Culture
Jennings: Without JuJu Watkins, the show goes on. Expect women’s March Madness to deliver
So much had been heaped on JuJu Watkins from the start — from the moment she set foot on USC’s campus, she was the one who would bring the program back to the mountaintop. This season, she was the player who would carry the star power in women’s college basketball in the wake of Caitlin Clark.
It was a lot of weight on anyone’s shoulders, but she handled it well. She thrived under that responsibility and blossomed in the spotlight.
But last weekend, the biggest star in women’s college basketball was carried away after collapsing to the court with a season-ending ACL tear. Her absence has left USC fans stunned and the women’s college basketball world restless.
Some kind words for JuJu Watkins 🥹 pic.twitter.com/8syMkUOUCu
— espnW (@espnW) March 25, 2025
Salt in the wound? Commercials featuring Watkins will continue playing during the NCAA Tournament. She’s the biggest individual star in women’s college hoops right now, drawing red-carpet-like turnout from celebrities at her games in the Galen Center. That reception would have boomed with a Final Four trip or national championship as an undeniable Hollywood storyline.
While prayers rained on Los Angeles for Watkins’ recovery, questions bubbled up: What now? Who now?
It’s a fair question. And it echoes the refrain women’s basketball was asked repeatedly after last season, when Clark departed for the WNBA. Would her legions of fans and millions of viewers who set records watching her play for Iowa stick around for the 2024-25 college season?
Nobody expected this season’s tournament to match the record-setting viewership of last season, but progress can’t be measured just in year-to-year gains. And while no one expected the numbers to quite reach the fever pitch of Clark Mania a season ago, the trend continues in one direction: upward.
The first two rounds of the tournament featured no Cinderellas, no major upsets, no Clark. They were light on the dramatics that some believe necessary to attract viewers. And yet, the numbers don’t lie — ratings from the first two rounds ranked second best in tournament history, coming in at 43 percent higher than in 2023, which now stands as the third-best year in tournament history viewership.
As generational as Clark was, the game has still shown momentum in her wake. With Watkins absent over the rest of this tournament, as large as that will loom, there’s no reason to think the sport isn’t strong enough to continue.
Because this question isn’t new.
Many forget that before Clark captivated the country, Paige Bueckers was doing the same. A UConn star as a freshman, she won the national Player of the Year in 2021 and became an early darling of the name, image and likeness era. Then, she tore her ACL and missed an entire season, leaving questions about how the sport would endure without its new prodigy who filled arenas.
It was in Bueckers’ absence that Clark and Angel Reese emerged, overflowing that void to bring even more interest to the game and push the sport to higher horizons, culminating in one of tournament history’s most epic showdowns. Last season, South Carolina’s undefeated campaign was led by coach Dawn Staley, who’s among sports’ most influential figures. The Gamecocks were tested by Clark’s dazzling displays, drawing viewership ratings that dwarfed even 2023’s high standards.
When Bueckers was out, Clark and Reese answered. Bueckers had done the same after Oregon’s Sabrina Ionescu went to the WNBA. And fans were similarly skeptical about a lack of star power when Maya Moore graduated from UConn.
The women’s game has proved time and again — especially in these last few seasons — that it will produce. Luminaries will emerge and captivate basketball fans.
Perhaps the answer is not as obvious as it was a week ago, when the nation’s best player was leading a resurgent program with a national following and instant recognition on a must-see journey.
Similar to the reactions Clark, Moore and others before them inspired, coaches were simultaneously vexed trying to stop them but appreciative to what they did for the game. Sometimes, it’s easier to see the growth from within.
If there’s a coach who can attest to the value of players such as Watkins and their impact on the sport, it’s UConn’s Geno Auriemma. He has seen more phenoms up close than anyone else, many who became so beloved they could be referenced by their first names (or initials) alone: Sue, Dee, Maya, Stewie.
When the ESPN broadcast wrapped its coverage Monday from UConn’s second-round win after Bueckers scored 34 points, Auriemma sat courtside in Storrs for an interview. He was asked to answer quickly so the broadcast could flip to the USC-Mississippi State game starting on the West Coast.
“Oh, man, get off me right now, let’s get to her. I want to watch her play,” Auriemma said with a smile. “Here comes JuJu. Give me some JuJu! … Over to you, JuJu, take over!”
Geno counting down the broadcast and then tossing it to JuJu telling her to “takeover” >>>> https://t.co/ErmNJNrp5d pic.twitter.com/A2stO3eH2A
— Tyler DeLuca (@TylerDeLuca) March 25, 2025
Coaches respect great players; game respects game. (If only the latter had some mercy for knees.)
So what next? Who now?
That’s what the next two weeks will decide. But if the past tells us anything, it’s that the women’s tournament will deliver. The most elite talent is still in the game. Every No. 1 seed (UCLA, South Carolina, USC and Texas), 2 seed (UConn, NC State, Duke and TCU) and 3 seed (Notre Dame, LSU, North Carolina and Oklahoma) is left standing. The spotlight is trained back on Bueckers, and as previous tournaments have taught us, even casual viewers will become new fans of the game’s best players. Notre Dame’s Hannah Hidalgo, LSU’s Flau’Jae Johnson and UCLA’s Lauren Betts have been exemplary all season, and new young players are poised to surprise us.
In Spokane and Birmingham, the show goes on. Nets will be cut. New stars will be made and crowned, and more familiar stars will shoulder a heavier load.
A Watkins-less USC is not the same as it once was, nor is a Watkins-less tournament. But the best testament to Watkins’ greatness and star power is that even in her absence, the sport she’s helping to build will continue to grow.
(Photo: Justin Casterline / Getty Images)
Culture
Closed-Door Romance Books That Will Make You Swoon
As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.
Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.
Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.
Culture
Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth
SEEK THE TRAITOR’S SON, by Veronica Roth
I read Veronica Roth’s new novel for adults, “Seek the Traitor’s Son,” over one weekend and had a hard time putting it down, and not just because I was procrastinating on my house chores.
There’s much about the novel one would expect from Roth, the author of the Divergent series, one of the hottest dystopian young adult series of the 2010s. Thematically, the novels are similar. Like “Divergent,” this new book is also set in an alternate, dystopian version of our world; it is also packed with vivid, present-tense prose full of capitalized labels to let you know that something different is going on; and it also centers on a classic “Chosen One” who is burdened by the mantle of savior she carries.
These are classic tropes, but I, like many other genre fiction fans, enjoy that familiarity. Still, I’m always hoping for a subversion, a tornado twist that sucks me into imagination land.
In “Seek the Traitor’s Son,” our Chosen One is Elegy Ahn, the spare heir of the most powerful woman in Cedre. Elegy likes her life, even if it’s filled with danger. See, some time ago, a virus took over the world. The contagion is strange: Everyone who is infected dies, but 50 percent of the people who die come back to life with mysterious cognitive gifts.
After the outbreak, Earth split into two factions: The dominant Talusar, who worship the Fever, believe it is a divine gift, willingly infect themselves with it and consider anyone who does not submit to it a blasphemer; and Cedre, a small country made up of everyone who rejects the virus and the dogma around it. They are, naturally, at war.
Early in the book, Elegy, solidly on the Cedre side, and Rava Vidar, a brutal Talusar general, are summoned by an order of prophets who tell them: One of you will lead your people to victory over the other, and one of the deciding factors involves an unnamed man whom Elegy is prophesied to fall in love with.
Elegy doesn’t want this. But the prophecy spurs the Talusar into action, and so her mother assigns her a Talusaran refugee as a knight and forces her into the fray as the Hope of Cedre.
If that seems like a lot of setup, don’t worry. That’s just the first few chapters. Besides, if you know those dystopian novel tropes, you’ll get the hang of it. Roth gets through the world exposition quickly, and after a rather jarring time skip, the plot takes off, effectively and entertainingly driving readers to the novel’s exhilarating end.
The strength of “Seek the Traitor’s Son” is Roth’s character work. Elegy is a dynamic heroine. She has a lot to lose, and she leads with love, which is reflected in the intense grief she feels for the people she’s lost in the war and the life the prophecy took from her. It’s love that makes her stop running from her destiny and do what she thinks is right to save the people she has left.
Many authors isolate their characters to back them into bad decisions, so it’s refreshing that Roth has given Elegy a community to support her. Her sister Hela in particular is a treat. She’s refreshingly grounded, and often gives a much needed reprieve from the melodrama of the other characters’ lives. (She has an important subplot that has to do with a glowing alien plant, but the real reason you should pay attention to her is that she’s funny, loves her sister so much, has cool friends and listens to gay romance novels.) Hela and Elegy’s unwavering loyalty to each other casts a positive illumination on both characters.
My favorite character is Theren, Elegy’s knight, who is kind and empathetic to everyone but himself. As the obvious romantic lead, his character most diverges from genre standard because of the nuanced depiction of his trauma. He has been so broken by his experiences that he thinks what he can do with his body is all he can offer, and it’s worth nothing to him.
But like I said, I need subversion, and for all the creative world-building, I didn’t quite get it. The most distinct part of the novel was the setting and structure of alternate Earth, as well as the subcultures born from that setting. But after ripping through the novel, I found that those details didn’t provide nourishment for thought, and the general handwaviness of the technology and history of Earth was distractingly easy to nitpick.
I am a greedy reader, so I want my books to have everything: romance, action, an intellectual theme, novel ideas about the future, and character development. “Seek the Traitor’s Son” comes close. The novel is the first in a series, and I’m willing to hold my reservations until I read the next book. Elegy and Theren are worth it.
SEEK THE TRAITOR’S SON | By Veronica Roth | Tor | 416 pp. | $29
Culture
Revolution is the Theme at the Firsts London Book Fair
To mark the 250th anniversary of the U.S. Declaration of Independence, “Revolution” is the timely theme of the Firsts London book fair, opening Thursday in the contemporary art spaces of the Saatchi Gallery.
The fair, running Thursday through Sunday, will feature 100 dealers’ booths on three floors of the neoclassical, early 19th-century building in the upscale Chelsea neighborhood and will take place at a moment of geopolitical convulsion, if not revolution. It also coincides with a profound change in reading habits: Fewer people read for pleasure, and when they do, more often it is on a screen. And yet some physical books are fetching record prices.
Why is that? Clues can be found at Firsts London, regarded as Britain’s pre-eminent fair devoted to collectible books, maps, manuscripts and ephemera. Dealers will be responding to the revolution theme by showing a curated selection of items that document political upheavals over the centuries.
While the organizers — members of the nonprofit Antiquarian Bookseller’s Association and the International League of Antiquarian Booksellers — have been eager to expand the theme to include material that throws light on revolutions in other realms such as science and social attitudes, the momentousness of the Declaration’s anniversary has spurred dealers to bring items with ties to 18th-century America.
The New York-based dealer James Cummins Bookseller, for instance, will be offering a 1775 London printing of Congress’s declaration of the “Causes and Necessity of Taking Up Arms” against the British authorities. Mostly written by John Dickinson and Thomas Jefferson and published just a year before the Declaration of Independence, the document represents a decisive moment in the colonies’ struggle for self-determination. It is priced at $22,500.
“We’re generalists. We’re bringing a bit of everything,” said Jeremy Markowitz, a specialist on American books at Cummins. “But this year, because of the anniversary, we’re bringing Americana that we otherwise wouldn’t have brought.”
The London dealer Shapero Rare Books will be showing a letter written in January 1797 by Thomas Paine, one of the most influential Founding Fathers, to his friend Col. John Fellows who had served with the American militia during the Revolutionary War. The text reiterates the views of Paine’s open letter to George Washington, urging him to retire from the presidency, fearing that the office might become hereditary. With an asking price of 95,000 pounds, or about $130,000. Paine’s letter to Fellows was written just weeks before Washington stood down in March at the end of his second term, a practice later enshrined in the 22nd Amendment limiting presidents to two terms.
Bernard Quaritch, another London bookseller, will be exhibiting a first edition in book form of “The Federalist Papers,” the celebrated collection of essays written in favor of the new Constitution by Alexander Hamilton, James Madison and John Jay from 1787-1788. (These texts are mentioned in Lin-Manuel Miranda’s award-winning musical “Hamilton.”) In its original binding, with the pages uncut and largely unopened, this pioneering work of U.S. political philosophy is priced at £220,000.
The fair, like the United States, has gone through its own process of reinvention. It is the sixth annual edition of Firsts London, but its origins stretch from 1958, when its more traditional forerunner, the London International Antiquarian Book Fair, was founded.
The rebranded Firsts London was initially held at an exhibition space in Battersea Park in 2019, then transferred to the Saatchi in 2021. (There is also Firsts New York and Firsts Hong Kong.) Last year the event attracted an estimated 5,000 visitors over its four days, according to the organizers, and notable sales were made.
“Book fairs are now part of the ‘experience culture.’ In an age where everything is available at a click, fairs have to present themselves in a different way,” the exhibitor Daniel Crouch said.
Crouch will be showing two late-18th-century engraved maps printed on paper of New York by Bernard Ratzer, an engineer commissioned by the British to survey the city and its environs in 1766 and 1767 in case it became a battlefield. Ratzer’s large three-sheet map of the southern end of Manhattan and part of New Jersey and Brooklyn is priced at £240,000; his smaller map of south Manhattan at £25,000. Both date from January 1776, just six months before the Declaration of Independence was adopted in Philadelphia on July 4, 1776.
Other revolutions are also represented. The cover design of Millicent Fawcett ’s classic 1920 Suffragists tract, “The Women’s Victory — and After,” from the collection of the Senate House Library at the University of London, is the poster image for the event and the library is lending the entire pamphlet for display at the fair.
Scientific revolutions are represented by items like a 1976 first edition of Richard Dawkins’s book “The Selfish Gene,” offered at £2,250 by Ashton Rare Books of Market Harborough in Leicestershire, England. Fold the Corner Books in Surrey is offering a handwritten letter by an anonymous British spy describing scenes in Paris in 1791 during the French Revolution, and the dealers at Peter Harrington are bringing a Chinese parade banner from the Cultural Revolution. The banner and the letter are each priced at £750.
While the U.S. document’s anniversary has spurred many exhibitors to show rare 18th-century American items, the organizers stressed the fair’s wider remit.
“We wanted to do something related to our cousins over the water, but something a bit broader than just the American Revolution,” said Tom Lintern-Mole, the chairman of this year’s London fair.
“Revolution is a concept,” he said. “It encompasses everything to do with our world. Printing itself was a revolution. It helps foment revolutions. We like to think that books make history, as well as being artifacts of it.”
In terms of making sales, science fiction and science and fantasy are genres that many traders see as the key growth areas, because of, in great part, recent Hollywood adaptations. “Affluent younger collectors are moving the needle in the market,” said Pom Harrington, owner of Peter Harrington.
Cummins is offering a 1965 first edition of “Dune” for $16,500, while the London-based Foster Books will be asking £22,500 for a 1954-1955 three-volume first edition of “The Lord of the Rings” by J.R.R. Tolkien. It is sumptuously covered in red morocco leather by the binders at Bayntun Riviere.
And with the rise of tech, online sales have increasingly replaced high street transactions, resulting in many rare-book shops closing. Tom W. Ayling, who trades from his home in Oxfordshire and is exhibiting at Firsts London, is one of the most prominent of a cohort of young dealers who sell online and at fairs without the expense of a shop.
“I get almost all my customers through social media,” said Ayling, who has about 298,000 followers on Instagram alone.
Tolkien is a favorite subject for his engaging, regular video posts. Ayling will be bringing a copy of the author’s extremely rare collection of poems, “Songs for the Philologists.” Printed in 1936, only about 15 copies of the collection are known. Ayling is asking £65,000 for this one.
“I put as much content out there as I can to get people interested in book collecting,” Ayling said. “I want to widen the arcane world of book collecting to a mass audience.”
A mass audience collecting — let alone reading — books? That really would be a revolution.
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