Culture
Rosenthal: Why the Orioles' latest scouting triumph is a 34-year-old journeyman pitcher
Albert Suárez is not your typical Baltimore Orioles phenom. His path was quite different than that of Jackson Holliday, the game’s No. 1 prospect; Colton Cowser and Jordan Westburg, the back-to-back American League Players of the Week; or Heston Kjerstad, the latest young hotshot to join the club after leading the Triple-A International League with 10 homers in 21 games.
Those players were high draft picks, top 100 prospects, the products not just of enviable draft positions stemming from years of tanking, but also of a front office hitting on one selection after another. Suárez, after only two starts, looks like another organizational triumph. But he’s 34. The Orioles are his fifth major-league organization. And he spent the past five seasons in Japan and Korea.
When Suárez made his Orioles debut on April 17, he had gone six years, 204 days between major-league appearances. He pitched 5 2/3 scoreless innings against the Minnesota Twins that day, another 5 2/3 scoreless against the Los Angeles Angels on Monday night. Not bad for a guy who joined the Orioles on a minor-league contract last September. Blake Snell, who signed a two-year, $62 million free-agent deal with the San Francisco Giants, has an 11.57 ERA after three starts.
The addition of Suárez, announced by the Orioles as one of seven minor league deals on Dec. 30, was the kind of offseason transaction that elicits little more than a yawn. But for Mike Snyder, the Orioles’ director of pro scouting, the move was years in the making. He first identified Suárez as a possible target in the fall of 2017, while preparing for the Rule 5 draft. Mike Elias was a year from becoming the Orioles’ general manager.
Suárez had been a swingman for the San Francisco Giants in 2016 and a reliever in ‘17. But the Giants, after re-signing him to a minor-league deal, declined to protect him on their 40-man roster. The Arizona Diamondbacks grabbed Suárez in the Rule 5 draft, then stashed him at Triple A. Suarez, who signed at 16 out of Venezuela with the Tampa Bay Devil Rays in 2006, sought a fresh start. The following year, he began his journey to Asia.
He often was injured during his three seasons in Japan, but pitched well as a starter during his two seasons in Korea.
The Orioles continued to monitor him. Snyder wanted to sign him in the fall of 2022. But Suárez returned to the Samsung Lions with a seven-figure guarantee — a better opportunity than any major-league team was willing to give him.
What changed last year?
Suárez suffered a left calf injury in early August. The Lions, facing a Korea Baseball Organization cap on the number of foreign players they could carry, released him to replace him with another import, Taylor Widener. Snyder, seeing an opportunity that had not existed previously, contacted Suárez’s agent, Peter Greenberg.
“He’d been trying to get Albert for maybe the last three years. But the market in Asia moves very quickly,” Greenberg said. “He would always come to me early in the offseason here, but Albert would already have signed back in Japan or Korea. (Last year), though, he came to me and said, ‘I’m not going to be late this time. I want to try to sign Albert.’”
Snyder’s timing finally was right. The Lions wanted Suárez back, Greenberg said, but at a reduced salary in the $700,000-$800,000 range. Suárez was tired of being away. He is married with three children, ages 11, 8 and 4. The family lives in Katy, Texas. He had made decent money in Asia. He was ready to return full-time to the U.S.
Albert Suárez is the first pitcher with an outing of 5+ innings and no runs allowed in each of his first 2 appearances after not appearing in MLB for 5+ years, since the mound was moved to its current distance in 1893
h/t @EliasSports , @ColeJacobson32 https://t.co/rYwevszGHd
— Sarah Langs (@SlangsOnSports) April 23, 2024
The Orioles under Elias generally are selective in signing minor-league free agents. They don’t like releasing such players in spring training, and prefer their draftees to get the bulk of playing time in the minors. Elias, though, said he entrusts Snyder and his pro scouting group to handle minor-league deals for pitchers. Special assignment scout Will Robertson and pro scouting analyst Ben MacLean, in particular, vouched for Suárez, Snyder said.
“We are always conscious of the difficulty of finding starting pitching. And we saw flashes with him over the years,” Snyder said. “He had been working in a length (role), throwing strikes. He had gained some velocity, starting in 2018 in relief, and sustained that a little bit in Asia. He (also) improved his secondaries.
“We sold him on an opportunity in spring training, that we would give him some rope. We didn’t promise he was going to make the rotation. We didn’t make any promises. If anything, we undersell things. And I think in the long run, that really helps us. When we say we have an opportunity, it’s a legitimate opportunity.”
Signing Suárez in September enabled the Orioles to bring him to their fall pitching camp in Sarasota, Fla., where he met their high-performance, training and coaching staffs. Assistant pitching coordinator Adam Schuck and minor-league pitching coordinator Mitch Plassmeyer developed a plan for him. A number of other coaches also worked with Suárez, helping him tweak his delivery so that he wouldn’t need to make adjustments while trying to make the club in the spring (Plassmeyer is now the major-league team’s assistant pitching coach).
Suárez’s ERA in spring training was 5.17, but he nonetheless impressed manager Brandon Hyde and his staff, striking out 19 and walking only two in 15 2/3 innings. In one exhibition against the Philadelphia Phillies, he struck out seven in three scoreless innings against a lineup composed predominantly of regulars.
“He opened our eyes from the stuff that was coming out of his hand,” Hyde told reporters when the team summoned Suárez to replace the injured Tyler Wells. “You see 96 and you see him throw his fastball by guys with life, and then the secondary stuff he was throwing for strikes also. And he kept doing it every five days. We were excited about it.”
Suárez was excited, too, telling Greenberg even after he got sent down, “This was my favorite spring training in a long time.” In Snyder’s view, Suárez returned from Asia as many pitchers do, more refined in his approach, more advanced in his craft. He also learned to pitch in front of large crowds, making the majors less intimidating than perhaps they once were.
It’s only two starts. But the Orioles appear to have nailed it again.
“They saw something a lot of people didn’t,” Greenberg said.
(Top photo of Albert Suárez: Scott Taetsch/Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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