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Max Verstappen: Breaking down Red Bull driver’s ‘magical’ pole lap in Japan

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Max Verstappen: Breaking down Red Bull driver’s ‘magical’ pole lap in Japan

SUZUKA, Japan — “That. Is. Insane. That is insane!”

Max Verstappen’s engineer, Gianpiero Lambiase, rarely sounds as impressed as he did on the radio when his driver’s pole position for the Japanese Grand Prix was confirmed.

He had been through this routine 40 times before, congratulating Verstappen after a job well done.

But this pole, the 41st of Verstappen’s career, felt particularly special. After Red Bull’s struggles to make Verstappen fully comfortable with the RB21 car, prompting an array of setup experiments to try to get some answers at Suzuka, plus the domination of McLaren in the early part of this season, to grab pole in this fashion was a shock. The lap was also a new track record at Suzuka.

Verstappen’s exuberant reaction on the radio summed up his surprise. “Yes, guys!” he cheered in reply to Lambiase. “Wow, what a lap.”

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He had already seen his name pop up in P1 on the TV screen after crossing the line, but with provisional pole-sitter Oscar Piastri still to complete his lap, it was no sure thing. Piastri fell four-hundredths short, leaving him third on the grid behind Verstappen and McLaren teammate Lando Norris, who was a mere 0.012 seconds off pole.

Never a fan of comparison, Verstappen said in a news conference after qualifying that it was “difficult” to put this down as his best F1 pole position. “If you look at how our season started, even during this weekend, it’s very unexpected,” Verstappen said, conceding: “That makes it probably a very special one.”


Max Verstappen on track during qualifying ahead of the Japanese Grand Prix (Clive Mason/Getty Images)

Few would disagree. Twelve months ago, Verstappen’s dominant charge to pole and victory at Suzuka prompted Mercedes boss Toto Wolff to write off the rest of the season, believing the Dutchman had already won the championship in a Red Bull car that seemed perfect.

The picture has changed so much in F1 since then. Verstappen is now the underdog against Norris and Piastri in the superior McLaren, Red Bull having since slipped back in the pecking order. It merely makes his gifts behind the wheel shine even more on a day like this.

“That was one of the laps of his career,” Red Bull team boss Christian Horner said on F1 TV after the session. “That was outstanding.”

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Two-time world champion Fernando Alonso was blown away watching Verstappen’s lap between his post-qualifying interviews in the media pen. “The lap he did is only down to him,” Alonso told reporters. “The car is clearly not at the level to fight for pole or even the top five. But he manages to do magical laps and magical weekends.

“At the moment, he’s the best, the reference for all of us. We need to keep improving to reach that level.”

Verstappen had to give it his all on the final lap in Q3. He had trailed the McLaren cars all weekend long at Suzuka, a circuit where he has not been beaten in either qualifying or the race in six years.

Red Bull kept trying everything with the car setup to find some answers and improve the balance so he had the required confidence for a track as fast and unforgiving as Suzuka, tweaking the weight distribution, aerodynamic balances, wing levels, roll bars and suspension springs. No stone was left unturned.

It still wasn’t enough to leave Verstappen totally at ease. He admitted after qualifying that the balance of the car was still not entirely to his liking despite taking pole. But entering the final run in Q3, trailing Piastri by two-tenths of a second, Verstappen knew he had to give it everything.

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“I had a lot of fun out there, being fully committed everywhere,” Verstappen said. “Some places, I was not sure if I was actually going to keep it (on the track) or not.”

Suzuka track map F1

The first gamble came at the first corner, the long right-hander where the speed carried through sets a driver up for the esses to follow. Verstappen carried as much as 25 km/h more speed through the corner, hoping to set himself up for a quicker exit. It gained him a hundredth of a second on his previous lap, but by the time he had exited the esses, Verstappen was a few thousandths of a second slower than before. There was more time to find.

He didn’t lift off through Dunlop, the long left-hander, as on the previous lap, setting him up for the Degners, the consecutive right-hander corners that loop the track under the crossover. On the previous lap, he had braked for the first Degner at Turn 8 and kept the throttle up a bit. Not this time. A bigger lift but no touch at all of the brake pedal was the quicker way in, gaining him half a tenth.

Next came the hairpin, the slow speed corner where Verstappen braked ever so slightly later, keeping his speed up to grab another half a tenth in the process, before the flat-out sweep through to Spoon. The corner is one of the trickiest on the track, lasting several seconds before setting drivers up for the back straight. Getting the line right is tough, but Verstappen braked later and longer than the previous lap before another gentle application on the downhill dip to exit. The extra 6-7 km/h he took through the corner again added up to another chunk of time gain.


Max Verstappen (L) alongside McLaren duo Lando Norris (C) and Oscar Piastri. (Mohd Rasfan/AFP via Getty Images)

Verstappen identified all these corners as being where he felt the most risk was taken on his pole lap. “Those places it was like, well, I hope it’s gonna stick,” he said.

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But it was at the final chicane, the Casio Triangle, where Verstappen really made the difference. Horner admitted the section “hadn’t been our strongest point this weekend”, but Verstappen produced some more magic to find the time. A moment later on the brakes meant he could get heavier on the throttle exiting the first right-hand turn before another lift to slow it down for the switchback left. As the car worked to get away from him, Verstappen kept it under complete control before getting back on the gas and sweeping to the line.

The lap was enough for pole position by just 0.012 seconds. If he got any one of those corners wrong or missed out on any of those gains, he would likely have dropped behind both McLarens, dramatically changing his outlook for the race at a track where overtaking is difficult.

Instead, Verstappen will again lead the field away from pole position at Suzuka. The threat of rain overnight — which would be welcomed to wet the grass and stop another blaze — could complicate things, but with Verstappen driving like this, it’s hard to see anything stopping him.

The smile on his face after qualifying summed up just how rewarding the pole was to Verstappen at one of his favorite tracks. When a reporter asked him to explain the sensation of nailing a lap around Suzuka, Verstappen replied: “If you want to drive the car, I can give it a go. I think you’re gonna poop your pants.” (He then glanced at the FIA’s media delegate to ask if he could say that, a reference to last year’s hoo-hah over him swearing in a press conference.)

Saturday was a reminder, if we needed it, of just what Verstappen can do. The four-time world champion may not have the quickest car this year. But once again for Red Bull, he has been the difference-maker.

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The ultimate driver on the ultimate driver’s track, delivering a lap that will live long in the memory of Verstappen’s hugely successful F1 career.

(Top photo: Mark Thompson/Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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