Connect with us

Entertainment

As bombs and missiles fall in Iran, Isfahan's architectural treasures face an uncertain fate

Published

on

As bombs and missiles fall in Iran, Isfahan's architectural treasures face an uncertain fate

While military strategists scramble to learn the damage done by U.S. bombs and missiles in Iran, many scholars and Iranian Americans are wondering what this means for the people and architectural treasures of Isfahan.

The Isfahan area, which includes one of the three Iranian nuclear sites that the U.S. targeted Saturday, is also home to one of the country’s most historic cities, full of landmarks from Persia’s years as a regional power in the 17th century.

Isfahan “is thought of as a sort of treasure, like a vestige of a different Iran,” said Jasmin Darznik, who spent part of her childhood in Iran before becoming a novelist and chair of the MFA writing program at California College of the Arts in San Francisco. “I think people have a very special feeling about the place.”

The city’s architecture includes intricately tiled mosques, several stately bridges and a sprawling square that has been named a UNESCO World Heritage Site. American and Israeli military leaders focus on the nuclear complex 14 miles east of Isfahan and the 2.2 million people in the city, but the list of cultural assets there is also long.

A UNESCO report recently noted that the region’s 17th-century leaders “established colourful tiling as the most salient characteristic of Iranian architecture, and this decorative style reached its zenith in Isfahan.”

Advertisement

Among the landmarks:

Naqsh-e Jahan Square is the second-largest public square in the world, surpassed only by Tiananmen Square in Beijing.

(Kaveh Kazemi / Getty Images)

Naqsh-e Jahan Square, also known as Shah Square and Imam Square, was laid out between 1598 and 1629, its broad central area surrounded by mosques, palaces and the Isfahan Bazaar. The open space is about 1,800 feet long and about 520 feet wide, which appears to make it the second-largest public square in the world, surpassed only by Tiananmen Square in Beijing.

Advertisement

The Masjed-e Jāmé, also known as the Jāmé Mosque or Great Mosque of Isfahan, was designated a UNESCO World Heritage Site in 2012. It goes back to the year 841, its grounds showing how Islamic architecture has evolved over 12 centuries. It is the oldest Friday (congregational) mosque in Iran.

The Si-o-Se Pol Bridge, also known as the Bridge of 33 Arches, was begun in 1599 and completed in 1602. Illuminated by night, it harbors tea houses on its lower deck and has served as a gathering spot for generations. At 977 feet long, it is the largest of 11 historic bridges spanning the Zayandeh River.

People visit the Khaju Bridge in Iran's central city of Isfahan.

Khaju Bridge is often billed as the most beautiful bridge in Isfahan.

(Rasoul Shojaei / IRNA / AFP via Getty Images)

Khaju Bridge is younger and shorter than the Si-o-Se Pol Bridge but is often billed as the most beautiful bridge in Isfahan. It was built around 1650 and made of stone and bricks with tile work above its arches. It is about 449 feet long.

Advertisement

As the U.S. stepped into the war between Israel and Iran, U.S. military authorities told the New York Times they targeted Iranian sites in Fordo and Natanz with “bunker buster” bombs and Isfahan with missiles from a submarine. As of noon Sunday, CNN reported 18 destroyed or damaged structures at the Isfahan nuclear complex outside the city, which was built in 1984 and is thought to employ 3,000 scientists, making it Iran’s largest nuclear research complex.

Satellite image showing the Isfahan nuclear facility in Iran after U.S. strikes.

This satellite image shows the Isfahan nuclear facility in Iran after U.S. strikes.

(Maxar Technologies / Associated Press)

There were no reports of damage or casualties in central Isfahan.

Much of the city goes back to the Safavid dynasty, which lasted unbroken from 1501 to 1722. During the dynasty’s peak years, the Safavids held power over what is now Iran, Azerbaijan, Bahrain and Armenia, along with parts of Georgia, Russia, Iraq, Kuwait, Afghanistan, Turkey and other countries.

Advertisement

The leader during many of those peak years was King Abbas I, also known as Abbas the Great, who assumed power at age 16, ruled from 1587 to 1629, chose Isfahan as his empire’s capital and effectively rerouted the Silk Road to include the city. While Shakespeare was writing plays in England and Caravaggio was painting in Italy, Isfahan’s landmarks were taking shape and, thanks to the Silk Road trade, Persian rugs began showing up in the homes of wealthy Europeans.

Toward the end of his tenure, nervous about succession, Abbas I had one of his sons killed and two blinded. Still, the family dynasty continued for another century. Once the dynasty fell, Isfahan lost its status as Persia’s capital but retained its reputation for beauty.

Movie Reviews

Movie Review – Desert Warrior (2026)

Published

on

Movie Review – Desert Warrior (2026)

Desert Warrior, 2026.

Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.

SYNOPSIS:

An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.

Advertisement

With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.

The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.

Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.

As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.

That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.

Advertisement

Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★

Robert Kojder

https://www.youtube.com/watch?v=embed/playlist

 

Advertisement
Continue Reading

Entertainment

Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’

Published

on

Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’

Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.

Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.

On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.

“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”

The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.

Advertisement

The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.

“My legacy to me is my children,” he said.

Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.

“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”

In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”

Advertisement

Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.

“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”

Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”

Advertisement
Continue Reading

Movie Reviews

Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind

Published

on

Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind
Director: Giulio BertelliWriters: Giulio Bertelli, Pietro Caracciolo, Pietro CaraccioloStars: Yile Vianello, Alice Bellandi, Michela Cescon Synopsis: As the fictional Olympic Games of Ludoj 2024 approaches, Agon shows the stories of three athletes as they prepare and then compete in rifle shooting, fencing and judo. In his contemplative and visually rigorous film Agon, director Giulio Bertelli
Continue Reading
Advertisement

Trending