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Explaining the lost generation of footballers who came after Messi and Ronaldo

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Explaining the lost generation of footballers who came after Messi and Ronaldo

On October 28, at the Theatre du Chatelet in Paris, there will be a new winner of the Ballon d’Or, the highest individual accolade in men’s football.

By common consent, the leading contenders are Brazilian winger Vinicius Junior, who scored in Real Madrid’s Champions League final victory, and Spanish midfielder Rodri, who excelled in triumphant campaigns for both Manchester City and his national team.

Should Vinicius Jr, 24, win the award, he will be the first player born in the 21st century to do so. More remarkably, Rodri would be the first winner born in the 1990s. Either would be the first winner to be born since December 1987. Such was the dominance of Lionel Messi and Cristiano Ronaldo, who have respectively won eight and five of the last 15 Ballon d’Or titles, a run punctuated only by victories for two of their contemporaries: Luka Modric in 2018 and Karim Benzema in 2022.

Messi, Ronaldo, Modric and Benzema were all born in the mid-to-late 1980s. All were regarded as prodigious talents in their teens. All have excelled deep into their thirties and only now, in the twilight years of their careers, have they begun to wind down: Messi, 37, in Major League Soccer with Inter Miami, and Ronaldo, 39, and Benzema, 36, in the Saudi Pro League with Al Nassr and Al Ittihad. Modric, 39, is still going strong at Real Madrid.


Cristiano Ronaldo and Luka Modric, both born in 1985, competing in 2009 — both are still playing in 2024 (Glyn Kirk/AFP via Getty Images)

The brilliance of Messi and Ronaldo often overshadowed that of a group of players now in their early-to-mid thirties that includes Neymar, Toni Kroos, Kevin De Bruyne, Mohamed Salah, Virgil van Dijk, Harry Kane, Antoine Griezmann and the retired duo of Eden Hazard and Gareth Bale.

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A new generation of superstars, proven or potential, has emerged, including Kylian Mbappe, Vinicius Jr, Erling Haaland, Jude Bellingham, Phil Foden, Jamal Musiala and Lamine Yamal. Of this group, Mbappe is the oldest at 25. The rest were all born since the turn of the century (as late as 2007, in the case of Yamal, the prodigiously talented Barcelona winger).

But what of those who came after Neymar, De Bruyne, Salah et al but before Mbappe? When it comes to the group born in the mid-1990s — a group who, logically speaking, should be around its collective peak — there is a gap, not necessarily in talent, but certainly in profile, recognition and, upon deeper analysis, representation in top-level football in Europe.


Nobody would describe the Ballon d’Or as the perfect barometer of individual performance, but take a look at this graphic that illustrates top-20 rankings by age group since 2008.

Away from the clustered centre of the graphic, what jumps out is that red area containing just a handful of dots. Selected findings include:

  • Rodri finishing fifth in last year’s vote is the only top-five place for a player born between 1994 and 1997
  • Beyond that, the only player in that age group to have earned a top-10 placing is Rodri’s Manchester City’s team-mate Bernardo Silva (ninth in 2019 and 2023)
  • The only other top-20 placings in that age group have been Frenkie de Jong (11th in 2019), Raheem Sterling (12th in 2019 and 15th in 2021), Sebastien Haller (13th in 2022), Luis Diaz (18th in 2022) — none of whom was nominated this time — and Lautaro Martinez (20th in 2023)
  • By contrast, from the younger age group, Mbappe has already recorded six consecutive top-10 placings while Haaland (twice), Vinicius Jr (twice) and Victor Osimhen have also finished in the top 10
  • Of this year’s 30-man Ballon d’Or longlist, Rodri is one of just seven players born between 1994 and 1997. The other six are Ruben Dias, Hakan Calhanoglu, Artem Dovbyk, Alejandro Grimaldo, Ademola Lookman and Martinez, of whom only Dias and Martinez have been nominated previously.

Admittedly that is just the Ballon d’Or, an award voted for by journalists, drawing on subjective evaluations and, almost inevitably, coloured to some extent by players’ profiles as well as their performance. As a barometer of individual excellence, it is far from perfect — even if its less prestigious rival, the ‘Best’ FIFA award, has produced broadly similar results.

But it certainly tells you something about the way footballers are projected and valued. And when it comes to that group born in the mid-1990s, there is certainly a deficit.

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In the cases of Rodri and Bernardo, highly sophisticated players who excel in understated roles at a club that lacks the media profile of the traditional superpowers, that has long seemed more a question of image than of quality. We will come back to that issue.

But there is more to this. Taken more broadly, that mid-1990s age group seems to be struggling for recognition — not just by fans or the media but within the game.


Bernardo Silva, born in 1994 and 1996’s Rodri have been key to City’s successes (Jacques Feeney/Offside/Offside via Getty Images)

When the FIFA technical study group, led by former Arsenal manager Arsene Wenger, published its report on the 2022 World Cup, it briefly mentioned the tournament had been “defined by the performances of young talents and experienced masters”.

Wenger cited the technical prowess, physical strength and mental fortitude of Musiala, Bellingham and Saka at one end of the spectrum and, at the other end, of the enduring quality of players in their mid-to-late thirties such as Messi, Ronaldo, Modric and Olivier Giroud.

“In the modern game the young players are ready to perform earlier on the biggest stage,” he said before turning his mind to a generation of players who had continued to excel well into their thirties. “This,” said Wenger, referring to the latter group, “did not happen 20 years ago, so it looks like there is an extension of the career at the highest level.”

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What Wenger and the technical study group did not address was the relative lack of impact made on the tournament by players in the in-between age group.

That was reflected in the age distribution of players at that World Cup. Of the 832 players called up for the tournament, the highest representations by birth year were for 1997 (ie, aged 25) and 1992 (ie, aged 30). Those born in 1994, who might logically have been at the optimum age for a World Cup held in 2022, came in at seventh.

That might be a mere statistical quirk rather than anything deeper, but there follows a graph illustrating the number of minutes played in the Premier League from 2018-19 to 2020-21. The findings are mostly as you would expect: the dominant group is the one born between 1991 and 1994 — those who were between 23 and 27 when that cycle began and between 26 and 30 when the cycle finished. Think of it as the De Bruyne, Kane, Salah generation.

There is a significant drop in the number of Premier League minutes in that time by players born in 1995, i.e. those aged between 23 and 27 over the period in question.

Again it could just be a wrinkle, indicative of nothing much. You would expect that age group to become more dominant over the next three-year period.

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But they didn’t. As it transpired, that 1995 age group got barely more playing time between 2021-22 and 2023-24, a period during which they were between the ages of 26 and 29. The minutes played by those born in the early 1990s fell, as you would expect, but so did the numbers for those born in 1993, 1994 and 1995, who might otherwise have expected to become the dominant groups over that period.

Instead, the dominant age groups now were those born in 1996 and 1997 — those aged between 24 and 25 when the cycle began and 26 and 27 when the cycle ended. Those born in 1995 were drastically underrepresented. Even those born in 2001 (players aged between 20 and 23 over the period in question) came close to the total playing time of those born in 1995.

To put some names to the numbers, think of it in similar terms to England’s Euro 2024 squad selection, where players in their mid-to-late twenties such as Sterling (born in 1994), Kalvin Phillips and Jack Grealish (1995), Ben Chilwell and James Maddison (1996) and Marcus Rashford (1997) found themselves usurped by younger players such as Anthony Gordon (born in 2001), Cole Palmer (2002) and Kobbie Mainoo (2005)

It seems to reflect a wider trend. Using the same three-year cycles, the dominant age group in terms of playing time across Europe’s ‘big five’ leagues (Premier League, Bundesliga, La Liga, Serie A and Ligue 1) has shifted from those born in the early 1990s to those born from 1997 onwards. Again the mid-’90s group that theoretically should have been in the ascendancy over the past few seasons has been overtaken by a younger group.


Jose Chieira, who has been a scout for more than two decades at clubs such as Sporting Lisbon, Porto and Panathinaikos, considers the question before declaring, “I don’t believe in generational gaps” — at least not in terms of talent and quality.

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But he believes market forces have created a gap. “In the last six or seven years, the strategies of the dominant forces in the market are increasingly based on a different logic,” he tells The Athletic. “It is increasingly a trading business — a typically American trading culture.

“Clubs don’t (today) go looking for players who were born before 2000. We’re already filtering for players under 23 years old. Any older and it’s not a good deal, it’s not attractive. And that has consequences for the way the market has evolved in terms of the talents or the profile of the players who dominate the game.”

As Chieira suggests, there has been a decisive shift as many clubs’ business models have moved towards developing and selling young players to those clubs higher up the food chain.

Of the 50 biggest transfers to Premier League clubs this summer, according to Transfermarkt, only eight involved players aged 26-plus (Tottenham Hotspur’s Dominic Solanke, West Ham United’s Max Kilman and Niclas Fullkrug, Arsenal’s Mikel Merino, Fulham’s Joachim Andersen and Sander Berge, Southampton’s Aaron Ramsdale and Newcastle United’s Odysseas Vlachodimos). Ten years earlier, in the summer of 2014, that age bracket accounted for eight of the 25 biggest deals. The market for players in their mid-to-late twenties is nothing like it was.


Tottenham bucked a trend by paying big money this summer for the then-26-year-old Dominic Solanke (Catherine Ivill – AMA/Getty Images)

Real Madrid’s Champions League-winning squad last season was dominated by a cluster of players born in the 1980s and early 1990s (Thibaut Courtois, Dani Carvajal, Nacho, Antonio Rudiger, David Alaba, Lucas Vazquez, Modric and Kroos) and a group of young stars born in the late 1990s and early 2000s (including Federico Valverde, Eduardo Camavinga, Aurelien Tchouameni, Vinicius Jr, Rodrygo and Bellingham). Again, that mid-1990s group was barely present: just backup goalkeeper Kepa Arrizabalaga (1994) Ferland Mendy (1995) and Dani Ceballos (1996). When Nacho and Kroos moved on this summer, the incoming players were much younger, notably Mbappe (1998) and Brazilian prodigy Endrick (2006).

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It is similar at Barcelona: a handful of players born either in the late 1980s (Robert Lewandowski) and early 1990s (Inigo Martinez and Marc-Andre ter Stegen) and a core of players born in from the late 1990s onwards. Between Ter Stegen (1992) and Dani Olmo (1998), there are just three players: Andreas Christensen and Raphinha (both 1996) and De Jong (1997).

An extreme example concerns Chelsea, whose strategy over the past couple of years has appeared to exclude almost any player born before 1997. Their squad last season comprised primarily of Thiago Silva (born 1984), Sterling (1994), Chilwell (1996) and a vast core of younger players, the majority of them born since the turn of the century. Sterling and Chilwell found themselves frozen out completely before this season began: big earners in their late twenties, said to be incompatible with the technical demands of new coach Enzo Maresca.

“This tendency to focus on trading in the talent market has been decisive in creating this apparent gap,” Chieira says. “It will become increasingly difficult to find players in that exact age range — between the ages of 24 and 30, say — who can be true standout players and reference points like Bernardo Silva and others are today. More and more clubs don’t really want to ‘waste time’ working with players over the age of 24 because there’s a commercial logic that tells from that, from 25 or 26, the player will lose value. Therefore the effort and financial resources are directed towards younger players.”

That has certainly appeared true of Chelsea. But there are notable exceptions.

One is Bayern Munich, whose core group includes Leon Goretzka, Joshua Kimmich, Joao Palhinha and Serge Gnabry (all born in 1995) and Leroy Sane, Kingsley Coman and Kim Min-jae (1996).

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And there are the Premier League champions, Manchester City, who have John Stones, Mateo Kovacic and Bernardo (all born in 1994), Nathan Ake, Manuel Akanji and Grealish (1995), Rodri (1996) and Dias (1997).

In some ways, that seems instructive when it comes to the profile — technical and otherwise — of the more successful players in that age group.


Since calling time on a playing career that took him from Port Vale to Luton Town, Leicester City and Fleetwood Town, Joe Davis has launched a digital marketing agency that supports professional footballers and athletes build their brand.

He has studied that subject in depth from a commercial and a sporting perspective. “The Messi-Ronaldo era is unique,” he says. “They created this unrealistic expectation of what it means to be a football megastar. They redefined the ceiling, which has overshadowed much of the incredible talent that came next.”

Davis feels it is only as Messi and Ronaldo have begun to wind down, away from the intensity of the European football spotlight, that “we have allowed ourselves to recognise the talent of players like Haaland and Mbappe. It was the in-between group that, with Messi and Ronaldo in their prime, were overlooked for so long”.

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Joe Davis competing with Adebayo Akinfenwa in 2012 (Pete Norton/Getty Images)

With his marketing head on, Davis wonders whether there was a commercial aspect to this, talking about the “immaturity of athlete branding” through much of the 2010s. The opportunities for the modern players to promote themselves are far greater, he says, which is one reason why “this new wave of young talent” — Mbappe, Haaland, Vinicius Jr, Bellingham, Musiala, Yamal and so on — “has become so big so soon”.

The word “wave” is apposite. Whether it is music, film, sport or just about anything else, we are conditioned to see such phenomena in those terms. Sometimes it takes one band, one star or athlete to force a way through and blaze a trail for others to follow. Sometimes there is a desperation to anoint new stars. Sometimes it is the opposition: a desperate refusal to look beyond the zeitgeist and its leading characters.


Did the long peak of Ronaldo and Messi overshadow the generation that came after them? (Ben Stanshall/AFP via Getty Images)

But away from off-pitch image and profile, Davis suggests another factor that has played into the hands of the new wave: a subtle shift in playing styles which he says has been “arguably more accommodating to ‘luxury’ players” — or at least to those such as Haaland and Mbappe, whose goalscoring talents are so extreme that, breaking into elite-level football, they were not encumbered with as many out-of-possession demands as, say they might have been had they been born five years earlier.

Davis cites his experience as a 20-year-old defender for Port Vale, playing against an 18-year-old Grealish, who was on loan to Notts County. “He was everywhere: tracking back, covering the full-back, pressing our winger, then getting back out to the byline to receive the ball,” Davis says. “At that time, making it wasn’t just about talent; it was also about hard work and discipline, that, ‘Don’t let us down’ mentality. You see it with Bernardo Silva as well — tremendous quality and intelligence but defensive intensity and adaptability as well.

“That era — my era — possibly had different values instilled in them during their breakthrough years, which is probably why they play their game a little more under the radar and in a more structured and workmanlike way. That naturally takes the limelight off them and places it on the more exciting, carefree, creative players — those that immediately capture the imagination of the casual fan.”

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That makes perfect sense. That group of players now in their mid-to-late twenties broke into senior football when demands were changing due to an increased emphasis on the type of work they did off the ball — not just “tracking back” but closing down in a structured, organised way. Through the 2010s, the role of the traditional centre-forward seemed to be under threat, which is perhaps why, beyond Martinez, there are so few “pure” goalscorers in that age group.


Lautaro Martinez: a rare born-in-the-mid-1990s goalscorer? (Valerio Pennicino/Getty Images)

There is a strange paradox. In terms of profile and projection, the cult of the individual has grown over the past decade like never before, such has been the explosion of social media and global branding. At the same time, the cult of the individual on the pitch has diminished. In the past, leading teams might have been able to carry a “luxury” player or two. That changed Pep Guardiola and Jurgen Klopp built teams whose commitment to creative football came with non-negotiable physical and tactical demands on every player. It is easy to imagine that, if they were five years older or five years younger, Bernardo and Valverde might have been deployed as mercurial wingers or No 10s rather than cerebral, multi-functional midfielders.

But individualism seems to be back in vogue. So does what might be termed ‘main-character energy’. Mbappe, Haaland, Vinicius Jr, Bellingham, Musiala, Yamal… this is a generation of leading players who are encouraged to “do their thing” and play to their enormous strengths — which, in the cases of Mbappe and Haaland, has meant scoring goals at an extraordinary rate rather than worrying unduly about the structure of their team’s pressing game.

They are players whose rare talents merit indulgence — and all of the hype and adulation that comes with their exploits.


The brilliance of Kylian Mbappe

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Maybe the story is less complicated than that. Maybe the development of top-class athletes is analogous to wine production. Some years, for reasons that can be hard to explain, yield better crops than others.

To put it in blunt terms, 1987 was a vintage year that brought Messi, Benzema and Luis Suarez; 1992 brought Neymar, Salah, Courtois, Son Heung-min and Sadio Mane; 1998 brought Mbappe, Osimhen, Trent Alexander-Arnold, Valverde and Martin Odegaard; 2000 brought Haaland, Vinicius Jr, Foden, Julian Alvarez and Aurelien Tchouameni.

By comparison, the mid-1990s age group is strangely underwhelming. Transfermarkt’s most valuable footballer born in 1995 is Ollie Watkins, whose career has been a slow-burner, coming up through the leagues with Exeter City and Brentford before establishing himself as a proven goalscorer in the Premier League with Aston Villa in his mid-twenties. The second-most valuable player born in 1996, behind Rodri, is Maddison, who, as he approaches his 28th birthday, has seven caps for England and is yet to play in the Champions League.


Ollie Watkins – 1995’s finest? (Neville Williams/Aston Villa FC via Getty Images)

It is fascinating to look back at the list of winners of the Golden Boy award, established by Italian football newspaper Tuttosport to recognise the best player under the age of 21 in each calendar year.

Early winners of the award include Wayne Rooney, Messi and Cesc Fabregas. The past four editions have been won by Bellingham, Haaland and the Barcelona duo of Gavi and Pedri. Before that, it was Joao Felix, Matthijs de Ligt and Mbappe.

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For the 2014, 2015 and 2016 editions, which covered the age group we have been talking about, the winners were Sterling (then at Liverpool), Anthony Martial (then at Manchester United) and Renato Sanches (then at Bayern Munich) — exciting talents certainly, but even at that stage of their careers they did not command the same hype or expectation as a young Rooney, Fabregas or Bellingham, let alone a teenage Mbappe or Messi.

Neither did the other names who featured in the top three for the Golden Boy over those years: Rashford, Divock Origi, Marquinhos, Kingsley Coman and Hector Bellerin.

They have had long and successful careers; Marquinhos is captain of Paris Saint-Germain and has won 91 caps for Brazil; Coman has won the Champions League with Bayern Munich and played for France in the 2022 World Cup final; Origi scored for Liverpool in a Champions League final.

But even if Martial, Renato Sanches, Rashford and Origi can be accused of falling short of their potential, we are not being wise after the event to suggest they were exciting teenagers whose promise was pockmarked with inconsistencies, rather than dead certs to thrive at elite level. Maybe, for reasons that defy explanation, these were just non-vintage crops.


The ‘lost generation’ phenomenon is far starker and far more unambiguous in men’s tennis. The dominance of the ‘Big Three’ of Roger Federer, Rafael Nadal and Novak Djokovic was so extreme that they won 53 out of the 61 Grand Slam tournaments held between June 2005 and June 2020.

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There were break-out victories for Andy Murray and Stan Wawrinka (three majors each) and Juan Martin Del Potro and Marin Cilic (one apiece), but all four of those players were in roughly the same age bracket as Nadal and Djokovic.


How Federer, Nadal, and Djokovic reconfigured tennis


The real lost generation in men’s tennis was the one that that came later and, sharing the circuit with players whose genius was matched by their powers of endurance, found there was no way through. Austria’s Dominic Thiem (born in 1993) and Daniil Medvedev (1996) are the the only men born between 1989 and 2000 to have won a Grand Slam.

The latest ATP rankings tell a story: beyond Djokovic (1987) in fourth place, Bulgaria’s Grigor Dimitrov (1991) is the only player in the top 20 who was born between 1988 and 1995. It is Carlos Alcaraz (2003) and Jannik Sinner (2001) who are leading men’s tennis into the post-Big Three era.


Federer, Nadal and Djokovic (Julian Finney/Getty Images for Laver Cup)

The idea of a lost generation is certain to be far hazier in a team sport such as football, where individual performance is so much harder to quantify. The term does not truly fit when a) we are talking about a period spanning four years or so and b) almost every top-level game you watch features high-performing players from that age group, one of whom, Rodri, would have a claim to be considered the most influential player in world football over the past three or four years.

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But it seems unarguable that, as a collective, the players born in the mid-1990s have been overshadowed by the group that went before and, increasingly, by the group that has emerged since. The Ballon d’Or rankings will never tell the whole story but they help illustrate the deficit of big personalities and show-stopping talents that command the greatest attention and recognition.

The absence of a Ronaldo/Messi figure is entirely normal, but it is also a group that is strangely short of A-list goalkeepers, central defenders, wingers and centre-forwards. Almost without exception, the best players in that age group are sophisticated, adaptable ‘system players’ rather than marauding box-to-box dynamos and mercurial playmakers.

Beyond that, market forces have begun to conspire against them as the focus has switched decisively towards youth. What might have expected to be the pre-eminent age group in 2024 has begun to struggle for playing time and to be squeezed out, particularly where wages or wage demands are deemed excessive. Adrien Rabiot, 29, has been unable to find a new club since leaving Juventus in June. Memphis Depay, 30, found numerous avenues in Europe closed and ended up joining Brazilian club Corinthians. It is not clear where Sterling, 29 and surplus to requirements at Chelsea, would have ended up had Arsenal not offered him a lifeline on transfer deadline day

And Sterling, while his returns have diminished over recent seasons, has certainly been one of the standout performers in his age group: a Golden Boy winner as a teenager at Liverpool, four times a Premier League champion at Manchester City, 82 England caps and, yes, a couple of top-20 finishes in the Ballon d’Or rankings, which is more than almost any other player in that mid-1990s age group.

Should his former Manchester City team-mate Rodri be crowned the best player in men’s football in 2024, it would represent a departure in terms of profile, playing style but also age. In many ways, Rodri would be the perfect choice, the quietly brilliant standard-bearer of an age group that has largely gone unheralded.

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Unshowy, undemonstrative and, this sudden, long-overdue wave of Rodri appreciation notwithstanding, largely unheralded — fanfare, at last, for football’s jilted generation.

(Top photos: Getty Images; graphic: Meech Robinson)

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Closed-Door Romance Books That Will Make You Swoon

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Closed-Door Romance Books That Will Make You Swoon

As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.

Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.

Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.

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Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth

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Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth

SEEK THE TRAITOR’S SON, by Veronica Roth


I read Veronica Roth’s new novel for adults, “Seek the Traitor’s Son,” over one weekend and had a hard time putting it down, and not just because I was procrastinating on my house chores.

There’s much about the novel one would expect from Roth, the author of the Divergent series, one of the hottest dystopian young adult series of the 2010s. Thematically, the novels are similar. Like “Divergent,” this new book is also set in an alternate, dystopian version of our world; it is also packed with vivid, present-tense prose full of capitalized labels to let you know that something different is going on; and it also centers on a classic “Chosen One” who is burdened by the mantle of savior she carries.

These are classic tropes, but I, like many other genre fiction fans, enjoy that familiarity. Still, I’m always hoping for a subversion, a tornado twist that sucks me into imagination land.

In “Seek the Traitor’s Son,” our Chosen One is Elegy Ahn, the spare heir of the most powerful woman in Cedre. Elegy likes her life, even if it’s filled with danger. See, some time ago, a virus took over the world. The contagion is strange: Everyone who is infected dies, but 50 percent of the people who die come back to life with mysterious cognitive gifts.

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After the outbreak, Earth split into two factions: The dominant Talusar, who worship the Fever, believe it is a divine gift, willingly infect themselves with it and consider anyone who does not submit to it a blasphemer; and Cedre, a small country made up of everyone who rejects the virus and the dogma around it. They are, naturally, at war.

Early in the book, Elegy, solidly on the Cedre side, and Rava Vidar, a brutal Talusar general, are summoned by an order of prophets who tell them: One of you will lead your people to victory over the other, and one of the deciding factors involves an unnamed man whom Elegy is prophesied to fall in love with.

Elegy doesn’t want this. But the prophecy spurs the Talusar into action, and so her mother assigns her a Talusaran refugee as a knight and forces her into the fray as the Hope of Cedre.

If that seems like a lot of setup, don’t worry. That’s just the first few chapters. Besides, if you know those dystopian novel tropes, you’ll get the hang of it. Roth gets through the world exposition quickly, and after a rather jarring time skip, the plot takes off, effectively and entertainingly driving readers to the novel’s exhilarating end.

The strength of “Seek the Traitor’s Son” is Roth’s character work. Elegy is a dynamic heroine. She has a lot to lose, and she leads with love, which is reflected in the intense grief she feels for the people she’s lost in the war and the life the prophecy took from her. It’s love that makes her stop running from her destiny and do what she thinks is right to save the people she has left.

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Many authors isolate their characters to back them into bad decisions, so it’s refreshing that Roth has given Elegy a community to support her. Her sister Hela in particular is a treat. She’s refreshingly grounded, and often gives a much needed reprieve from the melodrama of the other characters’ lives. (She has an important subplot that has to do with a glowing alien plant, but the real reason you should pay attention to her is that she’s funny, loves her sister so much, has cool friends and listens to gay romance novels.) Hela and Elegy’s unwavering loyalty to each other casts a positive illumination on both characters.

My favorite character is Theren, Elegy’s knight, who is kind and empathetic to everyone but himself. As the obvious romantic lead, his character most diverges from genre standard because of the nuanced depiction of his trauma. He has been so broken by his experiences that he thinks what he can do with his body is all he can offer, and it’s worth nothing to him.

But like I said, I need subversion, and for all the creative world-building, I didn’t quite get it. The most distinct part of the novel was the setting and structure of alternate Earth, as well as the subcultures born from that setting. But after ripping through the novel, I found that those details didn’t provide nourishment for thought, and the general handwaviness of the technology and history of Earth was distractingly easy to nitpick.

I am a greedy reader, so I want my books to have everything: romance, action, an intellectual theme, novel ideas about the future, and character development. “Seek the Traitor’s Son” comes close. The novel is the first in a series, and I’m willing to hold my reservations until I read the next book. Elegy and Theren are worth it.


SEEK THE TRAITOR’S SON | By Veronica Roth | Tor | 416 pp. | $29

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Revolution is the Theme at the Firsts London Book Fair

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Revolution is the Theme at the Firsts London Book Fair

To mark the 250th anniversary of the U.S. Declaration of Independence, “Revolution” is the timely theme of the Firsts London book fair, opening Thursday in the contemporary art spaces of the Saatchi Gallery.

The fair, running Thursday through Sunday, will feature 100 dealers’ booths on three floors of the neoclassical, early 19th-century building in the upscale Chelsea neighborhood and will take place at a moment of geopolitical convulsion, if not revolution. It also coincides with a profound change in reading habits: Fewer people read for pleasure, and when they do, more often it is on a screen. And yet some physical books are fetching record prices.

Why is that? Clues can be found at Firsts London, regarded as Britain’s pre-eminent fair devoted to collectible books, maps, manuscripts and ephemera. Dealers will be responding to the revolution theme by showing a curated selection of items that document political upheavals over the centuries.

While the organizers — members of the nonprofit Antiquarian Bookseller’s Association and the International League of Antiquarian Booksellers — have been eager to expand the theme to include material that throws light on revolutions in other realms such as science and social attitudes, the momentousness of the Declaration’s anniversary has spurred dealers to bring items with ties to 18th-century America.

The New York-based dealer James Cummins Bookseller, for instance, will be offering a 1775 London printing of Congress’s declaration of the “Causes and Necessity of Taking Up Arms” against the British authorities. Mostly written by John Dickinson and Thomas Jefferson and published just a year before the Declaration of Independence, the document represents a decisive moment in the colonies’ struggle for self-determination. It is priced at $22,500.

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“We’re generalists. We’re bringing a bit of everything,” said Jeremy Markowitz, a specialist on American books at Cummins. “But this year, because of the anniversary, we’re bringing Americana that we otherwise wouldn’t have brought.”

The London dealer Shapero Rare Books will be showing a letter written in January 1797 by Thomas Paine, one of the most influential Founding Fathers, to his friend Col. John Fellows who had served with the American militia during the Revolutionary War. The text reiterates the views of Paine’s open letter to George Washington, urging him to retire from the presidency, fearing that the office might become hereditary. With an asking price of 95,000 pounds, or about $130,000. Paine’s letter to Fellows was written just weeks before Washington stood down in March at the end of his second term, a practice later enshrined in the 22nd Amendment limiting presidents to two terms.

Bernard Quaritch, another London bookseller, will be exhibiting a first edition in book form of “The Federalist Papers,” the celebrated collection of essays written in favor of the new Constitution by Alexander Hamilton, James Madison and John Jay from 1787-1788. (These texts are mentioned in Lin-Manuel Miranda’s award-winning musical “Hamilton.”) In its original binding, with the pages uncut and largely unopened, this pioneering work of U.S. political philosophy is priced at £220,000.

The fair, like the United States, has gone through its own process of reinvention. It is the sixth annual edition of Firsts London, but its origins stretch from 1958, when its more traditional forerunner, the London International Antiquarian Book Fair, was founded.

The rebranded Firsts London was initially held at an exhibition space in Battersea Park in 2019, then transferred to the Saatchi in 2021. (There is also Firsts New York and Firsts Hong Kong.) Last year the event attracted an estimated 5,000 visitors over its four days, according to the organizers, and notable sales were made.

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“Book fairs are now part of the ‘experience culture.’ In an age where everything is available at a click, fairs have to present themselves in a different way,” the exhibitor Daniel Crouch said.

Crouch will be showing two late-18th-century engraved maps printed on paper of New York by Bernard Ratzer, an engineer commissioned by the British to survey the city and its environs in 1766 and 1767 in case it became a battlefield. Ratzer’s large three-sheet map of the southern end of Manhattan and part of New Jersey and Brooklyn is priced at £240,000; his smaller map of south Manhattan at £25,000. Both date from January 1776, just six months before the Declaration of Independence was adopted in Philadelphia on July 4, 1776.

Other revolutions are also represented. The cover design of Millicent Fawcett ’s classic 1920 Suffragists tract, “The Women’s Victory — and After,” from the collection of the Senate House Library at the University of London, is the poster image for the event and the library is lending the entire pamphlet for display at the fair.

Scientific revolutions are represented by items like a 1976 first edition of Richard Dawkins’s book “The Selfish Gene,” offered at £2,250 by Ashton Rare Books of Market Harborough in Leicestershire, England. Fold the Corner Books in Surrey is offering a handwritten letter by an anonymous British spy describing scenes in Paris in 1791 during the French Revolution, and the dealers at Peter Harrington are bringing a Chinese parade banner from the Cultural Revolution. The banner and the letter are each priced at £750.

While the U.S. document’s anniversary has spurred many exhibitors to show rare 18th-century American items, the organizers stressed the fair’s wider remit.

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“We wanted to do something related to our cousins over the water, but something a bit broader than just the American Revolution,” said Tom Lintern-Mole, the chairman of this year’s London fair.

“Revolution is a concept,” he said. “It encompasses everything to do with our world. Printing itself was a revolution. It helps foment revolutions. We like to think that books make history, as well as being artifacts of it.”

In terms of making sales, science fiction and science and fantasy are genres that many traders see as the key growth areas, because of, in great part, recent Hollywood adaptations. “Affluent younger collectors are moving the needle in the market,” said Pom Harrington, owner of Peter Harrington.

Cummins is offering a 1965 first edition of “Dune” for $16,500, while the London-based Foster Books will be asking £22,500 for a 1954-1955 three-volume first edition of “The Lord of the Rings” by J.R.R. Tolkien. It is sumptuously covered in red morocco leather by the binders at Bayntun Riviere.

And with the rise of tech, online sales have increasingly replaced high street transactions, resulting in many rare-book shops closing. Tom W. Ayling, who trades from his home in Oxfordshire and is exhibiting at Firsts London, is one of the most prominent of a cohort of young dealers who sell online and at fairs without the expense of a shop.

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“I get almost all my customers through social media,” said Ayling, who has about 298,000 followers on Instagram alone.

Tolkien is a favorite subject for his engaging, regular video posts. Ayling will be bringing a copy of the author’s extremely rare collection of poems, “Songs for the Philologists.” Printed in 1936, only about 15 copies of the collection are known. Ayling is asking £65,000 for this one.

“I put as much content out there as I can to get people interested in book collecting,” Ayling said. “I want to widen the arcane world of book collecting to a mass audience.”

A mass audience collecting — let alone reading — books? That really would be a revolution.

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