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Why Swiatek and Sabalenka's Madrid epic was bigger than the two of them

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Why Swiatek and Sabalenka's Madrid epic was bigger than the two of them

If there were any lingering doubts about the 2024 clique in the elite of women’s tennis, Iga Swiatek, Aryna Sabalenka and Elena Rybakina have erased them in the past three weeks.

It’s a couple of days since Swiatek and Sabalenka produced one of the sport’s great matches on Saturday evening, in the final of the Madrid Open.

Swiatek’s 9-7 triumph in a third-set tiebreak left the world No 1 flat on her back on the red clay of the Caja Magica. It left Sabalenka, the world No 2, slumped in her chair, a towel over her head and face, the very recent memory of three championship points running through her brain.

She hadn’t lost them. Swiatek had mercilessly taken them from her.

This was two days after Sabalenka had toppled Rybakina in a semi-final duel, in another third-set tiebreak that required 12 points for the Belarusian to complete her grinding comeback, 1-6, 7-5, 7-6(5). And it was two weeks after Rybakina had knocked out Swiatek in a semi-final in Stuttgart that also went three sets — at a tournament Swiatek has owned for two years.

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Swiatek and Sabalenka’s battle lasted three hours and 11 minutes (Julian Finney/Getty Images)

These women are thisclose right now, and they know it. In such rivalries, wonky measurables like who hits the more powerful forehand or finishes a higher percentage of points at the net don’t determine who wins and who loses as much as intangibles. It becomes a question of who can execute the best shots on the biggest points and, lately, all three of them have done it. In 2024, the top of women’s tennis is tighter than ever.

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“It was more about, you know, who’s going to be less stressed and who’s going to be able to play with more freedom,” Swiatek said in the aftermath of Saturday’s mayhem.

“For most of the match, she played more, like, I felt like some decisions were pretty… how to say it… like, courageous. I was sometimes, you know, a little bit back. So at the end, I just wanted to not do that and to also be courageous.”

This was that rare, special tennis where both players play at their peak at the same time, for long stretches, with a title on the line. A little while after the sting of the initial disappointment, Sabalenka knew what everyone watching did — that she played about as good a match as she could, that nearly every point was a coin-flip, that she had been part of one of the greatest women’s finals ever.

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“She just played a little bit better on those key moments,” Sabalenka said. “That’s it.”

Men’s tennis went through nearly 20 years of three guys winning just about everything — Novak Djokovic, Rafael Nadal and Roger Federer, with Andy Murray making it a four-way battle during a chunk of the 2010s.

If she can figure out her serve, Coco Gauff could be crashing the current three-way battle at the top before too long. She’s actually world No 3, one place ahead of Rybakina, but hasn’t managed to hit this trio’s heights consistently since winning the U.S. Open by beating Sabalenka last September; in 2024, the other three have forged past her.

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It’s been a while since women’s tennis had something like this.

Serena Williams had some worthy adversaries over the years for certain periods — her sister Venus, Justine Henin, Kim Clijsters, Victoria Azarenka — but a sustained troika at the top never really evolved. Since 2017, 18 different women have won 24 Grand Slam titles. The repeat champions – Simona Halep, Naomi Osaka, Ashleigh Barty and Swiatek — have never played the same opponent twice in a Grand Slam final.

Swiatek, Rybakina and Sabalenka are also waiting on that. The only time two of them have met in a final was at the Australian Open last year, with Sabalenka prevailing over Rybakina, again in three sets, in arguably the highest-quality women’s final we’d seen before Saturday in the Spanish capital.

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Sabalenka has a 6-3 career win-loss record against Rybakina (Lintao Zhang/Getty Images)

Maybe that is about to change. Judging from what happened on Saturday, and what has been happening for most of the last two years, there’s a decent chance it will.

“We push each other,” Rybakina said after her loss to Sabalenka, a match in which she was a forehand sitter in the front of the court away from likely locking it up. “We push each other to improve.”

This dynamic will be familiar to fans of that Big Three/Four era in the men’s game, which turned into what tennis writer Matthew Willis accurately coined an ouroboros, each meeting between them, and the different stylistic and psychological battles therein, taking the players involved to greater and greater heights, further and further away from the rest of the field.

This all could last 10 minutes, or 10 years. Sabalenka, who is from Belarus but largely lives in the U.S. city of Miami, Florida, turned 26 on Sunday; Rybakina, Russian by birth, Kazakh by nationality, is 24; Swiatek, the first true great from Poland is 22. (Gauff is 20, and improving every year.)

Injuries, the strain of a relentless schedule, a new crop of young talent, a back-in-form Osaka… many things could render this triangular rivalry obsolete very quickly. It may not even fully develop, with Swiatek having streaked ahead in rankings and titles, collecting 18 in a three-year period in which Sabalenka has four and Rybakina six.

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At the moment though, there is something irresistible about the dynamic between these three athletes, who all bring something different onto the court at first glance, but also subtly carry many of each others’ strengths.


The grass suits Rybakina over Swiatek and, marginally, Sabalenka (Clive Brunskill/Getty Images)

Sabalenka comes with brute force and unmatched intensity, but also a quickly improving net game and the capacity to swipe a match away that she shares with Swiatek.

Swiatek speeds across the court and through her matches with that frightening efficiency, displaying an innate versatility that the others are still trying to acquire — but her prodigious topspin disguises the sheer speed and force of groundstrokes usually attributed to Sabalenka.

Rybakina’s elegant, effortless power and at times gossamer touch make her glazed-eye calm seem less titanium than Swiatek’s focus, but in reality, like her tactical nous, it is just as immovable.

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Where this all goes over the next several weeks as the tour moves to Rome and then Paris for the last and biggest clay events of the year, and then shifts to Wimbledon’s grass, is anyone’s guess. 

Madrid, where the harder court and the altitude make the ball fly, figured to favor Sabalenka and Rybakina, who are power players, over Swiatek, but she remains queen of the clay. This made that title a key triumph for the Pole — the lone big event on clay she had never won.

Now tennis moves to the slower, more traditional clay courts at the Italian Open and the French Open, which she favors. She’s won at Roland Garros three times in four years. That could spell trouble for her foes.


Conditions in Rome and Paris suit Swiatek (Julian Finney/Getty Images)

Then again, Rybakina is the defending champion in Rome. Her breakout win came against Serena Williams in Paris in 2021; Sabalenka was a point away from the French Open final last year before tightening in the crucial moments. She doesn’t do that very often anymore. 

After the clay, comes the grass. Swiatek is still a novice on the surface and is the first one to say so. She has said that, at some point in her career, she will dedicate more time to growing more comfortable with its speed and low bounces, but she has not done it yet.

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Rybakina won Wimbledon in 2022. Sabalenka frittered away a lead in the semifinals there last year. Her power is a lot to handle anywhere. On grass, it can overwhelm.

Then it’s back to Paris and Roland Garros for the Olympics, and then on to the hard courts in North America, which should favor Sabalenka, the two-time defending champion on the Australian Open’s hard courts and a U.S. Open finalist last year… though Swiatek is the only one of the three to have won at Flushing Meadows, in 2022.


Swiatek, Rybakina and Sabalenka get asked about this second Big Three stuff a lot these days. Usually, they try to shrug it off. That other Big Three have won 66 Grand Slams and may not be done yet. They are on seven. There’s a long way to go, but it’s where they hope this is all headed.

“I’m really happy to be one of these Big Three,” Sabalenka said Saturday night, when she had come second and was trying to grasp a silver lining.

“It’s really motivating me a lot to keep working and to keep improving myself just so I stay there, and then kind of, like, you know, just be there and get as many wins against them as I can.”

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(Top photos: Daniel Pockett; Quality Sport Images; Clive Brunskill/Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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