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ESPN analyst Jay Williams wears many hats. Here are his 5 tips for juggling a busy schedule

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ESPN analyst Jay Williams wears many hats. Here are his 5 tips for juggling a busy schedule

Jay Williams has reached what he calls an “inflection point.”

“If I can’t be the best version of myself, then I can’t be that for the people that I love,” Williams said. “I think that’s what I’m processing now.”

Williams wears many hats these days: ESPN college basketball analyst, a regular contributor to the network’s shows like “Get Up” and “College GameDay,” co-founder of a media company, dad to a son and two daughters and a husband to his wife, Nikki. Taking on all these different roles has led to a recent self-discovery journey for Williams.

“From a self developmental point of view,” he said, “I’m leaning into a lot right now.”

Williams played for coach Mike Krzyzewski at Duke for three years, where he won a national championship and was named the consensus National Player of the Year in 2002. The Chicago Bulls selected him with the second pick in the draft that year, with the hope that Williams would become a franchise-changing guard. But in 2003, a motorcycle crash left him with severe injuries. He was 21 years old. After the crash caused his pro career to end early, Williams did what he knew best: Put his head down and barreled through, settling on a new path in broadcasting and attacking it with the same intensity and competitiveness he had as a player.

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But recently Williams has started to take a step back and reflect on each area of his life, putting much thought into what the most successful way to juggle it all could look like.

“I got out of my accident because work became basketball,” he said. “That’s how I attacked it. That’s not to say I’ve lost any of my passion or ambition for my work because I haven’t. That’s a huge part of who I am, but learning how to channel that same intentionality or try to learn how to better channel that intentionality to my kids, to my family, and to myself, that’s the inflection point.”

Just as Williams’ understandings about himself have evolved with time, the lessons he’s taken away from his experiences have, too. Here are five tools he’s been leaning on:

Learn to love the process

Somewhere on the sidelines of a college game 20 years ago, you might’ve found Williams doing tongue exercises to improve his speech and diction.

“I can show you what they were,” he said, placing his index finger and middle finger in his mouth. “You do an aaaaghhhh.”

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Following the motorcycle accident, Williams worked as an analyst for CBS Sports Network before joining ESPN. When he was starting out, he spoke with a lisp and tended to rush through his sentences, so ESPN paired him with a voice coach to work on enunciation.

But as he was carrying his own camera equipment into games and working on his speech, Williams questioned this kind of work compared to the playing career he had envisioned.

“That was hard for me,” he said. “It was hard for me not to be jealous. Not to be envious. And I missed it.”

As a player, Williams had leaned on a lesson he learned from Krzyzewski: Learn how to fall in love with the process. Over time, Williams started to apply that mentality to the work he put into his media career. He thought to himself: How do I fall in love with this process? How can I fall in love with this work?

“I think that’s when all those things started to translate for me,” Williams said.

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Intentionality is powerful

On the way to drop his daughter off at kindergarten in the morning, Williams recites affirmations with her, hoping to teach her about positive self-talk. She is at a new school with new friends and Williams wants to keep a good mindset towards it all, so together, they repeat:

I’m strong. I’m courageous. I’m gentle. I’m kind.

Williams said some of this comes from his mother.

“She always told me that I have to believe,” he said. “It was always her thing. She would always recite lines to me about, ‘If you don’t believe in yourself, who’s going to believe in you?’”

On Williams’ wrist is one of his first tattoos: Believe.

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Set time for yourself

When Williams reminds himself of his affirmations, it’s his signal to take a few moments to engage in practices he knows can help his headspace.

The first is breath work.

“It doesn’t matter where I am, it doesn’t matter what the situation is,” he said. “What you’re doing is you’re releasing a lot of that stress and a lot of that anxiety through your breathing.”

He has a specific routine where he tries to inhale as much as possible before exhaling as much as possible. He repeats that process 30 times. On his last exhale, he releases all of his breath and then proceeds to hold his breath for as long as he can.

He also has a visualization tool he uses during the routine.

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“What I do is I let those thoughts come and I let them go with each breath,” he said. “And as I breathe, I think of a string that I have attached to the top of my head and it elongates my body. When I breathe, I take it through my diaphragm and think about straightening myself out and I just close my eyes. And I think just through breath work for me, in that moment, all that other stuff disintegrates.”

Williams constantly reminds himself to “stop and slow down,” so at home he has a box where he and Nikki place their phones each night for an hour and a half, just to get away.

“We sit and we eat with our kids,” he said. “And I think (Nikki) has been very good at forcing me and challenging me to do things.”

When in doubt, Charles Barkley it

While speaking about how he views his life and the way he parents his kids, Williams brought up the triangle offense. If he were to explain in full detail the mechanics of the triangle offense to his audience on TV, the viewers would probably get lost. Instead, he might just point out a screen that contributed to a player scoring. Williams calls this “Charles Barkleying,” after the famed NBA analyst known for his sense of humor and accessibility.

“The metamorphosis process of going through my life, I try to Charles Barkley it,” he said. “I try to simplify it.”

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He started to do that at Duke. One of his weaknesses was that he would get too emotionally attached to one play. Describing himself as “type A” and a “little bit of a control freak,” Williams would get derailed if a play didn’t go exactly as he visualized it in his mind, and the play would rattle around in his head.

“If I carry that negative connotation to the next play,” he said, “I’m not in the right mindset to accomplish the next play.”

He learned the best thing for him was to watch a lot of film and confront his mistakes after the game. The film simplified things for him. It allowed him to clearly see what was going on and how to fix it, giving him confidence the next time it happened.

He tries to apply the same principles to his life, breaking everything down in a journal.

“When the day was over, I would take a pen and paper and I would think it through,” he said. “‘What happened today? Where did I go wrong? How did I see it coming into it? Was I truly prepared for that? Was I more reactive? How can I do that one differently?’ I kind of addressed the day in its totality at the end of the day.”

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Keep an eye on the water levels of your buckets

Williams called the word balance a trigger for him.

“I think it is a ghost-like term that people casually toss out there like a fish line,” he said.

To him, true balance is unattainable.

Williams views the different parts of his life as buckets that he has to remember to fill. And by viewing them as buckets, it helps reinforce the idea that having them all look the same is too much to worry about.

“When you’re running from fire to fire to fire with buckets of water, you inevitably don’t put out any of the fires,” he said. “Because by the time I pour a bucket of water on this fire, and I’m running back to the well to dip it in more water, there’s five more fires that just came out. And by the end of the day, I’m like, ‘Are any of the fires even out?’”

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Instead of worrying about all the buckets in his life all the time – being a husband, being a father, being a broadcaster, being a businessman — he tries to just make sure one bucket doesn’t get too empty at the expense of another.

“There are some buckets that are less filled than others on certain respective days, but I think I have to know for myself that it’s going to be OK,” Williams said. “I can come back to a respective bucket and fill it up a little more to try to even it out. As long as I know that I’m doing my best and I’m also making it a priority that I have the energy to keep filling up those buckets, on a day to day basis, that’s what the brevity of the situation is for me. And that’s taken me a really long time to come to the realization that if I can’t do that, nothing is going to be OK.”

All of these ideas have helped Williams create a better awareness and are part of his ever-evolving process to try to show up as the best version of himself.

(Photo: Lance King / Getty Images)

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Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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