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Joel Embiid’s return gives Sixers hope again — but they’ve heard this song before

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Joel Embiid’s return gives Sixers hope again — but they’ve heard this song before

PHILADELPHIA — Not much changed in the ending.

The Philadelphia 76ers walked off their home floor again, with a bevy of New York fans again chanting “Let’s Go Knicks,” after another road win by Tom Thibodeau and company in the City of Brotherly Love. This time, Karl-Anthony Towns got the walk-off love as he left the court at Wells Fargo Center with his dad in tow, quickly followed by Josh Hart and Miles McBride.

Joel Embiid and his Sixers had long since left the floor.

Their season, already off to such a horrendous start, filled with injuries and doubts and an awful moment of confrontation, continued its spiral Tuesday in a 111-99 loss to the Knicks, dropping Philly to 2-8. But this is where Philadelphia hopes things bottom out.

Well, maybe that comes Wednesday, when the undefeated Cleveland Cavaliers play here.

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For now, all the Sixers have to comfort themselves was Embiid’s return to action Tuesday after he missed the first six games of the season while continuing to rehab his left knee, followed by a three-game suspension levied by the NBA after Embiid shoved a Philadelphia Inquirer columnist during a postgame incident Nov. 2. The columnist had written several incendiary opinion pieces about Embiid’s conditioning but also referenced Embiid’s late brother Arthur and Embiid’s son, also named Arthur, in an Oct. 23 column. That set off the 30-year-old Embiid.

Tuesday, Embiid was far from his dominant self. He was rusty, finishing just 2-of-11 from the floor, scoring 13 points in 26 minutes. His old, and perhaps now former nemesis, Towns, had the upper hand all night, finishing with 21 points and 13 rebounds. Towns finished the game for New York, while Embiid sat the last few minutes to keep him from racking up more than the 25 to 30 minutes the Sixers had plotted for him pregame.

“You can do whatever you want in practice and scrimmage, but the game is a different story,” Embiid said afterward. “I’ll be fine.”

His words, a franchise’s worries.

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Embiid hasn’t been fine most springs, when championships are decided, after suffering injuries late in the regular season or in the playoffs. Last year, he missed two months with a meniscus injury in his left knee, then suffered a bout of Bell’s palsy during Philadelphia’s series loss to the Knicks. So the Sixers and their superstar agreed this season he’d be held out of a bunch of regular-season games to give him the best chance of getting to April and May healthy. The organization’s misrepresenting statements cost the Sixers $100,000, but one doubts they cared much. Embiid says playing is up to him, but of course, it isn’t, not really.

Yes, Embiid played for Team USA in the Olympics, including a huge game against Nikola Jokić and Serbia in the semifinals, showing up when the United States needed him most. But that stint was two-plus months before the start of training camp, and the time off showed.

Against New York on Tuesday, he missed his first five shots from the floor, not scoring a field goal until he hit a 3-pointer with nine minutes left in the third. Embiid, as ever, got to the line, making 8 of 8 free throws in the first half. But Embiid was noticeably lagging throughout the second half. He was pulling on his shorts after his first stint of the second half. And though he asked the crowd to rise up late in the third quarter, he couldn’t lift up Philly in the fourth, as New York pulled away.

“When he’s playing well, he’s kind of got command of the game at the offensive end,” Sixers coach Nick Nurse said afterward. “He’s either creating good shots for himself or creating a lot of defensive schemes against him, which is creating much easier shots for our guys. That’s part of rhythm, that’s part of conditioning, all that kind of stuff. He’s a great shooter. That’ll come back, too, I think.”

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The Sixers now have to hot-wire their hopes of finding continuity with yet another new core group.

Paul George, the premier free-agent acquisition of the offseason, is just coming back himself from a preseason bone bruise that cost him the first five games of the season. He looked great Tuesday, though, looking exactly like the silky smooth scorer and facilitator the Sixers hope he can be, finishing with a game-high 29 points. But guard Tyrese Maxey, who took such a big step last season playing alongside Embiid, missed his third straight game with a pulled hamstring. It doesn’t leave Nurse a lot of time to evaluate who plays best with whom.

For example: Philly brought in Guerschon Yabusele, who starred on the French national team in the Olympics, helping lead Les Bleus to a silver medal. He was sensational. The Sixers hoped he could play for them in small-ball units at center. And with Embiid out, they got a good long look at him. Through the first nine games, he shot better than 43 percent on 3s on decent volume. Now, though, Nurse will have to play Yabusele and Embiid together, with Yabusele playing more power forward. The shots are different. The rhythm is different. Whom Yabusele now guards at the other end is different.

Nurse got exactly what he wanted to see late in the first quarter, when Embiid returned after a few minutes on the bench, drew two Knicks to him at the top of the key and fed an open Yabusele on the wing for a 3. But that was the only shot Yabusele hit all night in seven attempts.

Still, it’s crystal clear how formidable the Sixers can be when Embiid gets back to his old self, flanked by a healthy George and Maxey; solid role players such as Kelly Oubre Jr., Yabusele, Caleb Martin; rookie Jared McCain, who’s utterly fearless; and vet stashes such as Reggie Jackson, Kyle Lowry and Andre Drummond. Philadelphia’s offensive potential is staggering once everyone is healthy, so the Sixers are doubly fortunate their awful start hasn’t buried their playoff chances in the less-than-fully-functional Eastern Conference; the Sixers entered play Tuesday just a game out of the Play-In round.

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George knows the pressure Embiid is under. He was a franchise player for the Indiana Pacers and Oklahoma City Thunder, and then a co-franchisee with the LA Clippers alongside Kawhi Leonard. That weight of being the man feels like you’re wearing a burlap jersey and concrete Nikes.

“I think it’s no pressure for him,” George said. “He is the piece. He is The Process. I think he just finds his way, as he should. We’re here to kind of keep things going afloat until he gets back to himself. But I don’t think there’s pressure for him to do anything extra. He’ll find his rhythm as the games go on, as we learn how to play off of him and play around him. I’ve seen it in practice, so I know he’s not too far off.”

I asked Embiid if the urgency of the 2-8 start, and the ticking down of his prime years, is pushing him to come back sooner rather than working through the regular season more slowly, as had been the long-term plan. He recalled his rookie season, after he’d missed two years rehabbing following multiple foot surgeries. Embiid roared out of the gate, finishing third in Rookie of the Year voting — even though the Sixers held him out of all but one game of the second half of the season.

“We were still really competitive,” he said of what became a 28-54 season. “And even that year, if they would have let me finish the year, I thought we actually had a chance of making the playoffs. So, urgency, sure. But you’ve also got to understand, we haven’t been healthy. Everybody’s getting back. Like I said, based on how it’s gone the last couple of years, with us on the floor (together), I think we’ve got a pretty good chance.”

“Things fall apart; the centre cannot hold,” William Butler Yeats wrote a century ago, about something else entirely. But it’s up to Embiid to make sure people here don’t start seeing a connection.

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(Photo: David Dow / NBAE via Getty Images)

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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