Culture
Thomas Tuchel: England have hired a ‘winner’ but that is no guarantee in international football
At least Thomas Tuchel is likely to be spared the kind of reception that awaited Sven-Goran Eriksson when the Swede became the first foreign coach to manage the England national team.
“FA, hang your heads in shame. No surrender,” read the banner held by a man standing outside FA headquarters in London in November 2000. The protestor was dressed as “John Bull”, a pulp magazine personification of Englishness, wearing a top hat, a red jacket, a Union Jack waistcoat and a look of profound distaste.
It went beyond that one-man protest. Gordon Taylor, chief executive of the Professional Footballers’ Association, called Eriksson’s appointment “a betrayal of our coaching structure”. John Barnwell, his counterpart at the League Managers Association, said it “beggars belief — another example of us giving away our family treasures in Europe”.
The most famous — or infamous — line surrounding Eriksson’s arrival came from the Daily Mail’s veteran columnist Jeff Powell, who wrote that the FA was “selling our birthright down the fjord to a nation of 7million skiers and hammer-throwers who spend half their lives living in total darkness”.
In the documentary released shortly before he died in August, Eriksson looked back and laughed. “England: you can’t say no,” he said with a chuckle. “I would have regretted (not taking it) all my life, I suppose.”
Despite the anguish brought by three successive quarter-final defeats (and despite his dismay over tabloid scrutiny of his private life), Eriksson never regretted answering the FA’s call. Fabio Capello, who seven years later became England’s second overseas coach, has been known to give the opposite impression.
The welcome Sven-Goran Eriksson received when appointed as England manager (Adrian Dennis/AFP via Getty Images)
The strange thing about Tuchel’s impending appointment is that it feels so… 2000s, frankly. Wasn’t the FA meant to have consigned its overseas coach era to history by now?
Yes, it was. That was made clear when St George’s Park was opened amid considerable fanfare 12 years ago. David Sheepshanks, the chairman of the project, told reporters that the FA would not have to look abroad for England coaches of the future if, as he expected, “we have homegrown Premier League and international managers emanating from the education advantages” the new national football centre would offer. Rather than throw millions of pounds at short-term solutions, this was a long-term investment.
This surge of homegrown coaching talent has not happened — at least not to anything like the degree hoped for and anticipated.
Some bleak statistics: no English manager has won a European trophy since Bobby Robson with Barcelona in 1997; no English manager has won the league title since Howard Wilkinson with Leeds United in 1992; no English manager has even won the FA Cup since Harry Redknapp with Portsmouth in 2008 or the League Cup since Steve McClaren with Middlesbrough in 2004; since 2003, English managers have taken charge of a combined total of just 44 matches in the Champions League (Frank Lampard 16, Redknapp 10, Graham Potter seven, Eddie Howe six, Craig Shakespeare three, Michael Carrick one, Gary Neville one).
International football is different, though. It is why someone as successful as Capello (a “winner with a capital W”, as then-FA chief executive Brian Barwick lauded him on his appointment) found himself so flummoxed by the peculiar demands of managing England at a World Cup. It is why someone with a CV as underwhelming as Gareth Southgate’s (45 wins from 151 games in charge of Middlesbrough) could be responsible for their two best tournament campaigns since that solitary World Cup triumph in 1966.
Nor is this phenomenon unique to the England team. Look at the contrast between Spain’s underwhelming performance at the 2022 World Cup, under a Champions League-winning coach in Luis Enrique, and their vibrant displays in winning Euro 2024 under a coach, Luis de la Fuente, who, like Southgate, has acquired experience through the national team’s junior setup.
Look at Argentina’s success under Lionel Scaloni, whose only previous experience as a head coach was with their under-20 team.
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But the longer Southgate stayed in the job, the closer he came without quite delivering the success the country craves, the more you could hear the clamour for the FA to appoint another “winner with a capital W”.
Southgate was always cast in some quarters as the reason England kept falling just short — which, after decades of falling a long way short, seemed strange. Whatever the undoubted qualities he brought to the job, it was always assumed by his critics that any half-decent coach who operates in the top half of the Premier League or the later stages of the Champions League would bring all of those plus, crucially, the hard-nosed winning mentality and hard-wired tactical expertise of a Pep Guardiola, a Carlo Ancelotti or a Jurgen Klopp.
Or… a Thomas Tuchel? Possibly, but this appointment still represents an unexpected pivot from an FA that has spent the past decade banging the drum — with growing confidence, it had seemed — for English coaches.
The unheralded Scaloni won the World Cup with Argentina (Juan Mabromata/AFP via Getty Images)
They never closed the door entirely on the idea of looking overseas for an England manager — indeed, they have reaped huge dividends from going Dutch with the appointment of Sarina Wiegman, who in 2022 led England to their first Women’s European Championship title. The fact that Tuchel has worked in English football previously — and shown an affinity with English players, both at Chelsea and at Bayern — is an advantage that Eriksson and Capello did not have.
But it has consistently been made clear by the FA, even as different executives and decision-makers have come and gone, that a homegrown candidate would be its preference.
There was some support for the idea of a permanent elevation for England Under-21 coach Lee Carsley, who took charge of the senior team on an interim basis after Southgate resigned in July. There has certainly been enthusiasm, going back several years, for the notion of appointing Howe or Potter.
But when it came to the crunch, after tentative enquiries about Guardiola (focused on Manchester City) and Klopp (preparing for a new role as Red Bull’s head of global soccer) came to nothing, they moved decisively for Tuchel, swayed by his trophy successes as coach of Borussia Dortmund (one DFB-Pokal/German Cup), Paris Saint-Germain (two Ligue 1 titles, a Coupe de France/French Cup, a Coupe de la Ligue/French League Cup and two Trophees des Champions/French Super Cups), Chelsea (one Champions League, one European Super Cup, one Club World Cup) and Bayern Munich (one Bundesliga title).
It is a level of trophy success that no English coach comes within a million miles of. Howe can boast a Championship (English second-tier) title with Bournemouth, Potter a Svenska Cupen/Swedish Cup success with Ostersunds and Carsley a European Under-21 Championship title with England — all of them, Howe’s in particular, impressive in their own right — but none has come close to landing any of the game’s biggest prizes.
If you are going to go down the “winner with a capital W” road, seeking what Carsley described over the weekend as a “world-class coach who has won trophies”, then the homegrown route isn’t really an option for England.
But we are back to the question of De la Fuente and Scaloni — and, yes, Southgate, Joachim Low, Roger Lemerre and so many others through the course of history — and whether international management requires not just a different skill set on the training pitch and the touchline but a different mindset in the weeks and months between international breaks.
If something has changed in the FA’s thinking, leading them to restore trophy-winning experience to the top of the job spec, it is perhaps because of how England’s Euro 2024 unfolded.
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The more talented creative players Southgate had at his disposal, the harder he found it to strike the right tactical balance. As Carsley discovered against Greece last week, picking Jude Bellingham, Bukayo Saka, Cole Palmer, Antony Gordon and Phil Foden in the same line-up might not be the brainwave it had appeared after a 20-minute experiment on the training pitch.
England have a glut of attacking talent — it is hard to fit them all in a team (Jewel Samad/AFP via Getty Images)
Maybe the job requires a firmer hand now. Maybe the surplus of creative players requires the type of toughness and ruthlessness that the modern English coach — a more touchy-feely type, whether it is Southgate, Howe, Potter, Carsley, Gary O’Neil, Rob Edwards, Russell Martin or anyone else except perhaps Sean Dyche — is yet to develop fully.
If Southgate’s approach was considered perfect for the largely unheralded group of players he took to the 2018 World Cup, maybe the changing profile of the squad brings a demand for a different profile of coach, accustomed to working with top-level talents (and perhaps top-level egos) and turning them into a cohesive, balanced team.
One concern is that Tuchel’s Bayern team didn’t look much like that last season when they were beaten to the Bundesliga title for the first time in 12 campaigns. Neither did his Chelsea or PSG teams towards the end. At those three clubs, and indeed Dortmund and Mainz before that, he left in strained circumstances. There were tensions with the boardroom or dressing room or both. It was the biggest thing that deterred Manchester United from appointing him in place of Erik ten Hag last summer.
In other words, Tuchel is very different to the long-held FA ideal of a coach who keeps his head down and says the right thing. And it would be easier to get behind the idea of England being managed by a disruptor — The Rulebreaker, to borrow the delightful title of a biography by German journalists Tobias Schachter and Daniel Meuren — if they had not just enjoyed their best run of tournament campaigns in more than half a century under an unashamed conformist.
Beyond that, surely the England manager should be English. Not must, as some would have it, but should. England have enjoyed notable success under overseas coaches in other sports — and in women’s football — but it does not feel remotely controversial to suggest that the whole point of international sport should be to pit one nation’s talent against others.
There is already a backlash from some quarters against the prospect of a German taking charge of the England team, just as there was anger from the same quarters last month when Carsley did not sing along to the national anthem. At times, when it comes to the national team, the discourse goes far beyond reasonable principles of what international sport should be about and into the type of bombastic, jingoistic rhetoric that held English football back for so many years.
It is largely thanks to overseas influence that English football seems more enlightened these days. Even by the time of Capello’s appointment in 2007, the idea of the FA looking abroad for an England manager seemed far less alarming than it had seven years earlier.
But now, it feels like a regressive step in the message it sends to English coaches.
Carsley took on the interim role but his stint fell flat (Justin Setterfield/Getty Images)
Carsley’s audition was far from perfect, undermined by his team selection against Greece and the confused messages in some of his media interviews, but he is barely less qualified for the England senior job than Southgate was in 2016. Potter would surely have been in with a shout had this job come up when he was at Brighton & Hove Albion in the summer of 2022, yet he seems to have been overlooked entirely based on a six-month tenure at Chelsea when they were at the height of their post-takeover dysfunction (something with which Tuchel would sympathise). Howe has a desirable job at Newcastle United, but if the eligibility criteria for the England job include winning the game’s biggest prizes, could an English manager ever do that without putting himself far beyond the FA’s reach?
If it comes down to who has the best CV, it is hard to imagine how the best-qualified English coach could trump whichever leading manager happens to be looking for work after falling off the Champions League carousel, having parted ways with PSG, Chelsea, Bayern or whoever — or in Tuchel’s case, all three.
Even so, recent tournaments have strengthened the feeling that the international game is different: that hiring a “winner with a capital W” is not the shortcut to success that the FA previously imagined it was.
Should Tuchel succeed where his predecessor fell agonisingly short, then no England supporter, no matter how ingrained their John Bull tendencies, will find their celebratory fervour dampened by the nationality of the coach.
But Tuchel’s first challenge will be to measure up to the standard Southgate set over the previous eight years — and because this is international football, with its different rhythm and challenges, that is not the foregone conclusion it might otherwise seem.
(Top photo: Sven Hoppe/picture alliance via Getty Images; design: Meech Robinson)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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