Culture
Ray Davis grew up homeless, now he seeks to be a 'name you'll remember forever'
Picture him, just 9 years old, walking the streets of San Francisco each morning, dropping off his younger sister at school, then hustling back home to take care of his baby brother. His chair in Mr. Klaus’ third-grade class sits empty, sometimes for days, sometimes for weeks.
Picture him, summoning the courage to write a letter to the man he kept hearing about — “You run just like your pops!” they’d tell him on the football field — but rarely saw. Then stamping that letter. Then mailing it to his father in prison. “I don’t know you,” part of it read.
Picture him, running out of places to stay and people to ask. For a while, Ray Davis lived with his mom, but then she went away, too. So he stayed with his grandma, sleeping on her living room floor. When the social worker would swing by to check on him, they’d lie, vowing that he had a bedroom to call his own. Anything to keep him out of foster care a little longer.
But that didn’t last. Nothing seemed to last.
By 8 he was a ward of the state; by 12 he was living in a homeless shelter with two of his 14 siblings. When he learned a foster family had enough room to take two of them — but not all three — Ray volunteered to stay back so his brother and sister wouldn’t get lost in the system like he was. “If they can get out and be together,” he told the case worker at the time, “that’s the best thing for them.”
They went. He stayed.
Picture him, sitting in the front seat of a social worker’s car a few years later, texting and calling everyone he can think of, begging for a couch or a chair or a spot on the floor to sleep on, only to be told “sorry” too many times to count, his heart breaking a little more with each rejection.
Finally, he reaches out to his favorite teacher. “Can I stay with you?” Ray asks. “Just for a night or two?”
“Of course you can stay with us,” Ben Klaus tells him, and even though it’s a tiny one-bedroom apartment in the heart of downtown San Francisco, and even though Ben and his fiancée, Alexa, are busy planning their wedding for that summer, “just a night or two” turns into three years.
GO DEEPER
NFL Mock Draft: Our college football writers project Round 1
Now look at him. He’s 24. He’s two months from hearing his name called in the NFL Draft. He piled up more than 1,000 rushing yards for three different college football programs. And he owns a degree from Vanderbilt.
That’s what it took for Re’Mahn “Ray” Davis to answer the question he’s been asking since he sat in that homeless shelter 12 years ago, feeling alone and abandoned, wiping tears from his cheeks, whispering the same thing to himself every night before he went to bed.
“Why God? Why me?”
His mom was 14 when she got pregnant, 15 when she gave birth. “She wasn’t ready,” is all Ray Davis will say about it now, tucked into a booth at a Yard House in Phoenix, where he has been training for the draft. “I love my mom, but she just couldn’t figure it out.”
For most of his childhood, his father, Raymond Davis, couldn’t either. Both parents were in and out of prison for long stretches, leaving Ray largely on his own. He remembers one afternoon, when he was 8 or 9, being told by a teacher that his father was there to pick him up.
“Wait,” Ray said, “I have a dad?”
From there, the relationship was starts and stops, weekends together followed by months, even years, without contact. Ray would hear stories about his father’s football exploits — how Raymond had broken O.J. Simpson’s Galileo High record for touchdowns in a season, how he had been named the San Francisco Examiner’s 1998 player of the year — but, for a while, he felt like a ghost.
When Ray lived with his mom, she’d drop him off at a daycare run by a family friend, then leave him there all weekend. Or for an entire week. Or for an entire month. When he had nowhere else to go, he’d stay with his grandma, but that was never going to be a permanent solution, Ray says. Not enough clean clothes. Not enough food.
“I was the kid who was kinda left around a bunch of different places,” Ray says now.
When he was in school, he’d linger at the aftercare program until 7 or 8 in the evening, his way of pushing away the reality that waited for him wherever he was staying that night. He’d carry around a duffel bag of clothes from Goodwill. Most of the time, it was all he had.
A fringe NFL Draft prospect last spring, Davis decided to transfer to Kentucky to bolster his credentials. He rushed for 1,129 yards and 14 touchdowns and briefly was in the Heisman conversation. (Todd Kirkland / Getty Images)
After seeing a flyer for the local Big Brothers Big Sisters chapter when he was 8, he found a phone, called the number and added himself to the waitlist. That led him to Patrick Dowley, his new Big Brother. The bond was instant, the relationship — like so few in Ray’s life at the time — stabilizing.
When they went to grab food, Patrick taught Ray proper restaurant etiquette. When they caught a Giants or Warriors game, Patrick told him about the players. When Ray struggled with his homework, Patrick pushed him and pushed him and pushed him.
He never had the money to sign up for football, so his coaches would cover the cost. They’d give him rides to and from games, then take him out to eat afterward to make sure he had a square meal. Ray remembers how much it stung, after all his touchdown runs in Pop Warner games, when he’d look over at the sideline and see nobody there.
At 12, without anywhere else to go, he spent two months in a homeless shelter on the bottom floor of Zuckerberg General Hospital and Trauma Center. Ray can still see the food pantry that kept him from going hungry, the baby crates the toddlers would sleep in, the game room where he spent hours watching movies on the VCR or playing “NCAA Football” on PlayStation.
As a homeless minor, he was prohibited from leaving the facility. He’d get one hour a day outside. He’d spend it shooting baskets with a staff member.
“Being in that shelter, it just taught me: you’re a man now,” he says. “No more being spoon-fed. No more having your hand held. You’re gonna have to figure this out yourself.”
So he did. After the shelter, he couch-surfed with extended family or anyone willing to take him in. He stayed with friends of friends of friends — sometimes without even knowing their last names.
Ben Klaus had Ray in his third-grade class at Bret Harte Elementary, then again in fifth grade. The more days Ray missed — sometimes he was gone for weeks at a time — the more Ben started to piece it together. Ray would walk his sister to school, then walk back to wherever they were staying. There was no one else to watch his brother. Ray would change his diapers. He’d make sure he was fed.
He was 9.
Ben would take Ray out for burritos. He’d catch him up in school. “That was part of our non-negotiable. He had to get his homework done,” Ben says. He invited Ray to spend Thanksgiving with him and his family.
After that last-ditch phone call, when Ray was in sixth grade, out of options and needing somewhere to stay, Ben and Alexa Klaus became family. Ray made it to their wedding that summer; he gave a speech, too. “He became a shining light for us,” Ben says. “People still talk about that speech.”
That was home for the better part of three years, until a five-hour car ride in the back of a Chevy Suburban changed his life.
None of it added up to Lora Banks. The more she kept peppering this young man with questions — “probably 1,000 over the course of the entire drive home,” she admits — the more he kept dodging them, then slipping on his headphones so he could tune out the country music she was blaring up front.
They’d wrapped an AAU basketball tournament in Santa Barbara one weekend when Banks’ youngest son, Bradley, asked her if one of his teammates could catch a ride with them back to San Francisco.
Beyond him being the best player on the team, Lora knew nothing about Ray. No one really did. He’d hitched a ride to the tournament with one of the coaches, someone said. He didn’t have a spot in any of the hotel rooms, someone mentioned. And when it came time to leave, he didn’t have a ride home.
Lora wanted to know more. Ray wanted the password to her internet hotspot. So she proposed a deal: if he’d answer some questions, she’d share it. He agreed. She kept asking, for five long hours, learning very little.
“You just don’t think to ask, ‘Who takes care of you?’ Or, ‘Where’s your mom and dad?’”, she says now. “But the one thing that stuck out to me was when we got back, I asked him where I should drop him off, and he just mumbled, ‘Oh, I’ll just take the bus from your house.’
“Now that was weird.”
Slowly, she started to see more of him. Ray would swing by the house on his way to practice. She knew he wasn’t eating enough, so she’d invite him over for family dinners. She knew he needed somewhere to work out, so she added him to their YMCA membership. When she’d ask if his parents knew where he was, he’d shrug.
A few months later, one of the AAU coaches asked if Lora could give Ray a ride to another tournament, this one in Nevada. Sure, she said. But to leave the state, Ray told her, he’d need permission. She needed to call his social worker.
“Now I’m starting to figure this out,” she says. “He’s lost in the system.”
Lora Banks helped him find his way out. She filed the mountains of paperwork to become his temporary guardian so he could play in the Nevada tournament. Pretty soon, she was doing the same thing to become his educational guardian, giving her a say in where he went to school.
With these wheels spinning, something else was happening in Ray Davis’ life: Raymond Davis was out of prison and beginning to rebuild his life. He’d landed a job. And he wanted to reconnect with his son. So Lora and her husband, Greg, had him over for dinner.
“When we sat down, we could tell his heart was in the right place,” Lora said.
Together, the three of them weighed Ray’s next steps. He was 15, a bit behind in school, in desperate need of structure. A friend of Lora’s who’d heard about Ray’s talents on the basketball court suggested they look into boarding schools. Another well-connected friend lined up an interview with a prestigious one in New York.
What sounded crazy at first — attending a prep school 2,000 miles away — became more realistic. The school, Trinity-Pawling, was interested in offering Ray a basketball scholarship.
Raymond Davis resisted the idea initially; he wanted his son in San Francisco. But his stance changed a few weeks later after hearing about a shooting in their neighborhood. “If he stays around here,” Raymond finally admitted, “he could end up like a lot of old friends of mine.”
So they flew to New York to visit Trinity-Pawling, an all-boys college preparatory school an hour north of the city. The campus was stunning, like nothing Ray had ever seen. They met with the basketball coach. Ray aced the interview. The scholarship offer came. Then, before they left, Ray mentioned one more thing.
“You know,” he told the coaches, “I can play football, too.”
Before Ray could move across the country, he needed California’s permission.
Still a ward of the state, Ray had to stand before a judge and argue in support of his father’s petition to resume custody, without which Ray couldn’t leave. But when Ray, Raymond, Lora and Greg arrived in court, they learned an attorney for San Francisco county was there to oppose the move.
“We were flabbergasted,” Lora remembers.
“His support is here, in San Francisco,” the attorney argued in front of judge Catherine Lyons. “If he gets out to New York, how will he get back? What if his scholarship falls through?”
The options at home, he continued, were far more realistic: a spot in a group home, possibly vocational school.
Then the judge allowed Ray to state his case. He was 16 years old, pleading for his future.
“You say I won’t be supported out there,” he began. “But going back to when I was young, when have I been supported here?”
Ray wanted to go to New York. He wanted an education. He wanted a chance at college. For years, he told the judge, he wasn’t even sure if he’d even make it to high school. Now the opportunity was right in front of him.
After Ray was finished, the county attorney sat in silence. The judge asked for a rebuttal.
“We withdraw our opposition,” the attorney finally said. “We support him.”
Lyons agreed. She had followed Ray’s story since he was 6 years old. She knew what this moment meant to him.
“I’ve been a judge 10 years, and this is something I never get to do,” she said, tears welling up in her eyes. “Re’Mahn Davis, you’re no longer a ward of the court.
“You’re going to Trinity-Pawling,” Lyons continued. “I believe you’re going to graduate high school. And I believe one day you’re going to graduate from college.”
Ray Davis had earned his chance, and that was all he needed.
At Trinity-Pawling, he lettered in basketball, baseball and track and field, but stood out most on the football field. School wasn’t easy. Neither was the rigidity of the prep school schedule, which turned out to be a blessing in disguise for an unrefined teenager. Ray would get in trouble for not shaving, for sneaking his headphones into chapel, for not always following his coach’s orders.
But eventually, it stuck.
“I’m not much of a religious person,” Lora, a retired executive coach, says now. “But him getting into this school and what it did for him, it was an act of God.”
Ray graduated. Needing one credit to become NCAA eligible, he spent a postgrad year at Blair Academy in New Jersey, piling up 35 touchdowns on the football field. Pretty soon, college coaches were calling. The first scholarship offer came from Purdue.
When it did, Ray sat with his father and cried.
A few of them saw it early, all this untapped talent waiting to be unleashed. “We’re talking 80-yard touchdown after 80-yard touchdown every time I came to one of his Pop Warner games,” Patrick remembers. “I always sort of knew there was a chance.”
“Sports weren’t just his outlet,” Ben adds, “they were his therapy.”
Ray first landed at Temple, piling up 1,244 rushing yards in two seasons, then sought out the bigger stage of the SEC. After 1,253 more yards in two seasons at Vanderbilt — plus a degree in communications — he weighed going pro. But he knew he was a fringe NFL prospect at best, so he chose to bolster his credentials with one final season.
He transferred to Kentucky and, in coach Mark Stoops’ system, established himself as one of the best running backs in the country. A four-touchdown, 289-yard day against Florida in late September briefly elevated him into the Heisman conversation.
Davis finished his college career with 3,626 rushing yards, putting up over 1,000 yards at three different schools over parts of five seasons. (Patrick McDermott / Getty Images)
Lora was never too far away — to this day Ray calls her mom. She bought a condo in Nashville so she could watch him play at Vanderbilt, then one in Lexington to watch him at Kentucky. She kept a journal through it all, scribbling down the life lessons this young man taught her. She remains in awe.
“This isn’t a story of, ‘Oh, I stepped in a pile of crap and found the pony.’ Not at all,” she said. “He stepped in a pile of crap, then asked himself, ‘Do I wanna stay in it? Or do I wanna climb out of it?’”
Patrick would fly out to games. Same with Ben and Alexa. And Raymond Davis rarely missed a chance to watch his son play. “He’s my No. 1 fan,” Ray says of his dad.
The two have grown tight in recent years. Raymond, who did not comment for this story, has become a daily presence in his son’s life. Ray, slowly, has learned to move past the hurt.
“He’s a way better person,” he says of his dad.
Most stunning isn’t the story but its subject. It’s the way Ray Davis speaks about his life. He could be resentful, even bitter, and no one could blame him.
But he’s not. He’s grateful. The heartache that dotted his journey, the scars of his youth that he still wears — that’s the reason he’s here.
“After what I been through,” he says, “what’s gonna get in my way now?”
And he finally has the answer to the question he started asking himself all those years ago.
“Why me? Why me? It took me until I was 23, 24 to figure that out,” Ray says. “Well, this is why. Because of my story, and because of all the kids in a foster home or a homeless shelter that might hear about it one day.
“Everybody congratulates me for the football part of it, and that’s great, getting to the NFL and all that. But I’m an inner-city kid, a foster-care product who graduated from a top-15 school in the country. I feel like that’s what we should be celebrating. I never once thought I’d ever get into a school like Vanderbilt.”
He pauses for a moment, looking back on the improbability of it all. Then his bright, piercing green eyes lock in, and Ray Davis mentions one last thing.
“I’m just getting started. I’m not trying to be the best running back in this draft. I’m trying to be a name you’ll remember forever.”
(Illustration: Dan Goldfarb / The Athletic; photos courtesy of Lora Banks, Patrick Dowley and Ben Klaus, Joe Robbins / Getty Images)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Sports7 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico5 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Technology6 days agoYouTube job scam text: How to spot it fast
-
Tennessee4 days agoTennessee Police Investigating Alleged Assault Involving ‘Reacher’ Star Alan Ritchson
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets