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McDavid is hockey's superstar. Will a Stanley Cup finally elevate his status in America?

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McDavid is hockey's superstar. Will a Stanley Cup finally elevate his status in America?

The 2024 Stanley Cup Final has the potential to be magical, and it’s largely because of Edmonton Oilers superstar Connor McDavid.

McDavid is the greatest player of his era. He’s at or near the zenith of his powers, and in his ninth season, he’s finally competing for his first NHL championship.

The Florida Panthers are the only thing left between him and the Stanley Cup.

“This year you’ve got the best player in the game, a player that can do things that other people can’t, and you have a series that I don’t think anybody thinks is a short series,” ESPN analyst and former NHLer Ray Ferraro said. “It’s really important and really cool that Connor gets to play in his first final.”

McDavid going for his first title should have the same intrigue as LeBron James’ first appearance in the NBA Finals. McDavid is hockey’s LeBron in terms of making good on his phenom potential.

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Yet for all of McDavid’s impressive resume and impeccable skills, it doesn’t seem to stack up. In fact, McDavid’s first trip to the final might not even compare in the United States to Wayne Gretzky or Sidney Crosby reaching that stage.

“With Gretzky, you had a smaller league and the aftermath of the World Hockey Association — and then the merger. With Sidney Crosby, he played for a franchise that was either No. 1 or No. 2 in terms of regional television audiences in the United States on an annual basis,” said Tom Mayenknecht, a sports business commentator and host of the Sports Market. “Then there was the almost Mark McGwire/Sammy Sosa-type bouncing back from the lost season. Crosby was part of that context (with Alex Ovechkin). He was a big hope to get people past that.

“And LeBron James was basketball. He had high-school hype.”

Mayenknecht said McDavid is still the most recognizable player across the NHL.

Hardcore hockey fans will be watching him in the Stanley Cup Final, and the McDavid narrative should be enough to interest casual fans.

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Will it, though?

As McDavid prepares to play for the championship, viewers who rarely watch hockey need to understand what makes him so special.

“For the casual hockey fan clicking around on this Saturday night or during the series, we have to do a good job of making sure we introduce Connor McDavid … and not just assume that everybody knows everything there is to know about Connor McDavid,” ESPN senior vice president of production and remote events Mark Gross said.


Aside from perhaps Crosby, McDavid was the most-hyped prospect in the sport since Eric Lindros. Though Lindros’ brute strength made him a man playing amongst boys, McDavid’s sublime talent put him several cuts above his junior hockey peers.

McDavid was touted as one of the most graceful and fastest skaters ever before he even entered the NHL.

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There was never a question he’d be the No. 1 pick in the 2015 draft. Teams tanked, and tanked hard, to secure the best odds to land him.

When the Oilers won the draft lottery, moving up two spots to leapfrog Buffalo and Arizona, then-Sabres GM Tim Murray couldn’t hide his disappointment that he missed out on the chance to select McDavid.

Murray’s emotions have turned out to be justified. McDavid won the scoring title and league MVP in his second season. He’s won five Art Ross and three Hart trophies in his nine seasons. He’s already one of the greatest players ever — and he’s backed it up in the postseason.

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His 1.58 playoff points per game over his career is the best production rate of anyone not named Gretzky or Mario Lemieux — whose best years were in hockey’s most offensive era. The goal he scored in the clinching game of the Western Conference final, where he made one of the NHL’s best defensemen, Miro Heiskanen, look foolish, was a thing of beauty.

“That should be on everywhere there’s an NHL highlight,” Ferraro said. “In the NHL, there is one player that can score that goal. There’s one player. That’s it. It’s special.”

McDavid is like a god in Edmonton — one of his nicknames is McJesus — and he’s one of the most well-known people in Canada.

That applies in the United States, too, to some extent.

“Any hockey fan in the U.S. who follows hockey closely knows who Connor McDavid is already,” Oilers CEO of hockey operations Jeff Jackson said. “I’ve had the chance to sit at MSG or in Tampa or other places, and you watch the crowd. They all get on the edge of their seat when he touches the puck just like they do in Edmonton.”

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But those attending games are mostly hockey fans and usually hardcore ones at that. McDavid’s appeal in the United States beyond those invested in the sport isn’t remotely the same.

That McDavid plays in Edmonton, one of the smallest markets and the most-northern-based team in North American pro sports, doesn’t help.

“There’s no question that if he was playing in an American market that he’d be an even bigger name among American hockey fans and American sports fans,” Mayenknecht said.

The NFL and NBA can overcome the small-market issue. Some of football’s biggest stars over the years, such as Brett Favre, Peyton Manning and Patrick Mahomes, spent their primes in small markets but were the most marketable and recognizable players among casual fans. LeBron got his start and eventually won an NBA championship in Cleveland, and that didn’t hurt his status one bit.

“The National Hockey League still has a lot of work to do, in partnership with the PA (players’ association) and with its broadcast rightsholders,” Mayenknecht said. “There’s a lot more that can be done in terms of individual player marketing. But the league is better now than it was 30 years ago … but it’s still fourth among the big four (leagues).”

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McDavid is from Newmarket, Ontario, which is just north of Toronto, Canada’s biggest city and the country’s financial hub. Turn on a Canadian sports channel and you’re likely to see him during a commercial block promoting all sorts of products and services.

Jackson was McDavid’s agent from the time the hockey phenom was 15 until he took his job with the Oilers last August. The one cross-border endorsement deal he secured for his client was with BetMGM, ads that also feature Gretzky.

McDavid’s deal with sports apparel giant Adidas meant he was considered for a massive marketing campaign with the biggest stars from across the globe. Adidas went in a different direction.

“They were great to work with. They were a great partner for Connor,” Jackson said. “We just didn’t get the wider use out of it.”

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Like baseball, hockey fandom is more regional, Mayenknecht said. He points to McDavid being outside the top five in terms of athlete recognition index among NHLers this season, according to Fanatics.

No. 1 is rookie Connor Bedard, who plays in big-market Chicago.

“Because of residency, Connor Bedard has an opportunity to rise above McDavid’s status — especially if he becomes part of a competitive team, a contender,” Mayenknecht said.

Television ratings are up this postseason, and McDavid’s exploits undoubtedly play into that. The Oilers captain has 31 points in 18 games to lead all scorers. However, two-thirds of the viewers in Games 1 through 3 of the Oilers’ last series against Dallas were in Canada.

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Canadian audiences will be tuned in to the final as McDavid and the Oilers try to break a 31-year Stanley Cup drought by a Canadian-based team.

But that might not be enough to entice Americans, and the Panthers don’t have the same reach or broad appeal as the New York Rangers, the team they eliminated in the last round.

ESPN, the carrier of this year’s final, broadcast 11 Oilers games this season — including two on the main network and one on ABC. The league has also made a concerted effort to get McDavid in the spotlight.

An all-access, six-part Amazon series was announced Thursday, which features McDavid as one of the key players. It’ll be released in the fall.

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McDavid is also scheduled to appear on ESPN’s “SportsCenter” and ABC’s “Good Morning America” on Friday.

“We’re not looking to do something and force something on somebody that they’re not comfortable doing,” Gross said.

“It seems like there’s a willingness (from McDavid) that there hasn’t been before,” NHL senior executive vice president and chief content officer Steve Mayer said. “He gets it. This is his moment.”

McDavid, who entered the league as a shy and introverted teenager, has tried to open up a bit.

“I feel like I’m more comfortable in these environments and speaking my mind on a couple things,” McDavid said. “That being said, I’m still not the most outspoken guy. When I feel my voice can contribute, I’m not afraid to share it.”

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McDavid has been on rules committees and helped revise the skills competition at the All-Star Game. The way he was continuously outspoken about the need for a best-on-best international hockey tournament helped move the needle toward getting the 4 Nations Face-Off planned for February 2025 and players back in the next Winter Olympics.

He’s also been willing to joke around in a media setting, which was most notably on display earlier this season when he cracked that he didn’t want to score anymore after he went 10 games without a goal. (That the Oilers had turned their season around after being tied for last place in the standings in early November, and he had 23 assists during that span, probably put him in a more jovial mood.)

“If you think about the pressure that’s on a young man coming in with the spotlight he had as a teenager and adapting into the league, it’s just like anything in life — you need to grow into it and be comfortable with it,” Jackson said. “I don’t think Connor liked being labeled as a superstar. He has a high degree of respect for the game. He wanted to earn it.

“What I’ve seen over the last two or three years is he’s comfortable being the face of the league. He’s grown into the role, and he’s handled it extremely well, especially considering the pressure that’s on him.”

McDavid is still only willing to pull back the curtain so much, though. Don’t expect him to be like LeBron holding court to talk about gun policies and the like.

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“The political side of things I leave to the experts,” McDavid said. “I have nothing really to add on that stuff. I know hockey, and I know hockey well. I try to stick with it.”

That’s not unique to McDavid. Plenty of athletes aren’t comfortable going on the record about controversial topics.

“He lives in a fishbowl,” Ferraro said. “Everything he does is going to be scrutinized 100 different ways from Tuesday.”

Mayenknecht has offered media training to a few hundred high-level athletes, including Olympians and NHLers. He said there’s nothing worse than someone trying to feign interest in an issue or put on a facade.

“You can’t force someone to be anything other than themselves,” Mayenknecht said. “One of the worst things that can be done is to take a mild-mannered personality and try to make them a standup comedian. That won’t work.

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“Connor McDavid is not an activist athlete in the way LeBron James is, but I’d argue there’s stuff that can be done to make up for that and connect him to fans.”


For his part, McDavid isn’t preoccupied with how playing in the Stanley Cup Final can grow his brand or increase his stardom in the United States.

“I couldn’t care less about that,” he said with a laugh. “I want to be part of a group that wins. That’s all I want to do.”

Nothing drives McDavid more than wanting to win, according to those who know him best.

Now, he has a chance to win something he’s dreamed about for years. People should be tuning in, even if their fan allegiances aren’t with the Oilers.

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“If you have no skin in the game, why are you going to watch?” Ferraro said. “McDavid is the hook because he’s the best player in the game.”

McDavid has always preferred to let his play on the ice speak for him. He’ll likely have something special in store in this series.

“For those fans who only see him in Instagram highlights or on ‘SportsCenter’ in the U.S., they’re going to appreciate the completeness of his game,” Jackson said. “He scores goals you shake your head at. But when you watch him live, you’ll see a player who competes extremely hard on every shift, plays good defense and wins puck battles that help you win.”

If he’s at his best, there’s a strong chance that’ll put the Oilers over the top. And if that happens, there’s no doubt he’ll become a bigger star in the United States.

“Casual sports fans are the ones who drive this train,” Mayenknecht said. “It’s not the hardcore. It’s when you get into converting and having awareness among casual fans, like Gretzky created in Los Angeles, that things turn around.

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“Connor McDavid winning a Stanley Cup in 2024 will certainly make him that much more recognizable, that much more appreciated, in 2025 and beyond.”

The Athletic’s Michael Russo contributed to this report.

(Top illustration: Daniel Goldfarb / The Athletic; photo: Sam Hodde / Getty Images)

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Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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