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Joel Embiid’s return gives Sixers hope again — but they’ve heard this song before

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Joel Embiid’s return gives Sixers hope again — but they’ve heard this song before

PHILADELPHIA — Not much changed in the ending.

The Philadelphia 76ers walked off their home floor again, with a bevy of New York fans again chanting “Let’s Go Knicks,” after another road win by Tom Thibodeau and company in the City of Brotherly Love. This time, Karl-Anthony Towns got the walk-off love as he left the court at Wells Fargo Center with his dad in tow, quickly followed by Josh Hart and Miles McBride.

Joel Embiid and his Sixers had long since left the floor.

Their season, already off to such a horrendous start, filled with injuries and doubts and an awful moment of confrontation, continued its spiral Tuesday in a 111-99 loss to the Knicks, dropping Philly to 2-8. But this is where Philadelphia hopes things bottom out.

Well, maybe that comes Wednesday, when the undefeated Cleveland Cavaliers play here.

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For now, all the Sixers have to comfort themselves was Embiid’s return to action Tuesday after he missed the first six games of the season while continuing to rehab his left knee, followed by a three-game suspension levied by the NBA after Embiid shoved a Philadelphia Inquirer columnist during a postgame incident Nov. 2. The columnist had written several incendiary opinion pieces about Embiid’s conditioning but also referenced Embiid’s late brother Arthur and Embiid’s son, also named Arthur, in an Oct. 23 column. That set off the 30-year-old Embiid.

Tuesday, Embiid was far from his dominant self. He was rusty, finishing just 2-of-11 from the floor, scoring 13 points in 26 minutes. His old, and perhaps now former nemesis, Towns, had the upper hand all night, finishing with 21 points and 13 rebounds. Towns finished the game for New York, while Embiid sat the last few minutes to keep him from racking up more than the 25 to 30 minutes the Sixers had plotted for him pregame.

“You can do whatever you want in practice and scrimmage, but the game is a different story,” Embiid said afterward. “I’ll be fine.”

His words, a franchise’s worries.

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Embiid hasn’t been fine most springs, when championships are decided, after suffering injuries late in the regular season or in the playoffs. Last year, he missed two months with a meniscus injury in his left knee, then suffered a bout of Bell’s palsy during Philadelphia’s series loss to the Knicks. So the Sixers and their superstar agreed this season he’d be held out of a bunch of regular-season games to give him the best chance of getting to April and May healthy. The organization’s misrepresenting statements cost the Sixers $100,000, but one doubts they cared much. Embiid says playing is up to him, but of course, it isn’t, not really.

Yes, Embiid played for Team USA in the Olympics, including a huge game against Nikola Jokić and Serbia in the semifinals, showing up when the United States needed him most. But that stint was two-plus months before the start of training camp, and the time off showed.

Against New York on Tuesday, he missed his first five shots from the floor, not scoring a field goal until he hit a 3-pointer with nine minutes left in the third. Embiid, as ever, got to the line, making 8 of 8 free throws in the first half. But Embiid was noticeably lagging throughout the second half. He was pulling on his shorts after his first stint of the second half. And though he asked the crowd to rise up late in the third quarter, he couldn’t lift up Philly in the fourth, as New York pulled away.

“When he’s playing well, he’s kind of got command of the game at the offensive end,” Sixers coach Nick Nurse said afterward. “He’s either creating good shots for himself or creating a lot of defensive schemes against him, which is creating much easier shots for our guys. That’s part of rhythm, that’s part of conditioning, all that kind of stuff. He’s a great shooter. That’ll come back, too, I think.”

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The Sixers now have to hot-wire their hopes of finding continuity with yet another new core group.

Paul George, the premier free-agent acquisition of the offseason, is just coming back himself from a preseason bone bruise that cost him the first five games of the season. He looked great Tuesday, though, looking exactly like the silky smooth scorer and facilitator the Sixers hope he can be, finishing with a game-high 29 points. But guard Tyrese Maxey, who took such a big step last season playing alongside Embiid, missed his third straight game with a pulled hamstring. It doesn’t leave Nurse a lot of time to evaluate who plays best with whom.

For example: Philly brought in Guerschon Yabusele, who starred on the French national team in the Olympics, helping lead Les Bleus to a silver medal. He was sensational. The Sixers hoped he could play for them in small-ball units at center. And with Embiid out, they got a good long look at him. Through the first nine games, he shot better than 43 percent on 3s on decent volume. Now, though, Nurse will have to play Yabusele and Embiid together, with Yabusele playing more power forward. The shots are different. The rhythm is different. Whom Yabusele now guards at the other end is different.

Nurse got exactly what he wanted to see late in the first quarter, when Embiid returned after a few minutes on the bench, drew two Knicks to him at the top of the key and fed an open Yabusele on the wing for a 3. But that was the only shot Yabusele hit all night in seven attempts.

Still, it’s crystal clear how formidable the Sixers can be when Embiid gets back to his old self, flanked by a healthy George and Maxey; solid role players such as Kelly Oubre Jr., Yabusele, Caleb Martin; rookie Jared McCain, who’s utterly fearless; and vet stashes such as Reggie Jackson, Kyle Lowry and Andre Drummond. Philadelphia’s offensive potential is staggering once everyone is healthy, so the Sixers are doubly fortunate their awful start hasn’t buried their playoff chances in the less-than-fully-functional Eastern Conference; the Sixers entered play Tuesday just a game out of the Play-In round.

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George knows the pressure Embiid is under. He was a franchise player for the Indiana Pacers and Oklahoma City Thunder, and then a co-franchisee with the LA Clippers alongside Kawhi Leonard. That weight of being the man feels like you’re wearing a burlap jersey and concrete Nikes.

“I think it’s no pressure for him,” George said. “He is the piece. He is The Process. I think he just finds his way, as he should. We’re here to kind of keep things going afloat until he gets back to himself. But I don’t think there’s pressure for him to do anything extra. He’ll find his rhythm as the games go on, as we learn how to play off of him and play around him. I’ve seen it in practice, so I know he’s not too far off.”

I asked Embiid if the urgency of the 2-8 start, and the ticking down of his prime years, is pushing him to come back sooner rather than working through the regular season more slowly, as had been the long-term plan. He recalled his rookie season, after he’d missed two years rehabbing following multiple foot surgeries. Embiid roared out of the gate, finishing third in Rookie of the Year voting — even though the Sixers held him out of all but one game of the second half of the season.

“We were still really competitive,” he said of what became a 28-54 season. “And even that year, if they would have let me finish the year, I thought we actually had a chance of making the playoffs. So, urgency, sure. But you’ve also got to understand, we haven’t been healthy. Everybody’s getting back. Like I said, based on how it’s gone the last couple of years, with us on the floor (together), I think we’ve got a pretty good chance.”

“Things fall apart; the centre cannot hold,” William Butler Yeats wrote a century ago, about something else entirely. But it’s up to Embiid to make sure people here don’t start seeing a connection.

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(Photo: David Dow / NBAE via Getty Images)

Culture

Finding Wisdom in a Poem by Wendy Cope

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Finding Wisdom in a Poem by Wendy Cope

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Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

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To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

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I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

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Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

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Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

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Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

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Tap a word above to fill in the highlighted blank.

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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