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Rafael Nadal is ready to play again. In America. On hard courts. Should he?

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Rafael Nadal is ready to play again. In America. On hard courts. Should he?

For more than a month, the smoke signals out of Rafael Nadal’s camp have kept the tennis world on its toes, sparking predictions of everything from a triumphant spring on the red clay of Paris to him never playing another competitive match following yet another hip injury in Australia in January. 

The only thing that seemed clear was that the 22-time Grand Slam champion was prioritizing the clay court season in Europe this spring. Nadal said as much in January when he returned following a year-long layoff because of hip surgery. 

Sure, he was happy to be back and competing in Australia, where he won the year’s first Grand Slam as recently as 2022, but he was singularly focused on being in top form — or, at least, as close as he can get to it at this point — in three months when the red clay tournaments begin in earnest. 

That was part of why he skipped the Australian Open once he suffered a small muscle tear near his hip three matches into his latest comeback. Logic suggested Nadal would wait until tennis returned to the organic surfaces that are far less taxing on the body and where an ageing, injury-prone player like Nadal, who is 37 and plays the most physical style of tennis, would have the best chance of staying healthy. 

Few were surprised when he announced this month on social media that he was pulling out of a hard-court tournament in Doha. It was the second sentence of that post that caught some off-guard. 

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“I will focus on keep working to be ready for the exhibition in Las Vegas and the amazing Indian Wells tournament,” Nadal wrote on Valentine’s Day.

That would be an MGM Resorts exhibition match against the 20-year-old Spanish sensation Carlos Alcaraz this weekend in Las Vegas, which will be streamed on Netflix, and then the BNP Paribas Open in nearby Indian Wells, California, which begins next week.

Now that struck some as odd. Still, there was plenty of time for him to pull out of those events and spend another few weeks in Spain preparing for the clay.

And then, last week, Novak Djokovic posted a picture of him and Nadal on the same flight as Nadal made his way to the United States. “Vamos”, Djokovic wrote. Game on — at least, in theory. 

The question, though, is why? 

“If he is fit, he wants to play,” his longtime spokesman, Benito Perez-Barbadillo, said on Monday. “He is a tennis player and wants to play at the biggest tournaments. And he loves Indian Wells.”

As Patrick McEnroe, the commentator and former player calling the match against Alcaraz, pointed out, Nadal often thrives on the slow hard courts of Indian Wells, where he has won three times and made the finals on two other occasions.

Injuries in exhibitions are extremely rare, but will an exhibition and a hard-court tournament in March, even one Nadal loves as much as Indian Wells, improve his chances of being fit enough to compete for the title at the French Open in May and June, where he has won 14 times and there is a statue of him swatting his bull-whip forehand outside the main stadium? In recent years, Nadal has shut himself down after Indian Wells for roughly three weeks to begin honing his timing and conditioning for two months of clay court tennis, where the timing and style of play are markedly different from hard courts.  

The elephant in the room here is money.

It’s always uncomfortable to count other people’s money, to suggest what should be enough. That is especially the case with professional athletes, whose careers are generally over by 40 and who have grown accustomed to a certain lifestyle.

That said, Nadal has won more than $134million in prize money during his 20-plus-year career. He has collected tens of millions, maybe more, in sponsorship and appearance fees. Terms of his deal with MGM and MGM’s deal with Netflix are not public, but he is likely to collect at least $1million for the Alcaraz match given how much he and other players of his caliber have earned for playing similar events

go-deeper

Nadal won’t receive an appearance fee to play at Indian Wells, since it is a mandatory tournament for healthy players. He has other incentives. Larry Ellison, the billionaire founder of Oracle who owns the tournament, has become a friend and hosts Nadal at his private resort. 

There, Nadal can pursue his other passion — golf. He has been known to play 18 or even 36 holes a day during his time in the desert and he’s already been out on the links in California.

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(Quality Sport Images/Getty Images)

It’s a good life. The question is whether he is risking the clay season, where he likely has his best chance to win a 23rd Grand Slam singles title. Nadal would likely try to dismiss that thinking or anything that might suggest he is some kind of clay court specialist. 

“I think it’s fine,” said Paul Annacone, the longtime coach (Roger Federer, Taylor Fritz) and commentator. “He’s in California practicing already, getting acclimated. So the only issue is if he’s not 100 percent.  Then don’t go. But I don’t think he’d be here in California if he wasn’t close to 100 percent and ready for Indian Wells.”

Days after pulling out of Doha, Nadal posted a video of himself practicing slow service returns with the caption, “Work in progress.” There have been more videos since he arrived in Indian Wells, but no footage of anything approaching intense. 

go-deeper

All of this has only added to the larger mystery surrounding when Nadal might call it quits for good. Last year, not long after his hip surgery, he suggested that 2024 would be his last season and serve as a kind of farewell tour as he visited the tournaments and cities that had meant the most to him during his career.

Then he showed flashes of his old self during his three matches in Australia and got a taste of the competition he craves. He has not committed to any hard-and-fast timetable since, insisting he is taking it day by day.

The Olympic Games tournament will take place at Roland Garros this summer, the site of the French Open. There had been speculation that might serve as his walk-off. Then he signed a deal to serve as an ambassador with Saudi Arabia’s tennis federation and to play in an exhibition in Riyadh in October with Djokovic, Daniil Medvedev, Alcaraz, Jannik Sinner and Holger Rune. That setting would seem like an odd choice for his final matches. 

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The Davis Cup finals will take place in Spain one month later. Perhaps then?  That is, assuming he can make it that far without another serious injury.

For now, and for better or for worse, he has a big payday in Las Vegas and a hard court tournament (and plenty of golf) in the California desert to focus on.

(Top photo: William West/AFP via Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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