Culture
Book Review: ‘The Butcher’s Daughter,’ by David Demchuk and Corinne Leigh Clark
THE BUTCHER’S DAUGHTER: The Hitherto Untold Story of Mrs. Lovett, by David Demchuk and Corinne Leigh Clark
For half a century — much longer, if you go back to the original 1840s penny dreadfuls — people have thrilled to the story of Sweeney Todd, the murderous London barber who cut short the lives of priests, fops, sailors and one especially loathsome judge before he met his own gruesome end. Sweeney’s tragic losses and appetite for vengeance have been well documented, most notably by the musical genius of Stephen Sondheim. But what of his partner in crime, Mrs. Lovett, who popped his poor victims into her pies? Does her tale not need attending, too?
David Demchuk and Corinne Leigh Clark’s epistolary novel “The Butcher’s Daughter: The Hitherto Untold Story of Mrs. Lovett” gives the woman beside the man her own turn in the spotlight. Part Victorian historical fiction, part grisly horror, the book follows a mysterious woman, Margaret C. Evans, a.k.a. Margery, as she recounts her life story to a never-seen (and, we learn at the opening of the book, missing) journalist, who is investigating the disappearance of Mrs. Lovett 50 years before. Though she does not disclose her true identity outright until fairly deep in the novel, it is clear within the first few pages that Margery is Mrs. Lovett, who — in a departure from the source material, where she is killed by Sweeney — is very much alive and confined to a nunnery.
Margery’s harrowing tale reframes Mrs. Lovett not as a villain but as a maligned girl fighting to survive. She’s a seductively evocative narrator, making it easy to forget that her every word should be taken with a hefty pinch of salt.
It will surprise nobody familiar with the musical that this is a gory book. The violence starts early, at Margery’s father’s butcher shop, where she is awakened each morning by the sounds and smells of sheep being slaughtered, and where it is a shame bordering on sin to let anything go to waste.
At 16, Margery catches the eye of a wealthy surgeon when a toddler is hit by a carriage in front of her shop and, in an attempt to save the child’s life, she amputates his leg. When Margery’s father dies soon thereafter, her mother sends her to work for the doctor. The horrors only increase from there: In the surgeon’s home, Margery faces medical experiments, botched abortions, Freemason conspiracies. By the time she lands in the pie shop on Fleet Street, she has been drugged and forcibly inseminated, fallen in love with a deaf prostitute, had her baby stolen and murdered the shop’s owner — oh, and discovered there’s a serial killer upstairs who keeps dropping corpses in her back room.
Demchuk and Clark have clearly done their research, crafting a ghoulish version of 1830s Britain that sets the stage for Margery’s misadventures. The book seems to be aiming for the sort of feminist reclaiming of familiar stories that have proliferated in recent years, from the lushly literary (“Circe”) to the fantastically irreverent (“My Lady Jane”). But in making Mrs. Lovett a vulnerable yet determined teenager, and in focusing on the brutal realities facing women — especially single, working-class ones — in the early 19th century, the authors lose some of the madcap genius that makes her so fun onstage. That Lovett is enterprising — an innovator, if a macabre one; this Lovett struggles to stay afloat. That Lovett is disturbingly zany; this one is, by unfortunate necessity, a realist.
This is a wild, high-octane, blood-soaked tale, but by the end, everything crimps together just a little too neatly (with one final, groan-worthy twist). Life, like baking or butchery, is a messy business. I wish the authors had left a bit more room for untidy possibilities.
THE BUTCHER’S DAUGHTER: The Hitherto Untold Story of Mrs. Lovett | By David Demchuk and Corinne Leigh Clark | Hell’s Hundred | 421 pp. | $27.95
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
-
Virginia1 minute agoDeadly crashes on Interstate 95 over 2 days prompt safety concerns along Virginia’s busy corridor
-
Washington4 minutes agoSelesnick, Azorius Momo, Wins Washington DC Regional Championship
-
Wisconsin9 minutes agoTwo critically injured in motorcycle crash near Illinois-Wisconsin state line: officials
-
West Virginia16 minutes agoWest Virginia Rallies in the Ninth to Upend Kentucky
-
Wyoming19 minutes agoYour Wyoming Sunrise: Monday, June 1, 2026
-
Crypto24 minutes agoFed Gov. Waller Champions Stablecoins and Dismisses CBDCs | PYMNTS.com
-
Finance31 minutes agoCrypto’s 24/7 Derivatives Era Is Forcing Traditional Finance To Adapt
-
Fitness34 minutes agoHybrid training: is this the secret to getting fitter and stronger?