Culture
Can Vikings QB Sam Darnold finally find recipe for NFL success after years of dysfunction?
The crowd was roaring like it’d just seen a knockout in a heavyweight fight.
But this was not that. It was Week 1 of the 2018 season, and the New York Jets were at Ford Field in Detroit to play the Lions. The matchup was highly anticipated, a prime-time game on national television, because of the Jets’ new quarterback.
Wearing a white jersey with dark green trim, Sam Darnold crouched under center, turned his head and looked left down the line of scrimmage. He tapped his left foot backward. Once receiver Quincy Enunwa motioned across the formation, Darnold’s voice pierced the crowd noise.
“Ready, set!”
Immediately, the ball was snapped. Darnold faked a handoff and bootlegged to the right, focusing his eyes near the right sideline. A Lions pass rusher wiggled past his blockers and chased Darnold, who climbed forward, surveyed the field from right to left, reset his feet and launched a pass diagonally across his body back to the left.
The ball floated for what felt like an hour. It lingered long enough for Lions safety Quandre Diggs to stop backpedaling and sprint forward. Diggs snatched the ball out of the air for an interception, then raced the other way 37 yards for a touchdown.
The camera panned to the raucous crowd, mostly clad in Honolulu blue, and liquids spouted from cups into the sky. A horn resembling a freight train sounded through the stadium speakers. The camera then found Darnold, who gazed up at the video board for a replay and, for a second, presented such a self-deprecating facial expression that he looked like he might laugh.
The play and what happened after have a chance to be emblematic of Darnold’s entire career.
Sam Darnold looks on during that fateful first game against the Detroit Lions in 2018. (Joe Robbins / Getty Images)
So what happened after? Darnold reached the sideline and felt the muscles in his arms, which had felt like taut bungee cords, loosen. Well, it can’t get worse than that, he thought, then proceeded to complete 16 of his next 20 passes for 198 yards and two touchdowns en route to a 48-17 victory. It was a preposterous amount of adversity, then an inspiring response.
To this point, though, Darnold’s career contains much more of the former.
Still only 27, Darnold’s chance at turning the tide might ultimately hinge on his current opportunity. The Minnesota Vikings signed him to a one-year, $10 million contract this offseason, thinking he still has untapped potential but needs the right environment after three seasons with the Jets, two with the Carolina Panthers and one year behind Brock Purdy in San Francisco.
Minnesota’s skill players are exceptional. The play-action, rhythm-and-timing-oriented offense suits Darnold well. Throw in the deep bond between Darnold and Vikings quarterbacks coach Josh McCown, and the optimism sweeping the TCO Performance Center hallways makes sense.
But Darnold’s window of opportunity may not be open for long. This spring, the Vikings drafted Michigan quarterback J.J. McCarthy (who suffered a season-ending meniscus injury) to be their quarterback of the future. That plan remains, meaning Darnold’s 2024 season could be a de facto tryout to start elsewhere in 2025.
Still, many of Darnold’s former teammates and coaches are paying close attention. For one, they’re rooting for a guy who seems to be universally liked. But they also think Darnold’s story represents a broader issue: why so many top college quarterbacks fail in the NFL.
“Even the highly drafted guys need the perfect cocktail a lot of times for them to shine,” said former Jets center Jonotthan Harrison, “and very few of them get a sip of it.”
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Why Sam Darnold is a vital piece of the Vikings’ draft plans at quarterback
The night before the first round of the 2018 NFL Draft, Jets staffers swiveled in their chairs in Florham Park, N.J., tapping away at their phones for intel. Multiple agents and rival team executives provided the same tidbit: that the Cleveland Browns were leaning toward Baker Mayfield with the No. 1 pick.
Some of the Jets scouts preferred Mayfield to Darnold. Others liked Darnold. Even those who wanted Mayfield agreed: Darnold was a safer bet.
The Jets had studied every aspect of these quarterbacks’ backgrounds for more than a year. They knew Darnold’s mother was a P.E. teacher at Shorecliffs Middle School in San Clemente, Calif. They knew Darnold’s father oversaw the plumbing at several medical facilities in Orange County. They knew Darnold’s grandfather, Dick Hammer, was a part-time actor who played the role of the Marlboro Man on billboards.
Jets executives attended Darnold’s rainy pro day. At the combine, they peppered him with questions about the New York media environment. He was not a perfect prospect — many flagged his tendency to turn the ball over — but he was young and easy-going. Several on the Jets staff joked he was a Southern California native with a Midwestern vibe. Late nights? Tabloid-filled headlines? No, sir. Just hard work.
On draft night, Cleveland proved the Jets’ intuition correct. The Browns took Mayfield, leaving Darnold to Gotham. The Jets’ executives and coaches collectively cheered the pick, which, mind you, is not always the case. After one of Darnold’s first practices, coaches and executives filled a meeting room and settled into their chairs. One of the coaches blurted out, “This guy is going to be pretty damn good.”
“I remember us talking about it, like, it’s so easy for him out on the field,” said Jimmie Johnson, then the Jets’ tight ends coach.
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The early impressions traveled upstairs and reached ownership, which had already created a troubling dynamic. It was widely known internally that the coaches, including head coach Todd Bowles, needed to win to keep their jobs. But the staff knew that for as impressive as Darnold looked, and as much as ownership and the fan base wanted Darnold to play, he needed time to develop.
This created a dilemma: Do right by the kid? Or appease the bosses and the fans?
“Just because you’re drafted high doesn’t mean you’re ready to play,” Johnson said. “It just means you were drafted high because of your potential. But everything has to be instant in the NFL … and in the world.”
Darnold started in Week 1, threw the interception on his first pass and responded well. But in the ensuing weeks, his performance oscillated. The Jets had a subpar offensive line and an unimpressive receiving corps. Darnold threw three interceptions in an October matchup against Minnesota. Several weeks later, he threw four picks in Miami and sprained his foot. At that point, the Jets were 3-6.
When he injured his foot, Darnold was able to sit and learn from NFL journeyman McCown, a confidant who was then his backup. Walk past the quarterback meeting room late at night that season, and they were likely in there together, chatting about defensive structures and scribbling notes about where to throw and why. Their relationship kept Darnold afloat through the early shakiness, and when he returned in Week 14, he pieced together an effective four-game stretch, completing 64 percent of his passes and producing a 6:1 touchdown-to-interception ratio.
It was not enough to save Bowles’ job. He was fired at the end of the season, and the Jets replaced him with longtime offensive coordinator Adam Gase. When the news first surfaced, many of Gase’s former players, including Peyton Manning, publicly stated their belief in Gase as a top-notch offensive mind. A bolt of excitement flowed through the facility. Here was the perfect person to help Darnold fulfill his promise.
During his time with the Jets, Darnold developed a close relationship with backup quarterback Josh McCown, who is now his QB coach in Minnesota. (Patrick McDermott / Getty Images)
It did not play out that way for the 2019 Jets.
“No joke,” said Ryan Griffin, a longtime NFL tight end. “I would come home and be like, ‘More (crazy) Jets stuff today.’ We just had no direction.”
By August of Darnold’s second season, the initial excitement surrounding Gase’s hiring had faded. Seemingly everyone clashed with everyone: coaches, players, executives, even the training staff. Griffin had previously played for the Houston Texans and felt for players like Darnold who were dropped into the environment randomly.
“I just always felt I needed to help him out because it felt like he felt he had to do it all himself,” Griffin said. “That’s just not a recipe for success and growth.”
Then there was the subject of Gase’s offense. Five of his former players who spoke to The Athletic for this story agreed: Gase is a smart football mind. The issue lay in uploading those smarts to a second-year quarterback who was still only 21 years old. Gase was constantly hunting for the perfect play. This meant a bevy of motions and shifts, which meant lengthier verbiage for Darnold to spit out, which meant more time in the huddle.
“They were trying to fit a square peg in a round hole,” Harrison said. “I’m not saying the offensive philosophy at that time was garbage. It’s nothing negative. But it wasn’t for Sam.”
Adam Gase’s offense with the Jets was not particularly well suited to Darnold’s strengths. (Steven Ryan / Getty Images)
Center Ryan Kalil had played 12 NFL seasons in Carolina before that year. The Jets signed him as a backup, and on the practice fields in Florham Park, he quickly realized how much he’d taken system continuity for granted. He thought the longer he played, the easier it’d be to pick up any scheme. He was wrong.
The experience also fostered a deeper appreciation for the way the Panthers coaching staff had responded after drafting Cam Newton. They studied Newton’s Auburn tape, identifying the passes Newton read well and the plays where he appeared most comfortable. They played to his strengths. Newton benefitted from something totally out of his control.
“There’s so much luck that goes into this game,” Kalil said. “People don’t realize it. Lots of guys ended up being busts, and the biggest reason was because they were unlucky. They weren’t in the right system. They didn’t have the right coach. And vice-versa. Like, for every Tom Brady story, there’s a whole bunch of guys you never heard of.”
All of it affected Darnold. His sinuses flared up early in the season and his energy waned. He was diagnosed with mononucleosis. When he returned, he threw four interceptions against the New England Patriots and exited the game to find that a microphone had picked up a comment he made on the sideline: “I’m seeing ghosts.”
In the back half of the season, at the urging of offensive coordinator Dowell Loggains, the Jets simplified their passing concepts and leaned into more no-huddle. Behind Darnold, New York won six of its last eight games.
Darnold’s success did not carry over into 2020, however, and after a 2-14 season, the Jets traded him to Carolina. In his introductory news conference, he thanked the Jets for the opportunity and shouldered his own struggles. He spoke excitedly about the potential of a fresh start with the Panthers.
Yet familiar issues soon arose.
A few weeks after the Panthers added Darnold, former quarterback and 2002 NFL MVP Rich Gannon received a phone call from then-Panthers head coach Matt Rhule, who wanted to talk about his new signal caller. Gannon, who himself had gone from castoff to first-team All-Pro, had never met Darnold. But Rhule wondered if Gannon, in watching Darnold, saw a bit of himself.
“There’s a lot to like there,” Gannon told Rhule. “He’s athletic. He’s got good feet. He can extend plays. Big, live arm. Toughness.”
Rhule connected Gannon with Darnold so he could offer up his backstory as a vision for what Darnold could become.
Gannon relayed to Darnold how he’d begun his career in Minnesota and how his first couple of head coaches, Jerry Burns and Dennis Green, treated him poorly. Not until Jon Gruden’s car picked him up at the Oakland International Airport did Gannon feel like a coach truly believed in him.
The first day at the Raiders’ facility in Gruden’s offense, Gannon heard the words, “You’re my guy. We can do great things together.”
“It was the only time I felt that in my career,” Gannon said. “And you can feel that.”
Darnold’s first season in Carolina got off to a great start. The Panthers won their first three games as Darnold completed 68 percent of his passes and averaged 304 passing yards a contest. In Week 3, though, superstar running back Christian McCaffrey injured his hamstring, and the wheels began to fall off.
Darnold threw two interceptions in Week 4 against the Cowboys, three the following week against the Eagles and another in Week 6 against the Vikings.
“The weight starts to feel like it’s on his shoulders,” said one former Panthers staffer who requested anonymity to speak freely about Darnold’s experience in Carolina, “and people internally are starting to ask questions: ‘Why’s he not throwing the ball downfield? Why is the offense not explosive?’”
Coach Matt Rhule tried to cater the Panthers offense to what Darnold did well. (Jim Dedmon / USA Today)
The Panthers implemented a different approach in Week 8 against the Falcons. Darnold went just 13-of-24 passing for 129 yards but ran eight times for 66 yards, which spurred Carolina to a gritty win but also led to a shoulder injury.
Darnold didn’t practice the next week, but he played the following Sunday against the Patriots and threw three interceptions. He was then held out for the next six weeks as the shoulder healed. The Panthers finished 5-12, compelling Rhule to fire then-offensive coordinator Joe Brady and hire longtime NFL coach Ben McAdoo, who installed a system more similar to Jeremy Bates’ from Darnold’s rookie season.
Re-energized, Darnold met with McAdoo and dedicated himself to a rigorous offseason training regimen focused primarily on footwork and eye placement. During this process, the Panthers traded for quarterback Baker Mayfield, which many saw as a sign of their lack of belief in Darnold.
“You can say what you want,” the former Panthers staffer said, “but it wasn’t a fair competition. Signing a guy like that right before camp? We knew. Sam knew. And he didn’t bitch one time.”
Darnold sprained his ankle in the final preseason game, cementing the Panthers’ decision. But Mayfield struggled, and by Week 12, the coaches turned back to Darnold. McAdoo called the resulting six-game stretch, in which Darnold went 4-2, “some of the most fun I’ve had coaching football.”
In Week 17, Tom Brady erased a double-digit fourth-quarter deficit, essentially ending the Panthers’ season and Darnold’s time in Carolina. Darnold entered free agency, where he chose to move to one of the most trusted quarterback environments in the NFL in San Francisco. He spent a season behind the scenes there and surfaced this offseason in a similarly well-regarded infrastructure.
“I just believe in him,” McCown said. “I saw it. I know what he’s dealt with. He’s been through the wringer.”
Darnold was very hit or miss during his two seasons in Carolina. In 17 games as a starter, he went 8-9 and threw for 3,670 yards with 16 touchdowns and 16 interceptions. (Sarah Stier / Getty Images)
In May, during an otherwise ho-hum news conference at the Vikings’ practice facility, a reporter asked Darnold a question: What did you find out about being a young quarterback in the NFL that’s hard to understand if you’re not in that position?
Darnold listened and nodded.
He looked away, then back at the reporter and deadpanned: “Umm … I mean … How much time you got?”
The reporter laughed, which made Darnold laugh. He looked away again, then back at the reporter and said, “No, it’s a great question,” before offering a general answer. Darnold remained positive, didn’t throw anybody under the bus and moved on.
Even this is part of the NFL apparatus that contributes to young quarterbacks failing.
“We’re all glorified German shepherds in the NFL,” Harrison said. “We have to be loyal. Because if you’re not loyal to the team you’re on and if something were to slip out or you speak up, that could be your career. We’re almost sworn to secrecy if we want to get paid.”
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How NFL journeyman Josh McCown is a key facet of the Vikings’ QB development plan
Players take coaching, even bad coaching, so as not to be seen as uncoachable. They portray a sense of being bulletproof, even when they’re struggling internally, to avoid being seen as weak. Narratives are often devoid of this context, breeding laziness.
“It’s just easier to say, ‘Well, he’s bad,’” McCown said. “But you don’t really know.”
This is not to say that Darnold is faultless. In private conversations with former coaches, he would chide himself for his turnover frequency. Some of his former coaches admit that Darnold’s processing speed is lacking at times. But while that may be a hindrance, they also agree it’s on the coaching staff to construct a play style and strategy that suits Darnold’s athletic traits and feel.
Maybe that means implementing more half-field reads. Maybe it means leaning heavily into boot-action plays that allow Darnold to use his athleticism. McAdoo did that in Carolina. Gase, with the Jets, did not. Vikings head coach Kevin O’Connell likely will.
That’s how this would end if it were a Disney movie: with Darnold finally taking a sip of the perfect coaching cocktail, and the whole world understanding the recipe. There’s the innate talent, yes, but a whole heck of a lot more.
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(Top photo: David Berding / Getty Images)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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