Culture
What next for Paris Saint-Germain now Kylian Mbappe is leaving?
Maybe this was a glimpse of the future.
On Saturday night, Paris Saint-Germain took on Nantes without Kylian Mbappe in their starting XI. After playing 90 minutes against visitors Real Sociedad in the Champions League in midweek, and then privately revealing his intention to leave PSG at the end of the season, Mbappe was dropped by coach Luis Enrique.
The striker had sat on the bench against Lille the Saturday before that Champions League last-16 first leg — a precaution due to an ankle knock — but, other than that, the occasions he has been relegated among the replacements have been few and far between over the past seven years.
In the context of what has happened this past week, it felt symbolic of a power shift.
Had his confession over his impending exit ended his untouchable status and made rotation easier? Luis Enrique preferred a simpler reflection. “There was a Champions League match during the week and we needed energy to be competitive,” he said after his side’s 2-0 away win. “We had to give playing time to those who didn’t have it in Europe. Our goal is ambitious and I need all players involved to achieve it.”
But this picture in Nantes, of a PSG side without Mbappe, will be the norm soon enough. A team without a storied individual. The Ligue 1 champions and current leaders will be shedding the spotlight and the baggage that can come with that. But they will also be losing a game-changer who can — as he inevitably illustrated when he came on after an hour on Saturday — step off the bench, embarrass an opponent to win a penalty, score it, and kill off a match.
PSG have become accustomed to those moments of brilliance from Mbappe. But now, change is coming.
The impact will be huge.
Mbappe still made an impact as a substitute in Nantes (Jean Catuffe/Getty Images)
Preparing for life after Mbappe has not been an unforeseen eventuality for PSG. Speculation about his future has been a regular, and often tiresome, soap opera that has rumbled on through almost every transfer window over the past two years. Now, however, the conclusion feels more concrete. It may not have been publicly stated, nor his new club formally agreed. But this time it is for real.
Mbappe will leave PSG in the summer. And PSG must focus on life without him.
That is not going to be easy. Mbappe is not just any old player — and not only because of his talent. He is the most influential French player to have ever worn their shirt. He may have insisted that the club was not ‘Kylian Saint-Germain’ in a marketing dispute last year but, at least in recent times, it is hard to escape the veracity of that description.
Mbappe is arguably the best player in the world today, having established himself as PSG’s record goalscorer by the age of 25. He has claimed multiple records since he signed, at 18, from Ligue 1 rivals Monaco in summer 2017 on an initial loan that turned into a €180million (now £153.8m; $193.7m) permanent switch a year later.
He has scored the most goals for PSG both domestically and in Europe, as well as the most hat-tricks, the most ‘doubles’ and the most goals in a single game (five). He has helped France win the World Cup in that time, scored in successive World Cup finals, including one hat-trick, has won the tournament’s Golden Boot, and gone on to become France captain. He is the most prolific and consistent goalscorer the French league has seen since Jean-Pierre Papin was running riot for Marseille in the late 1980s and early 1990s.
If he wins the Ligue 1 Golden Boot again this season (a near-certainty: he is on 21 goals, second-placed Wissam Ben Yedder of Monaco has 11), he will have received that award six times in a row — no player has done that before.
How on earth do you fill that Grand Canyon of a void?
A disconsolate Mbappe departs the 2022 World Cup with the Golden Boot after France lost to Argentina in the final (Mohammad Karamali/Defodi Images via Getty Images)
On the field is one thing. Off it, his achievements place him not only among the greats, but above most of them.
Mbappe’s relationship with his hometown club has at times felt transactional; a pretense of an emotional link while ensuring international eyeballs, impressive brand embellishments and enormous financial recompenses. That may be why his relationship with the PSG supporters has not always appeared perfect — you could even argue he may not have achieved the levels of adoration his achievements deserve purely due to the repetitive nature of these transfer sagas.
But there is no doubting there is affection for him.
It was telling that at the start of this season, after Mbappe was cast aside as the club laid out their ultimatum of “extend or be sold”, that supporters near the Virage Auteuil — a stand at PSG’s Parc des Princes stadium frequented by the club’s ultras — were reticent to discuss the issue when approached by The Athletic. They acknowledged instead the delicate balance of that situation, respecting the club’s position but also pointing out the risk of losing a beloved player.
Again, on Saturday, the supporters held their fire. Mbappe has been whistled before over the intrigue and uncertainty around his future by the club’s fervent fans, but he was not whistled by those in the away end in Nantes.
Mbappe is a global but local star — born on the outskirts of Paris, and now a worldwide ambassador for his country and a player who has proudly worn PSG’s shirt. To lose him is a significant blow; and more so if it is confirmed he is to join a rival for the coveted Champions League in Real Madrid.
With fans also facing the uncomfortable prospect of PSG leaving Parc des Princes, their home since 1974 — just four years after the club was founded, it also adds to the uncertainty about the club’s future identity.
PSG will be viewed differently without Mbappe.
PSG fans unfurl a flag depicting Mbappe at Parc des Princes (Tim Clayton/Corbis via Getty Images)
The club have already begun the process of regeneration.
Last summer was the onset, when they parted company with both Lionel Messi and Neymar, under the declaration that their ‘superstar’ era was over and that, instead, PSG would pivot to a younger, more cohesive team built with a longer-term focus — and clear playing philosophy — in mind.
More than €300million was spent on talent with 13 new faces signed, plus the appointment of new head coach Luis Enrique. January saw the addition of two more youngsters in Lucas Beraldo and Gabriel Moscardo. The average age of the team has dropped dramatically.
PSG have also opened a new, €300million training ground, which brings together all aspects of the club — not just the men’s, women’s and academy football teams but also their judo and handball sides — on one site in Poissy, west of the city.
They have also found new financing via the American investment firm Arctos, which club sources, speaking on condition of anonymity to preserve their relationships, like all of those consulted for this piece, claim may dilute their sole ‘state-backed’ status. It is thought further investment will be pursued.
But it’s losing their last ‘galactico’ that truly closes the door on what has gone before.
That should at least mean a reduction in off-field dramas, which reached their height last summer when, after Messi’s unauthorised travels and subsequent suspension, Mbappe was left out of the club’s pre-season tour of Japan and South Korea and made to train with the club’s fringe players.
The notion of the “club above all else”, a point stressed in a pre-season speech to the players by the president Nasser Al-Khelaifi, may be easier to enforce. Mbappe’s influence always seemed above what most clubs would consider normal; his contract renewal was said to give him a say in recruitment and the appointment of some key staff, such as Luis Campos, PSG’s football advisor who works in recruitment on a consultancy basis.
On the other hand, though, this evolution means a loss of the spotlight and of course, the departure of a truly elite-level talent. This recent era may have failed to secure the longed-for Champions League, but has provided near-certainties of success. During his time at the club, Mbappe has won five titles and is well on his way to number six, and lifted the two domestic cups (before the League Cup was scrapped in 2020) a combined five times.
Mbappe and PSG celebrate winning Ligue 1 last season (Lionel Hahn/Getty Images)
PSG may have paraded him triumphantly holding a shirt emblazoned with “2025” when securing Mbappe to new terms only two years ago, but they say they have been preparing for his departure with a dual-track approach from the moment this saga exploded last summer.
On the sporting side, that represents a continuation of their “long-term” project under Luis Enrique, a part of which has seen public statements downplaying the “necessity” of winning the Champions League. That project will mean acting further in the market. On their list of summer targets, as The Athletic have reported, are Napoli’s Victor Osimhen and Barcelona midfielder Gavi. The expectation is there will be multiple reinforcements. PSG still want to be an elite club after Mbappe goes and they will attempt to fill the void if they can.
GO DEEPER
Salah? Martinelli? Anyone but a striker? How PSG should replace Mbappe
On the field, there are quality players already in place. Take 21-year-old Bradley Barcola, who has hinted at his own exciting potential in a left-wing berth with his recent performances — and he will have competition from the exciting Xavi Simons, also 20, who is currently on a season’s loan at RB Leipzig in Germany. In the central attacking position, which Mbappe has often occupied, PSG have the options of Randal Kolo Muani, 25, and 22-year-old Goncalo Ramos, signed last summer in deals worth a combined €170million, before considering further action in the market.
There is more youth too — none more exciting than homegrown midfielder Warren Zaire-Emery, who is poised to sign a new long-term contract, probably after he turns 18 early next month.
Tactically, Mbappe’s exit will mean the final departure of a player who transcends tactical instruction.
“He plays where he decides; he has total freedom,” said Luis Enrique in December. “He has complete freedom to play inside, outside, wherever he wants, and we have to balance our positions in relation to him. The question is who will follow Kylian by attacking inside or outside; it will depend on the match.”
This year, Luis Enrique has fiddled with the position of Mbappe in his team, moving him from out wide to a central role. But his exit also means the loss of a match-winner — as was witnessed again on Saturday. Replacing his goals will be tough. His 21 league goals this season are 15 more than any of his team-mates.
Financially, the club also say they prepared for both eventualities. They point to how Mbappe has been costing them €200million per year in wages, and that investment will now be funnelled, in part, into their recruitment plans. There’s also the wiggle room created last summer by significant exits, including those of Neymar and Marco Verratti — players who commanded transfer fees in addition to the club getting their salaries off the books.
There are, though, commercial implications to all of this.
Club sources have tried to play down the impact Mbappe’s exit, certainly in the short-term, will have on commercial agreements where a majority have longer terms to run. PSG’s collaboration with the Jordan sportswear brand, for example, should continue for at least another two years with both parties already working through future designs, while their agreement with Nike, Jordan’s parent company, is in place until 2032.
They also point to broadening their horizons with multiple players who can now grow in stature out of Mbappe’s shadow, and those who can access new markets — such as South Korea international Lee Kang-in.
The club’s profile has grown significantly in recent years, and can now hold its own in spheres beyond football.
Lee Kang-in (Aurelien Meunier – PSG/PSG via Getty Images)
But there is no denying Mbappe is the closest thing PSG have to a Michael Jordan — a globally-recognised star whose impact off the field of play mirrors their achievements on it, boasting a legion of fans, independent of club loyalty, who will tune in and buy tickets to watch them play and take notice of which companies they work with. Some of that audience will go when Mbappe does.
PSG point to how the club have continued to grow despite the departures of Messi and Neymar last summer, but Mbappe’s will not be an easy one to overcome.
His exit will also have implications for Ligue 1, which is in the middle of trying to negotiate a new domestic television rights package after its broadcast auction was scrapped in October having received no offers.
Losing Mbappe, so quickly after Messi and Neymar moved on, is a big blow.
When it comes to new partners Arctos, PSG sources insist Mbappe leaving is not an issue, owing to the fact that placing so much investment in one individual, who could be injured at any time, would represent a significant liability.
There may be other consequences, too.
Campos, the club’s football advisor, joined PSG as part of the negotiations to persuade Mbappe to renew his contract in 2022. His own fate has been tied to that of Mbappe, so there has to be a chance this transfer marks the end of his tenure, too. Campos did, of course, play an integral role in the club’s summer overhaul last year, and is now preparing for the next phase of the project, suggesting they still value his input. He is understood to be keen to stay; what he puts in place over the next few months may be key to whether he does.
Luis Campos (Franco Arland/Getty Images)
In the short term, it remains to be seen how all this will affect the rest of PSG’s 2023-24 season. The players are still adapting to Luis Enrique’s philosophy and remain a team in transition. This was always going to be a major sticking point when it came to Mbappe’s future — reconciling a player determined to achieve everything in the here and now with a project that is being built for the long term.
The reality now is that, for Mbappe to achieve his ultimate goal and bring the European Cup to Paris, the clock is ticking. It has to happen this season. That adds extra pressure, even if it has outwardly been stated, by Al-Khelaifi to Luis Enrique, that the competition is not the club’s be-all and end-all any more.
“We want to win it, like all teams, but we don’t feel any particular pressure or obligation,” said midfielder Fabian Ruiz last week.
The certainty of Mbappe’s departure does take one aspect of speculation away, even if it has not yet been officially confirmed. It introduces a long goodbye that could galvanise the team. For once, there won’t be distracting talk about what he will or will not do in the summer.
PSG can now look to the future and enact those plans they have long had prepared.
But no matter how much work has been put in to get ready for it, losing a player of Mbappe’s calibre is going to have a huge impact. Both and off the field.
(Top photo: Jean Catuffe/Getty Images)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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