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Life as an MLB catcher: Violet bruises, ballooned ankles — and now, broken arms

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Life as an MLB catcher: Violet bruises, ballooned ankles — and now, broken arms

Catching was a family tradition, so when Red Sox backstop Reese McGuire was 8 or 9, as he recalled, he tested out his new catching gear in the backyard on Christmas. As he crouched in the grass and baseballs caromed off his forearms, his grandfather told him: “It takes a tough kid to be a catcher. You have to enjoy the bruises.”

“We’re all kind of crazy, I think, to get back there,” said Diamondbacks catcher Tucker Barnhart, who has spent the last 11 seasons as a target squatting behind home plate.

Catching is not for the faint of heart — or thigh or wrist or toe or hip or knee or hand or shoulder.

Around the league, most catchers are banged up, always hovering on the edge of the injured list.

Late last month, Angels catcher Logan O’Hoppe was dealing with a black-and-blue shoulder, leaving him hardly able to lift his arm after absorbing a foul ball. His backup, Matt Thaiss, had a bruised hand after catching José Soriano’s 98-mph sinkers. Then O’Hoppe left a game last week after taking a foul ball to the hand. Giants catcher Patrick Bailey took a foul ball last month on the exposed area of the toe where the foot shield doesn’t quite reach. Three days later, he landed on the concussion injured list after taking a foul ball to the face mask. Red Sox catcher Connor Wong also recently dealt with a bruise under his toenail. Wong went on to describe a previous bruise to the teardrop of his quad, which made crouching painful and, well, crouching is a key part of the job.

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“It’s our duty to be that tank back there and roll with the punches,” Wong said.

And for over a century, they have, accepting the bruises and strains that have come with the long-established territory. But as the game evolves, the demands of the job are making it even more hazardous; catchers have shifted closer to the plate to aid with pitch framing, but as The Athletic’s Katie Woo wrote last week, that has caused a rise in catcher interference calls and has opened up catchers to more punishment.

Last week, Cardinals catcher Willson Contreras was struck by the swing of New York Mets’ J.D. Martinez and has a broken left arm to show for it.

“There’s always a risk being a catcher,” Contreras said after the injury. “Could have been something different. It could’ve been off my knee, it could be a concussion. That risk is always going to be there.”


Contreras is expected to miss six to eight weeks with a fractured forearm. (AP Photo / Jeff Roberson)

Add it to the list. There’s a reason Barnhart and other veteran voices, including the thick Boston accent of Cleveland bench coach Craig Albernaz, can be heard on the first day of spring training every year relaying a familiar message: It’s all downhill from here.

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“The amount of excitement,” Barnhart said about the dawn of a new season, “and, ‘Man, I feel great’ — and then Day 2 happens.”

They won’t return to 100 percent until the depths of winter, after they’ve recovered from every foul tip, every achy muscle, every nick and bruise in every nook of the body. The job is unrelenting and unforgiving; the pain and danger are ever-present.

And yet, for a team to succeed, so much necessarily falls on a catcher’s sore shoulders. They build a rapport with each pitcher. They know their tendencies and what’s been clicking. They know how they’ve attacked certain hitters in the past. They see the scouting reports on every single member of the opposing roster. That’s quite the learning curve for any fill-in, and Barnhart said it’s why catchers are so motivated to avoid time off.

“You have to have, for a lack of a better term,” Barnhart said, “a ‘f— it’ mentality.”

“If you cut my arm off,” said Guardians catcher Austin Hedges, “if I can play, I’m gonna go f—ing play.”

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Well, as long as it’s his left arm, he clarified. He still has to throw the ball back to the pitcher 150 times a game, a tall order if he’s limited to his non-throwing hand.

Hedges scrolled through thousands of photos on his phone one day last week in search of evidence of the gnarliest bruise he could find. He located one that occupied nearly his entire right thigh, one with rich shades of indigo, plum and mulberry. He shook his head and laughed. The culprit? One single foul tip.


Austin Hedges’ thigh bruise. (Courtesy of Austin Hedges)

“The foul balls seem to always hit you in a spot where you don’t have gear or have the least amount of gear,” Barnhart said.

In 2022, Hedges suffered a low ankle sprain while lunging toward first base. Two weeks after that healed, he suffered a high ankle sprain as he tumbled into the dugout trying to corral a pop-up. His heel turned a dark violet and his ankle ballooned in size. He struggled to rotate while batting. He couldn’t comfortably position himself behind the plate or push off his backside, which resulted in him long-hopping the ball to second when trying to nab a base-stealer.

“You’re in pain, but you never get to shut it off,” Hedges said. “If you can play, you play. There’s no hesitation. You see how people react to getting hit by pitches. It doesn’t feel a whole lot better getting a foul tip off flesh. Then you just have to come back and act like it’s not even a thing.”

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Austin Hedges’ swollen ankle. (Courtesy of Austin Hedges)

In June 2011, Chris Gimenez was scheduled to catch Mariners ace Félix Hernández one afternoon, but during batting practice the day before, Gimenez strained his left oblique. Seattle’s starting catcher, Miguel Olivo, experienced leg cramping that night, so Gimenez, who could barely inhale without cringing in pain, had to fill in for the final six innings.

For Gimenez, there was no dodging the pain in his side, especially when trying to corral Michael Pineda’s upper-90s heaters and when applying a tag at the plate on an assist from Ichiro. Gimenez tried to drop down a bunt when he batted since swinging proved unbearable. Chipper Jones shouted at him from third base, asking why he was bunting with two outs, but Mariners manager Eric Wedge had instructed Gimenez to do whatever caused him the least suffering. Seattle just wanted to keep Gimenez physically able to crouch behind the plate. He headed to the injured list the next day.

Albernaz was listed at 5-foot-8 and 185 pounds as a player, small stature for a catcher.

“I got plowed over a lot,” he said.

He also knew he couldn’t afford to sit out when granted a chance to play since he was an undrafted free agent who waited nine years for a big-league opportunity.

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At one point, he thought his playing career had ended early, thanks to loose bodies in his knee getting wedged in his joint and leaving him unable to crouch.

Albernaz’s fellow coach in Cleveland, Sandy Alomar Jr., lasted 20 years as a major-league catcher. He has the battle scars to prove it. He underwent six surgeries on his left knee and three on his right.

“If you want to be a catcher,” Alomar said, “you’re never going to be 100 percent. Ever.”

Even now, he has a bone spur in his left foot from years of absorbing foul tips.

Even with all that catchers of Alomar’s generation had to deal with, it was rare for them to be struck by the hitter’s backswing. That has become an increasing problem for the modern catcher, as was highlighted by the Contreras injury.

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Tigers manager A.J. Hinch said that teams are trying to walk the line between asking their catchers to steal strikes via closer-to-the-plate pitch framing, and putting them in dangerous situations by inching a bit too close.

“We do want our guys close enough to be impactful with the low strike but not walking into harm’s way,” Hinch said. “It’s a tough balance when the incentive to do it is real and the risk is extreme.”

go-deeper

GO DEEPER

Catcher’s interference calls are skyrocketing in MLB. It’s putting players at risk

Even as the risks become more intense, there are teams and individuals trying to find ways to make catching less of a burden on the human body. Hinch noted teams are searching for methods intended to “chip away at some of the physical responsibilities” of catching, whether altering their stances or adding bullpen catchers to lighten their to-do list. Giants manager Bob Melvin suggested everyday catchers like J.T. Realmuto are an endangered species.

With that in mind, some catchers have dropped one knee to the dirt to save the wear and tear on their knees, but several catchers and coaches stressed it’s not a cure-all. Hedges said it places more of a burden on his ankles, and it makes his inner thighs more vulnerable to foul tips.

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“There’s nowhere for it to miss you,” said Jerry Narron, the Angels’ catching coach, who suggested catchers need “a football mentality.”

“It just seems like there’s always something that’s hurting,” Barnhart said.

“You feel like if you play a guy two out of three,” Melvin said, “that’s about as far as you can go with it.”

Most appearances at catcher, by season

2023 2022 2021 2003

J.T. Realmuto, 130

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J.T. Realmuto, 132

Christian Vázquez, 125

Jason Kendall, 146

Cal Raleigh, 121

Sean Murphy, 116

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Salvador Perez, 123

Ramón Hernández, 137

Elías Díaz, 120

Martín Maldonado, 110

Martín Maldonado, 119

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Iván Rodriguez, 135

Jonah Heim, 120

Will Smith, 108

Yadier Molina, 118

Brad Ausmus/A.J. Pierzynski/Jorge Posada, 133

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Shea Langeliers, 118

Cal Raleigh, 107

Will Smith, 115

Mike Matheny, 132

On Sept. 9, 2021, after socking a pair of solo homers against the Nationals, then-Braves catcher Stephen Vogt blocked a ball in the dirt, twisted his body and attempted an off-balance throw to third, where Juan Soto was trying to advance 90 feet. During his throwing motion, Vogt felt a pop in his hip. He couldn’t squat. Two muscles had ripped off his pelvis and he had a sports hernia. He needed season-ending surgery, which had him contemplating retirement after his team marched to a World Series title.

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“You get beat up every single night as a catcher,” said Vogt, who now manages the Guardians. “It’s just part of the job.”

When Vogt made a mound visit during a recent series in Houston, he told catcher Bo Naylor: “Man, you’re getting your butt kicked tonight.’”

Naylor said nothing is more irritating than a foul ball off the hand. He added that he’ll occasionally be completing his pregame routine on a foam roller when a sharp pain pops up unexpectedly. That’s when he cycles through every possible pain-inducer from the previous night.

“Wait, why does this hurt? Oh yeah, I got a foul ball there last night,” he said.

McGuire said he wakes up “every day” with a mysterious bruise or ache. On April 30, it was his thumb, from a foul tip that struck his mitt at an awkward angle. Adrenaline fueled him the rest of that game, but it was stiff when he woke up the next day; he hadn’t realized how hard he had jammed it.

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“Most of us have some sort of thumb injury,” said Cubs catcher Yan Gomes, who uses a protective guard and a stockpile of tape for added security.

All of them, not most, have some sort of something. Hinch, who caught for parts of seven big-league seasons, said it’s “the reason we all look like hell when we’re done playing.”

In August 2018, Joey Votto joined the Reds’ injured list, and Barnhart and Curt Casali, the club’s catchers, shared some of the first-base duties in his absence. For the catchers, it was like a spa day.

“We’d always joke with each other,” Barnhart said, “that, ‘Man, if my body always felt like this and I got to go to the plate, this is a great feeling. You don’t have to squat down. You’re not worried about getting hit. All you have to do is stand at first base and catch the ball? That’s it? My body feels great.’”

The Athletic‘s C. Trent Rosecrans, Chad Jennings, Stephen J. Nesbitt, Sam Blum, Cody Stavenhagen and Andy McCullough contributed reporting.

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(Top photo of Contreras suffering a broken arm: Dilip Vishwanat / Getty Images)

Culture

Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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