Culture
F1 can’t — and shouldn’t — just ‘move on’ from under its cloud of controversy
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JEDDAH, Saudi Arabia — Christian Horner believes it is time to “move on” and put the focus back on Formula One’s on-track action, saying that is “where the spotlight should be.”
But amid the continued aftermath of the allegations against the Red Bull Racing team principal over inappropriate behavior and further off-track controversies concerning the FIA, the sport remains under a cloud.
Horner was speaking on Thursday in the FIA press conference ahead of this weekend’s Saudi Arabian Grand Prix, just hours after it emerged that Red Bull Racing had suspended with pay the female complainant who made the allegations.
The grievance made against Horner was dismissed following an investigation conducted by a King’s Counsel (KC), an independent investigator. According to a person briefed on the matter, who spoke on the condition of anonymity, the complainant’s suspension links to the findings of the investigation.
Asked by The Athletic about the suspension, Horner said he “can’t comment on anything confidential between an employee and a company.”
The “move on” comment came during a 30-minute press conference that was dominated by questions to Horner, who said: “The time now is to look forward and to draw a line under it.” He spoke of it being a “very trying” period for him and his family, against whom he said the “intrusion” had to end. (Horner’s marriage to Geri Halliwell-Horner, a former member of the Spice Girls, has prompted increased media coverage, particularly in the UK.)
Horner recognized that a set of anonymously leaked messages, allegedly sent between him and the complainant, that emerged last week had “garnered an awful lot of coverage.” (Last week, he declined to comment on what he called “anonymous, speculative messages from an unknown source.”)
“It’s all been focused very much in one direction,” Horner said. “What has happened then after that is others have looked to take advantage of that. Unfortunately, Formula One is a competitive business and obviously elements have looked to benefit from it. That’s perhaps the not so pretty side of our industry.”
One recurring question about the case has centered on the lack of transparency and details from Red Bull, something highlighted last week by two of Horner’s rival F1 team bosses, Toto Wolff of Mercedes and Zak Brown of McLaren. “I believe that with the aspiration as a global sport on such critical topics it needs more transparency,” Wolff said. “I wonder what the sport’s position is.”
In announcing the outcome of the investigation, Red Bull GmbH, Red Bull Racing’s parent company, said the report was “confidential” and that it would “not be commenting further out of respect for all concerned.” It means details of the allegations and the grounds upon which the grievance was dismissed remain unknown.
Horner highlighted that confidentiality when asked about the need for transparency, particularly given the subject matter in an era when F1 has been pushing for improved inclusivity, and has enjoyed an influx of new, young female fans.
Horner called it a “complicated issue” before noting that it was an internal matter at Red Bull, and that the process was “confidential between the individuals and the company itself.”
“I’m not at liberty, unfortunately due to those confidentiality, and out of the respect to the company and of course the other party, that we’re all bound by the same restrictions,” Horner said. “So even if I would like to talk about it, I can’t, because of those confidentiality restrictions.”
He said it was “not an FIA issue” and “not a Formula One issue,” but a “company-employee issue, and that would be the same in any major organization.”
The FIA, F1’s regulator, has shown zero sign of getting involved in the matter. While the FIA’s president, Mohammed Ben Sulayem, told the Financial Times in Bahrain last week that this situation was “damaging the sport,” he also said he did not want to “jump the gun” and commence any investigation through the FIA’s compliance or ethics department.
On Thursday, when The Athletic approached the FIA for comment about Red Bull’s decision, a spokesperson said they were surprised to have been asked about what they called “a team employment matter,” and instead suggested contacting F1. A spokesperson for F1 itself declined to comment.
The FIA, meanwhile, has its own issues. Its compliance department is investigating its president, Ben Sulayem, over allegations he interfered in the result of last year’s Saudi Arabian GP, as first reported by BBC Sport. The FIA has said it “received a report detailing potential allegations involving certain members of its governing bodies” and it was “assessing the concerns.”
BBC Sport subsequently reported Ben Sulayem was also being investigated for allegedly wishing to prevent the certification of the Las Vegas circuit. An FIA spokesperson said that “from a sporting and safety perspective, the Las Vegas circuit approval followed FIA protocol in terms of inspection and certification. “If you recall, there was a delay in the track being made available for inspection due to ongoing local organizer construction works.” The same spokesperson also highlighted an interview given by Ben Sulayem to GP Racing magazine last November, where he explained his support for green-lighting the Las Vegas track layout.
All four team principals in Thursday’s press conference — Horner and Krack were joined by Williams’ James Vowles and Bruno Famin of Alpine — were asked about the investigations into the FIA president. Famin said we should focus on what is happening on the track. Krack said from Aston Martin’s point of view, the matter was “clear and closed.” Vowles said he was pleased a process was in place, and “as far as I understand, it’s in review, which is the right thing.”
The investigations mark the latest in a long line of controversies to involve the FIA president. But Horner urged people to not “preempt the facts”.
“There needs to be an investigation,” Horner said. “And I’m sure the relevant parties, and again the process that they have within the statutes of the FIA will be followed.
“All I would urge is don’t prejudge. Wait for the facts. Wait to see what is the reality before coming to a judgment.”
As much as Horner may want the focus to be “on the track and going racing” in F1, the ongoing turmoil reflects badly on the sport. There’s no escaping that. The past three weeks have seen it reach not only the back page of the newspapers, but the front pages, too. People are talking about F1 for the reasons the sport does not want.
“It definitely doesn’t look good to the outside world, from the outside looking in,” said Lewis Hamilton on Wednesday. “It’s a really, really important time for the sport to show and stick to their values, hold ourselves accountable for our actions.” He called it a “really, really pivotal moment” for F1, for the message it sends out to the rest of the world.
“I hope it’s not a year that it continues to go on with this,” Hamilton said. “It highlights some of the issues we also have in the sport, when we are talking about diversity and inclusion that includes gender, for example, and making people feel comfortable in this environment is key. And that’s clearly not the case.”
Horner is right in saying the on-track action is “where the spotlight should be” for F1. But so long as these questions and doubts remain, that spotlight will remain elsewhere.
(Lead photo of Christian Horner and Mohammed Ben Sulayem at the Bahrain Formula One GP: ANDREJ ISAKOVIC / AFP))
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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