Culture
Book Review: ‘Air-Borne,’ by Carl Zimmer
AIR-BORNE: The Hidden History of the Life We Breathe, by Carl Zimmer
At the start of 2020, a small team of scientists tried and failed to convince public health organizations that Covid-19 was spread through the air we breathe. Why they failed, and how they ultimately won, is the subject of Carl Zimmer’s new book, “Air-Borne.”
Until 2020, explains Zimmer (a New York Times science columnist), scientists thought that respiratory diseases like Covid spread through droplets, and that these droplets had a limited range. Coughed up, they fell quickly to the ground — like “soggy raisins,” to use the vivid if disgusting terminology of a 1990s health official speaking about tuberculosis.
Thus the recommendation offered by the World Health Organization: “Maintain at least one meter (three feet) distance between yourself and other people, particularly those who are coughing, sneezing and have a fever.”
“Air-Borne” shows us how the scientific community came to understand that Covid-19 transmission was less akin to shots from a gun, and more like smog in a valley. To explain, Zimmer takes us through the history of aerobiology, and in his detailed and gripping account, he ascribes the reluctance of both the Centers for Disease Control and the World Health Organization to a bias born of an ancient battle between two factions known as “miasmatists” and “contagionists.”
According to miasmatists, bad air destroyed health. In the Middle Ages, swamps meant fever. And when Benjamin Rush looked for the cause of 1793’s deadly yellow fever outbreak in Philadelphia, he smelled bags of spoiled coffee: “Their sickness commenced with the day on which the coffee began to emit its putrid smell.”
In the 1800s, when contagionists began to see germs as culprits, their theories gained ground — partly because tools had been invented to see their postulated micro-organisms. Starting in the 1870s, Robert Koch identified the bacterium that caused anthrax, then tuberculosis and cholera.
At the same time, still more microscopic organisms were shown to be airborne. The United States enlisted Amelia Earhart to track them by plane, while on the ground William Firth Wells and Mildred Weeks Wells, a brilliant if cranky couple, not known for winning over colleagues to their unorthodox way of thinking, mapped out the ways contagions spread through public spaces like schools. Their work indicated that tuberculosis was airborne. Ditto measles, still among the most contagious diseases on record.
The Wellses hoped their research could protect the troops, warning that respiratory diseases killed more men than the Germans did in World War I. Their colleagues ignored them. The Army, however, became interested in weaponizing airborne contagion, and the Wellses had shown how droplet nuclei could spread diseases over long distances.
“The bearing of these findings on bacterial warfare is far-reaching,” wrote Theodor Rosebury (in a report written with Elvin Kaba), a dentist recruited to run the Army’s secret Airborne Infection Project. Rosebury later renounced his work, which violated the Geneva Protocol’s biological weapons ban, but his writings, per Zimmer, encouraged the Soviets to build up their biological arsenal, further encouraging the United States to build up theirs.
It was a Catch-22 that endangered the world and colored the way America managed public health threats. Bill Clinton, stoked in part by a fictional plot in “The Cobra Event,” took bioterrorism as a reason to further connect public health and national defense.
Under the George W. Bush administration, Zimmer writes, billions of dollars went to fight abstract threats at the expense of actual ones — like H.I.V., tuberculosis, malaria, measles and cholera — that annually kill millions.
Through the 1990s, viruses were described in terms of war — the “single biggest threat to man’s continued dominance on the planet,” in the words of the Nobel laureate Joshua Lederberg. Slowly, researchers like Linsey Marr returned to the Wellses’ work, which was rooted in community.
An environmental engineer, Marr had shifted her focus from smog to the spread of influenza in 2009, a change inspired by her son, who regularly brought home sicknesses from day care. Marr was surprised at how little we knew about how viruses were transmitted, and she worked out the math. “Every year,” Zimmer writes, “she would turn to the chalkboard in her lecture hall and derive equations to show her students that particles much bigger than five microns can readily stay in the air for a long time.” Winds, for instance, carry grains of sand.
The resistance to work like Marr’s was fierce: As Covid spread, The New England Journal of Medicine rejected her work, while Anthony Fauci discounted a warning by Lydia Bourouiba, an engineer at M.I.T. who studied turbulence and whose research showed how breath followed the physics of aerosols, or clouds.
The debate could seem like miasmatists versus contagionists all over again. But researchers like Marr and Bourouiba were reframing public health generally, balancing the warlike defeat of a pathogen with a focus on building safe environments. “The Covid‑19 pandemic made the ocean of gases surrounding us visible,” Zimmer writes. “Air-Borne” shows us the ways seeing where we live means listening deeply — and being prepared to see what’s perhaps never been seen.
AIR-BORNE: The Hidden History of the Life We Breathe | By Carl Zimmer | Dutton | 466 pp. | $32
Culture
Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
new video loaded: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
transcript
transcript
‘Flesh’ by David Szalay Wins 2025 Booker Prize
David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”
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“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”
By Shawn Paik
November 11, 2025
Culture
Test Yourself on the Settings Mentioned in These Novels About Road Trips
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art
In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.
So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.
A poem, as it happens, about looking at a painting.
Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.
Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.
But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.
“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.
Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.
A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.
But his contemplative style makes room for passion.
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