Connect with us

Culture

What's it like when Steph Curry shows up at a pickup game? 'Even the adults were screaming'

Published

on

What's it like when Steph Curry shows up at a pickup game? 'Even the adults were screaming'

It started like any other pickup basketball game at an open gym — players sweating on the court, others waiting on the sidelines and spectators casually observing. Jessica Brogan, who had attended similar practice-like sessions with her two hoops-hungry sons, said it began as a “normal open run.”

However, on this particular Saturday, there was unusual electricity in the air at the Life Time gym in Folsom, Calif., as rumors circulated in the greater Sacramento community that a global basketball star was in town and might swing by. Still, there was reason to doubt it.

“I didn’t even tell my kids about it because I hear that kind of stuff all the time and it doesn’t pan out,” Brogan said.

Others, like Berry Roseborough IV, a basketball trainer in the area who works with college and pro players, were more sure. Roseborough received a call from Marcus Kirkland, who was organizing the session, asking him to recruit his best players because of the expected attendance of this special guest.

On the morning of June 8, Roseborough called his pupils in town without revealing too much, just enough.

Advertisement

“You’ll probably be mad if you miss it,” Damarion Vann-Kelly said Berry told him.

Vann-Kelly had a hunch, one that grew after Kent Bazemore — a G League player who spent 10 seasons in the NBA — walked in. About 10 minutes after Bazemore arrived and with a game underway, the screams began: It’s Curry. It’s Curry.

“All the little kids are screaming,” Vann-Kelly said. “Even the adults were screaming.”

Sure enough, Stephen Curry, wearing a light gray hoodie pulled over his head, walked in.

“I look up while we’re playing and I’m like — excuse my language — but, ‘Oh s—, Steph just walked through the doors,’ ” Roseborough said. “And you could feel it. … You feel all the energy in the gym radiating. Everybody’s almost in shock.”

Advertisement

Brogan looked at her sons’ faces. Braxton, 13, turned red when he noticed the four-time NBA champion, and Easton, 10, grew wide-eyed and broke into an ear-to-ear smile when he realized it was Curry stretching nearby, she said.

It’s not unheard of for NBA players to join amateur pickup games as a way for them to stay tuned up, especially during the league’s offseason. Players with college and pro experience, including Bazemore, regularly attend the runs Kirkland organizes in the Sacramento area. The two met at a gym in 2022 and stayed in touch, according to Kirkland, bonding over a shared love of basketball and a desire to pass that love on to others in their community.

Bazemore encouraged Curry, who was in the area for his daughter’s youth volleyball tournament, to drop by the gym, Kirkland said. Curry, whose NBA season ended in April with the Warriors’ Play-In Tournament loss to the Sacramento Kings, will make his Olympic debut at the Paris Games next month as the United States men go for their fifth straight gold medal.

“We’ve had a lot of (NBA players) come to our runs but never anyone of the caliber of Stephen Curry,” Roseborough said. “That was like ‘Wow.’ ”

Brogan called it a “once-in-a-lifetime experience” for her family.

Advertisement

During a roughly two-hour session, Curry put on a masterclass. He and Bazemore teamed up, playing five-on-five against Kirkland, Vann-Kelly, Roseborough and others. Brogan and her sons watched in awe along with a growing crowd that became so large that security asked people to leave, she said.

Naturally, Curry delivered. Roseborough said he noticed Curry’s pace and how simple his game is.

“He didn’t do anything more than he needed to do in that moment,” Roseborough said. “His pickups — basically how you pick up the ball before you get into your shot — they were just so fast like you couldn’t even see them.

“Then his release. He’s getting his shot off in, had to have been, .3 seconds or less. It doesn’t matter if it’s contested. It looks the same every time. It’s coming off the same finger every time.”

Added Vann-Kelly, 17, a 6-foot-5 guard with Division I and pro aspirations and a recent graduate of Monterey Trail High: “He was making all of them. It was nothing but net. How (Curry) attacks, you can just tell why he’s at the pro level. All his moves are perfected. He has great patience, great skill overall.”

Advertisement

During one game, after Curry crossed up Kirkland for a step-back 3-pointer that rimmed out, Curry got the ball back off a pass and then made the game-winning 3 on his next attempt. He reflexively celebrated with his iconic “night night” gesture. A clip of the moment, shot by Brogan and posted to her Instagram, went viral.

“He’s a generational player, his IQ,” Kirkland said. “He’s just different.”


Markus Kirkland guards NBA icon Stephen Curry during a pickup game in Folsom, Calif., on June 8. (Courtesy of Markus Kirkland)

But it wasn’t only Curry’s viral shots and elite ballhandling that left the gym buzzing. He impressed in another sense, according to those who were there. They noted how Curry introduced himself to each player and shook their hands. He asked for their names and told them not to be nervous.

Advertisement

“Guys were trying to give him the ball so he could do all the scoring and he was telling them, like, ‘No, we play team basketball. We’re not gonna play like that,’ ” Roseborough said. “He was actually setting up other guys to score. He was giving confidence to the players and other people that were there.”

After a series of eight or nine games — largely dominated by Curry and Bazemore, Kirkland said — the two took photos with the other players and the kids Kirkland invited to watch, including Brogan’s sons.

“He just made everybody around the building feel good,” Roseborough said. “He made everybody that was in there feel comfortable. And that was crazy to me, just how his energy really affected everybody in the building that much.”

(Top photo of Steph Curry and Kent Bazemore with other players: Courtesy of Marcus Kirkland)

Advertisement

Culture

I Think This Poem Is Kind of Into You

Published

on

I Think This Poem Is Kind of Into You

Advertisement

A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

Advertisement

“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

Advertisement

We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

Advertisement

Louise Glück in 1975.

Gerard Malanga

Advertisement

But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

Advertisement

“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

Advertisement

Continue Reading

Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

Published

on

Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

Continue Reading

Culture

From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Published

on

From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

Advertisement

Advertisement

When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

Advertisement

Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

Advertisement

But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

Advertisement

See the full list of the 10 Best Books of 2025 here.

Continue Reading

Trending