened those two decades-and-change ago.

If nothing else, WTO/99 does reveal a more comprehensive picture of what happened than we got at the time. And, too, it should prepare us for the future. The way this country is going, we’re bound to see a lot more of the same.

Call it the “Battle for America.”

For Spokane Public Radio, I’m Dan Webster.

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Movies 101 host Dan Webster is the senior film critic for Spokane Public Radio.

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