Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s tests your memory of books you may have read during your school days — specifically, the plots of much-loved novels for young readers. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books.

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights cartoons and comic strips that were later adapted for the screen. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and some of their filmed versions.

You can hear a reading of this poem at the bottom of the page.

“The Pond at Dusk”: It’s a title that presents an image of calm, touched with the faintest shimmer of dread. You might picture a peaceful summer evening in the countryside somewhere, but you might also feel the tug of a somber metaphor in the word “dusk.” Night is falling, and this poem proceeds, nimbly and observantly, toward an unsentimental confrontation with death.

In one called “Twilight: After Haying” — there’s that dusk again — she writes that “the soul / must part from the body: / what else could it do?” What else indeed. This fatalism provides its own kind of solace. “The day comes at last.” The end is inevitable, inarguable, and there may be a balm in acknowledging that fact.

Not that “The Pond at Dusk” quite dispenses such consolation. It isn’t Kenyon’s style to offer homilies or lessons. Instead, she watches, with sympathetic detachment, standing back from the implications of her words and letting them ripple outward, toward the reader.

This is not the kind of nature poetry that gazes in wonder at the glories of creation, taking the world as a mirror of the poet’s ego. Kenyon parcels out her attention carefully, removing herself from the picture as rigorously as a landscape painter at her easel.