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Jannik Sinner is a tennis star. In Italy, his celebrity transcends his sport

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Jannik Sinner is a tennis star. In Italy, his celebrity transcends his sport

TURIN, Italy — Olé, olé olé olé, Sinner, Sinner.

Olé, olé olé olé, Sinner, Sinner.

Jannik Sinner is trying to speak, but his own name is resounding too loudly across the Inalpi Arena in Turin. Lit up on billboards, written on placards, chanted across the aisles. Sinner, the first Italian to achieve the men’s world No. 1 ranking, isn’t just the featured attraction of the ATP Tour Finals tournament in his home country: He is the tournament, on the court and off it.

There he is on billboards in the train station. There he is on banners hanging from light poles. There he is — well, not him, a character of him — on GialappaShow, a satirical comedy programme in the vein of Saturday Night Live, which does skits playing off Sinner’s poodle of red hair and his meticulously even manner of speaking.

And there he is on the court, blowing away basically everyone who isn’t Carlos Alcaraz as he has done most of the year, slaloming into the semifinals with three wins from three and the noise of around 12,000 fans about his ears on every point.

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Three years ago, despite flashes of brilliance, Sinner had kind of stagnated in tennis no man’s land.

Two years ago, he was a work in progress who fell short of making the season-ending Tour Finals here in Turin, the city that was supposed to be his northern Italian playground.

A year ago he lost in the final to Novak Djokovic but beat him along the way, hinting loudly at what might be coming. Alcaraz said he was the next No. 1.

This year, he fulfilled that prophecy: he is world No. 1 and maybe the most popular athlete in Italy — a country that doesn’t have a lot of sport oxygen left once soccer sucks on the hose.

“It’s different,” Sinner said on Tuesday of competing on home soil for the first time in nearly a year.

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“I never take these chances for granted.”


Jannik Sinner does not really have to ask an Italian crowd for more noise. (Clive Brunskill / Getty Images)

Italy has a long and illustrious conveyor belt of soccer stars. Major figures in other sports, especially ones who can penetrate the consciousness of people who barely pay attention to sports, are far more rare. But the country does have a way of rallying mightily around its Olympic champions and standouts in other sports.

For years, motorcyclist Valentino Rossi and then swimmer Federica Pellegrini were all the rage. People who have never clicked into a ski binding know all about Sofia Goggia, the Olympic downhill champion in 2018. Sinner is the latest of their number, and perhaps the most adored. Inter Milan played Napoli Sunday in a showdown of two of Italy’s biggest soccer clubs. The match drew 1.7million television viewers in Italy. Sinner’s match against Alex de Minaur of Australia, hardly a glamor matchup, drew 2.27million.

Tennis stars in their homeland are always a featured attraction, but maybe because he is the first Italian No. 1, or maybe because of that unmistakable mop of red hair, Sinner in Italy seems a different order of magnitude. As his steady, subdued demeanor anchors his game of grace and fury, one of those oddball alchemical pairings of a star and a nation catalyzes match after match.

Young and old alike are on board for the ride. He is what the Italians refer to as “fuoriclasse”, which roughly translates as out of this world, or world-class. He is one of the “predestinato”, predestined, as it were, for greatness.

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“He’s young, but he’s not young in the way he plays,” said Turin native Federico Vangha, who was sipping on Aperol spritzes on Tuesday evening with his girlfriend, another mad Sinner fan named Monica Merlo.

Sinner walks duck-footed and does not appear to own a comb nor a hair dryer. His transformation from no-one’s idea of a Gucci model into, well, a Gucci model also makes him different. When he isn’t playing tennis, he’s now pitching: Gucci, Head, Nike, Rolex, La Roche-Posay, the pharmaceutical company, internet service provider Fastweb, Enervit, a nutrition company, and Pigna, a paper products company. The deal with Nike is $158million (£125.2million) over ten years; the annual value of his off-court deals is around $15m (£11.9m).

He also has a deal with pasta company De Cecco, and Italian coffee magnate Lavazza. During changeovers, his opponents don’t even get a break. Video screens play commercial after commercial, Sinner drinking an espresso or pushing Intesa Sanpaolo, the financial giant.

The madness started with the “Carota Boys”, the group of young men who seemingly will spare no expense to travel to a Sinner match wearing a carrot costume in honor of that flaming red hair. At his matches this week, the crowd has been littered with fans wearing fluorescent orange. Their shirts glow in the blue light of the Inalpi Arena, as the carrot and fox emojis — his other symbol — burn orange across every social media platform.


Jannik Sinner with his trophy for being year-end world No. 1. (Valerio Pennicino / Getty Images)

Italian players who aren’t even in the tournament show up to watch is matches. Lorenzo Sonego, Sinner’s Davis Cup teammate, was courtside the other night.

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Everyone else, including the other seven competitors, are the supporting cast, even Alcaraz.

“Exactly what I expected here in Turin,” De Minaur said in a news conference after Sinner beat him 6-3, 6-4 on Sunday. “Great atmosphere.”

Taylor Fritz said the Italian faithful were a lot to deal with, but not too much. He’s had some run-ins with some raucous crowds pulling for their own, especially facing Frenchmen at the French Open. That wasn’t this.

“Fun match to play,” he said, even though he lost in straight sets.

Ubiquity carries a cost, especially at home. Sinner has given up hope of going out for a cup of coffee or a meal this week. There’s always a horde of fans outside the players’ hotel in the middle of the city. He wouldn’t get very far. Better to stay in and rest. At least that’s what he tells himself, as fans queue up to get a glimpse of a man who is a hero to them for his person as much as his tennis.

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“It’s important that he’s No. 1 but it’s who he is,” said Francesco Baccarani, a 12-year-old player who arrived at the Sinner-Fritz match wearing a red, white and green headdress. “He’s the example for all of us kids for how we want to play.”

go-deeper

GO DEEPER

Sinner confirmed as year-end world No. 1 after Alcaraz’s Shanghai loss


Sinner is only 23. This could go on for a long time, especially with the ATP close to another five-year deal with Italy’s tennis federation that would keep the tour’s richest event in the country through 2029.

Angelo Binaghi, the president of Italy’s tennis federation, the FITP, said in an interview in Turin that Sinner took something that was already happening — a growth in interest in tennis — and made it explode. His rise has coincided with expansion of a free-to-air tennis channel in Italy, SuperTennis, which has even begun carrying the U.S. Open. Conveniently enough, Sinner won that, and lots of less advantaged Italians who might not have been able to pay for television were able to see it.

Now Binaghi has another problem — accessibility. There aren’t enough tennis schools and clinics to accommodate all the children who want to play, and building new courts and facilities is going to take time.

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“The bureaucracy,” he said, falling back on the notorious Italian lament. “It’s very difficult.”

Still, Sinner is the answer to Italian tennis prayers in other ways. A few years back, it appeared Matteo Berrettini and his hammer-like serve might have a shot at the pinnacle. He made the Wimbledon final in 2021.

Danillo Baccarani, Francesco’s father, said that the Berrettini power game doesn’t appeal to Italian tennis sensibilities the way Sinner’s does. Here, the tennis hero is Nicola Pietrangeli, the star of the 1950s and 1960s known for his stylish and instinctive play.

“Sinner is more close to someone like (Roger) Federer,” Baccarani said.

And what about the idea that Sinner is somehow less Italian, because he comes from the mountains of San Candido in northeastern Italy near the Austrian border that is closer culturally to its neighbor than to Rome? Sinner’s first language is German.

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“A stupid idea,” Baccarani said.

Sinner has managed to turn this into something of an advantage. With the retirement of Dominic Thiem, Austria is without a tennis star. The country has staked some claims to Sinner.

All the hoopla is a something of a goof to him.

“I’m just a 23-year-old man who just plays tennis,” he said in a news conference earlier this week. He walks outside, he sees a massive version of himself on a billboard. He turns on the television, he’s hawking coffee. His father was a chef. His mother a restaurant worker. He was supposed to become a skier.


Jannik Sinner has assumed the mantle of Italy’s most-beloved sportsperson, at least outside of football. (Tallio Puglia / Getty Images)

“I try to get used to it,” he said.  “I’m just trying to play some good tennis.”

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Other than some other hotshot besides Alcaraz coming along, there is one thing that could send the Sinner train off course. The World Anti-Doping Agency (WADA) is seeking a ban of one or two years in its appeal of his doping case, which it submitted to the Court of Arbitration for Sport (CAS) in September.

Earlier this year, Sinner twice tested positive for clostebol, an anabolic steroid. Three tribunals convened by the tennis anti-doping authorities accepted his explanation that the substance inadvertently ended up in his system after his physiotherapist used it to treat a cut on his own finger, then gave Sinner a massage. WADA, too, accepts this explanation but believes he should bear some responsibility for the actions of his support team.

Clostebol has become a problem in Italian sport, with numerous athletes in different disciplines testing positive as a result of using healing creams. Memories linger of the doping scandal at Juventus of the 1990s, which went to the highest level of the Old Lady of Turin before Italy’s Supreme Court acquitted the club.

Sinner’s verdict is unlikely to come until 2025 and, even in Turin, it gets lost in the noise from point to set to, thus far at least, the inevitable conclusion.

Gioco, partita, incontro, Sinner.

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And the olés strike up again.

(Top photos: Getty Images; Design: Eamonn Dalton)

(Additional reporting: James Horncastle)

Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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