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Why Caitlin Clark could pose a dilemma for Team USA at the Olympics

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Why Caitlin Clark could pose a dilemma for Team USA at the Olympics

USA Basketball will be seeking its eighth consecutive Olympic gold medal this summer with the first step coming at the Olympic qualifying tournament in Antwerp, Belgium, from Feb. 8-11. The 12-player roster for that tournament will be the first approximation of the team that will defend the Americans’ gold medal in Paris.

Based on the 18 players who have been invited to the national team camp from Feb. 2-4 in Brooklyn, N.Y., the committee has a terrifically challenging task to select that final roster, a decision that will likely be further complicated by the current collegians — primarily Caitlin Clark, but USA Basketball veterans Paige Bueckers and Cameron Brink could also factor in here — who turn pro at the end of the 2023-24 season.

The final roster will ultimately make a statement about what the committee values: youth and the future or experience and proven success. USA Basketball has generally balanced old and young on the international team so that the younger players can carry the torch and preserve the culture. Including — or not including — Clark poses a unique dilemma with the wealth of options before the committee.

On the opposite end of the spectrum from Clark is Diana Taurasi, one of eight Olympians from Tokyo in 2021 who is back in the national team pool. Taurasi is seeking to become the first basketball player of either gender to compete in six Olympics. She would also be the oldest basketball Olympian ever and the third American woman of any sport to participate in six games. Assuming Taurasi is healthy, she is a lock to return to the roster. The 41-year-old even participated in the USA Basketball college barnstorming tour in November against Tennessee and Duke, which presumably was not compulsory for a player with her pedigree.

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Taurasi is joined by Ariel Atkins, Napheesa Collier, Chelsea Gray, Brittney Griner, Jewell Loyd, Breanna Stewart and A’ja Wilson from the Tokyo team. Atkins is the only one of those returnees — other than Griner, who has extenuating circumstances, and is another lock to suit up in red, white and blue if she so chooses — whose play has declined since the last Olympiad, but considering she also played for the USA during the 2022 FIBA World Cup, Atkins will likely be prioritized by the committee. However, her status as a 2024 Olympian is probably the most tenuous of these eight players.

That leaves at most five, and likely four, spots for new blood, and the competition is fierce. Kahleah Copper, Sabrina Ionescu, Betnijah Laney, Kelsey Plum and Alyssa Thomas were all additionally part of the World Cup squad. Ionescu averaged the fewest minutes in Australia, but she, Thomas and Plum all have been All-WNBA selections within the past two seasons, with the latter two finishing top-five in MVP voting. Plum’s history with the three-on-three team should also give her a leg up with the committee, which brings us to her fellow gold medalists in that sport’s debut in 2021: Allisha Gray and Jackie Young. Both players seem too good to be left off of the roster, especially Young, but that is always the case with the American national team.

All seven of those players would be reasonable selections for the Olympics, and that doesn’t even include Aliyah Boston, Rhyne Howard and Arike Ogunbowale — three of the younger camp invites. All Boston has done is put together one of the most decorated college careers in recent memory, plus collect multiple gold medals for the U.S. at youth levels, while earning rookie of the year honors and starting in the WNBA All-Star Game. Frankly, Boston seems like another lock, filling in the sixth frontcourt spot behind Wilson, Stewart, Griner, Thomas and Collier. Howard and Ogunbowale — both All-Stars who would be the leading scorers on just about any other national team in the world — are probably on the outside looking in until the 2028 Olympics.

Then, there’s the youth question. The No. 1 picks in the 2004, 2008 and 2016 WNBA drafts made the Olympic teams as rookies (Nneka Ogwumike’s omission in 2012 was curious then, and her absence from subsequent Olympic rosters has made that snub even more ridiculous in hindsight), and a similarly loaded draft class is on deck to carry that tradition. The youngsters take their place at the end of the roster and then grow into the future leaders. Wilson has talked about learning from Taurasi and Sue Bird how to set the standard, which she put into practice along with Stewart at the last World Cup.

It would make sense for Clark to be the latest ingénue to take her place as Team USA’s 12th player, but with the 2004 No. 1 pick Taurasi still kicking, there may not be enough space. Perhaps the committee will take solace in Boston representing the current generation, while a cohort of older guards compete in the backcourt. Deciding between Atkins, Copper, Allisha Gray, Ionescu, Ogunbowale, Plum and Young for what figures to be three spots will be difficult enough without adding Clark to the mix.

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Then again, the Caitlin Clark effect is real. How could USA Basketball choose not to capitalize on the rabid popularity of one of the game’s biggest stars when whoever takes her place doesn’t figure to play many minutes anyway? The Olympics are the biggest showcase of women’s basketball worldwide. A player like Clark belongs on that stage if the selection committee wants to build off the momentum the sport is generating stateside.

There will be plenty of superstars on the national team whether Clark makes the cut or not. And the U.S. will be prohibitive favorites regardless of what combination of these players suits up in Paris. The specific composition of this roster, however, will reveal what the committee prioritizes, be it national team history, domestic success, balance of youth/veterans or the most marketable names. All of those possibilities are on the table.

(Photo of Caitlin Clark: Marc Piscotty / Icon Sportswire via Getty Images)

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Do You Recognize These Lines From Popular Science Fiction?

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Do You Recognize These Lines From Popular Science Fiction?

Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment highlights observations from future or alternate worlds depicted in popular science fiction. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’re intrigued and inspired to read more.

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Test Your Memory of These Books That Changed the World

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Test Your Memory of These Books That Changed the World

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of books that made huge impacts on society after they were published — some of them even spurring changes to American laws. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.

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Finding Wisdom in a Poem by Wendy Cope

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Finding Wisdom in a Poem by Wendy Cope

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Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

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To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

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I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

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Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

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Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

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Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

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Tap a word above to fill in the highlighted blank.

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